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(See ARPEGGIATOR
Section), and then
advanced using a footswitch plugged into
the rear panel ARPEGGIO TRIG IN jack,
or other triggering device, for spectacular
effects
!
Note:
If the chord
to be memorized
less than 6 notes, the remaining oscilla-
tors
will
not
sound
when
in CHORD
MEMORY
mode, thereby
reducing
instrument's
overall
output.
Use
HOLD
mode to "double
up" notes, for
fattest
sounds (see HOLD
mode).
3) UNISON
This mode
provides
monophonic
and bass line capabilities,
with
all 6 voices
assigned to one note. Individual voices are
automatically
deturned
slightly
to pro-
duce
a thick,
fat texture.
For maximum
flexibility,
' 'Last Note Priority"
is used
and "Return
to Previous Note"
capabili-
ties are provided.
Last Note Priority
causes the instru-
ment
to
always
sound
the
last note
played, regardless of how many other
keys are still depressed, or whether the
new note is higher or lower
than the
previous note.
Return
to
Previous
Note
capabil ity
allows you to easily produce trills,
slurs
and arpeggios. If one or more notes are
played and held down in succession, the
instrument
will
sound
the
last
note
played as described above. If the current
note is released, the previous note will be
automatically
replayed
if it is still held
down,
without
having to restrike
note.
If that
note
is then
released,
next previous note will be replayed, and
so forth up to a maximum of five notes.
For example, if you play and hotd down
C,
E,
D,
G,
F
in
sequence,
and
then
release F, G, D, E in sequence, you will
hear C, E, D, G, F, G, D, E, C. If you
have more than 5 notes depressed, only
the last 5 notes played will be "remem-
bered"; previous notes will be "forgot
ten".
is
Trills may be easily played by holding
one note down and rapidly playing and
releasing one or more other notes. This is
the
especially
effective
when you manually
the
arpeggiate an interval or chord above or
below the held note, letting the held note
sound
between
every other
arpeggios may be performed
and holding down the notes of a chord in
lead
sequence
and
then
releasing them
reverse
sequence.
4) POLY
This mode allows up to 6 notes to be
played simultaneously, using "rotating"
assignments with last-note priority. Each
Key pressed activates a new voice; thus,
the
old
voices
can
continue
release for a more natural and spacious
sound.
If
more
than
six
notes are held
down
at
once,
the
' 'oldest"
voices) are reassigned to the new key (s),
while
the more recently assigned voices
are undisturbed.
For example,
2, 3, 4, 5 and 6 are assigned in order to
six keys, then when you play two more
keys voices, 1 and 2 stop sounding the
old notes and are reassigned to the new
keys.
Please note; the voices that
dropped when new keys are played will
not
return
when
the
new
leased, even if the old keys are still held
that
down.
This is the opposite
the
Unison mode works (seebelow).
tf less than
6 notes
are held
any one time,
the notes that are held
down
will
continue
to sound
EG settings don't
make them fade away
"automatically").
For example,
play a 3-note chord, hold it down, and
play a melody line, the chord will con-
tinue
to sound.
Three voices will
assigned to the chord, and the other 3
will
rotate
between the melody
You don't
have to worry
"dropping
out"
from a chord or bass
note you want to hold, as long as you
hold down the note(s) you want to keep
and don't
have more
note.
Rolled
pressed at any one time. This results in a
very natural sound, with
by playing
minimum
of limits or restrictions
in
playing style.
to
sound
or
voice
(or
if voices I,
are
keys are re-
of how the
down
at
(assuming
— 26 —
if you
stay
notes.
about voices
than
six keys de-
an absolute
on your
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