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example, with POLY and HOLD modes
activated,
play C twice,
G above once,
and C one octave higher three
times,
and
then
depress
CHORD
MEMORY.
The resulting
monophonic
sound is just
as strong as in UNISON
mode, and yet
has a distinctive
timbre
which
is unavail-
able by any other means.
Doubling
also allows
the remaining
voices
to
be
utilized
whenever
memorized
chord
is
less than
6 notes.
(As an example, you can play a C and G
three
times
each
with
POLY
and
HOLD
modes
activated,
and
then
depress
CHORD
MEMORY.
The resulting
open
fifth
interval
wili
utilize
all six voices,
and therefore
possess considerably
more
power
than
the
two
voice
sound
that
would
have
resulted
without
using
HOLD.
Once memorized,
this interval
can be recalled at any time by redepress-
ing CHORD
MEMORY.
2) CHORD
MEMORY
This mode allows
you to "memorize"
an interval
or chord of up to 6 notes, and
then produce parallel harmon ies based on
that interval or chord with
monophonic
("one-finger")
playing.
It
effectively
eliminates the need for manual tuning of
oscillators
to form intervals
or chords, for
greater user convenience.
To enter an interval
or chord
into Chord
Memory :
l. Select
POLY
Assign
mode;
(Select
POLY or
UNISON/SHARE
Assign
modes; )
2. Play and hoid the desired chord;
3. Depress CHORD MEMORY.
If chord is too big to play with
Note:
one hand, depress HOLD,
play the indi-
vidual
notes of the chord one at a time,
and then depress CHORD
MEMORY.
Taste auf der Klaviatur
gleichzeitig
drückt, übernimmt
das unterste VCO den
Ton.
the
Alternately,
plug a momentary
switch
into
the rear panel Chord
mory
Footswitch
jack, play the chord
with
both hands, and depress the foot-
switch.
With CHORD MEMORY on, a single
key depression transposes the memorized
chord or interval
so that its lowest note is
the same as the note you just played.
Playing a new note will
retranspose the
chord so that its lowest note again co-
incides with the new note played, and so
forth.
The lowest
note of the chord will
always
be the
same as the
depressed. In effect, the synthesizer
haves as if in the UNISON mode, except
that
the
oscillators
are automatically
ge-
fur et å mesure que les touches du clavier
sont jouées. Lorsque six ou plus de six
touches
sont
jouées en méme temps,
l'oscillateur
VCO au numérotage
faible passe sur une nouvelle hauteur de
son.
—
VCOI
—
VC02
—VC04
—VC05
foot-
tuned
to memorized
intervals
Me-
to the same note. "Last Note Priority"
and "Return
to Previous Note" capabili-
ties all apply in CHORD
with
UN ISON mode.
The user may freely select other Key-
board Assign modes (eg- POLY or UNI-
SON)
without
erasing the
chord, which can be later recalled •by
repressing
CHORD
MEMORY
keys depressed).
A memorized
be
erased
if
CHORD
MEMORY
pressed
while
in the
POLY
last key
keys are held down.
It will also be erased
be-
when the synthesizer
is turned
In addition
to being played from the
keyboard,
a memorized
— 25 —
Ie plus
—
VC03
—
VC06
Returns
to VCOI
Rückkehr zum V COI
Retourne å l'oscillateur VCOI
Vorver
a VC01
instead
of
be arpeggiated using the built-in Arpeggia-
tor.
After
the
desired
rized, switch on the Arpeggiator and play
MEMORY,
as
the note pattern you wish to be arpeg-
giated. The "memorized"
move in parallel harmony, according to
the notes in the arpeggiator pattern. For
memorized
example, first memorize any major triad
(eg., C, E, G) using CHORD MEMORY
(with
no
then activate the Arpeggiator and play a
chord will
C Major 7th (C,E,G,B) on the keyboard
is de-
You will hear a C Major tTiad, E Major
modes
and
triad, G Major triad and B Major triad in
sequence,
according
off.
range
selected.
quence
of chords can also be memorized
chord may also
by the Arpeggiator
chord
is memo-
cho,d will then
to
the pattern
and
Furthermore,
this
se-
in its I' Latch"
mode
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