Inhaltsverzeichnis
Werbung
4.5.3.
Mono Porta .................................................................................................................................................................................................................... 47
4.5.4.
Mono Retrig. .................................................................................................................................................................................................................. 47
4.6.
Portamento............................................................................................................................................................................ 47
4.6.1.
On ......................................................................................................................................................................................................................................... 47
4.6.2.
Log/Lin ............................................................................................................................................................................................................................. 47
4.6.3.
Portamento Rate........................................................................................................................................................................................................ 47
4.7.
5.
Die Bedienelemente im Extended Panel-Modus................................................................................... 49
5.1.
Partial Select .......................................................................................................................................................................... 49
5.1.1.
Partial Select 1-12 ........................................................................................................................................................................................................ 49
5.1.2.
Partial Copy & Paste............................................................................................................................................................................................... 50
5.1.3.
Partial Solo.................................................................................................................................................................................................................... 50
5.1.4.
Partial Mute .................................................................................................................................................................................................................. 50
5.2.
Partial Settings ..................................................................................................................................................................... 51
5.2.1.
Partial Volume .............................................................................................................................................................................................................. 51
5.2.2.
Partial Pan ..................................................................................................................................................................................................................... 51
5.2.3.
Partial Pitch Track..................................................................................................................................................................................................... 51
5.2.4.
Partial Octave .............................................................................................................................................................................................................. 51
5.2.5.
Partial Transpose ...................................................................................................................................................................................................... 51
5.2.6.
Partial Tuning .............................................................................................................................................................................................................. 52
5.2.7.
Voice Chorus................................................................................................................................................................................................................ 52
5.2.8.
Partial Chorus Fine.................................................................................................................................................................................................. 53
5.2.9.
Partial F.M. Ratio........................................................................................................................................................................................................ 53
5.2.10.
Partial F.M. Fine ....................................................................................................................................................................................................... 53
5.2.11.
Partial F.M. Amount................................................................................................................................................................................................. 53
5.2.12.
Partial Frame Speed ............................................................................................................................................................................................ 53
5.3.
Amplitude Envelope ......................................................................................................................................................... 54
5.3.1.
Amplitude Delay......................................................................................................................................................................................................... 54
5.3.2.
Amplitude Attack ...................................................................................................................................................................................................... 54
5.3.3.
Amplitude Peak ......................................................................................................................................................................................................... 54
5.3.4.
Amplitude Decay ...................................................................................................................................................................................................... 54
5.3.5.
Amplitude Sustain.................................................................................................................................................................................................... 54
5.3.6.
Amplitude Release................................................................................................................................................................................................... 55
5.4.
Harmonic Envelope .......................................................................................................................................................... 56
5.4.1.
Harmonic Delay ......................................................................................................................................................................................................... 56
5.4.2.
Harmonic Attack ....................................................................................................................................................................................................... 56
5.4.3.
Harmonic Peak .......................................................................................................................................................................................................... 56
5.4.4.
Harmonic Decay....................................................................................................................................................................................................... 56
5.4.5.
Harmonic Sustain .................................................................................................................................................................................................... 56
5.4.6.
Harmonic Release .................................................................................................................................................................................................... 57
5.5.
Vibrato ...................................................................................................................................................................................... 58
5.5.1.
Vibrato Wave................................................................................................................................................................................................................ 58
5.5.2.
Vibrato Sync ................................................................................................................................................................................................................ 58
5.5.3.
Vibrato Rate ................................................................................................................................................................................................................. 58
5.5.4.
Vibrato Carrier ........................................................................................................................................................................................................... 59
5.5.5.
Vibrato Link .................................................................................................................................................................................................................. 59
5.5.6.
Vibrato Modulator .................................................................................................................................................................................................... 59
5.5.7.
Vibrato Attack.............................................................................................................................................................................................................. 59
5.5.8.
Vibrato Bias.................................................................................................................................................................................................................. 59
5.5.9.
Vibrato S-Curve ......................................................................................................................................................................................................... 59
5.5.10.
Vibrato Quantize .................................................................................................................................................................................................... 59
5.5.11.
Vibrato Invert ............................................................................................................................................................................................................ 60
5.6.
Stereo ......................................................................................................................................................................................... 61
5.6.1.
Stereo Wave .................................................................................................................................................................................................................. 61
5.6.2.
Stereo Sync ................................................................................................................................................................................................................... 61
5.6.3.
Stereo Rate .................................................................................................................................................................................................................... 61
5.6.4.
Stereo Depth................................................................................................................................................................................................................. 61
5.6.5.
Stereo Attack ................................................................................................................................................................................................................ 61
5.6.6.
Stereo Phase ................................................................................................................................................................................................................ 61
5.6.7.
Stereo S-Curve............................................................................................................................................................................................................ 62
5.6.8.
Stereo Alternate......................................................................................................................................................................................................... 62
5.6.9.
Stereo Invert................................................................................................................................................................................................................ 62
Werbung
Inhaltsverzeichnis
