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8.4.
Der Matrix-Arpeggiator .................................................................................................................................................. 69
8.4.1.
Die Matrix Arp-Hauptseite .................................................................................................................................................................................... 70
8.4.2.
Polyphone Arpeggios ............................................................................................................................................................................................ 70
8.4.3.
Approach-Noten ........................................................................................................................................................................................................ 70
8.4.4.
Play Modus: Matrix Arp........................................................................................................................................................................................... 71
8.5.
Sequenzer-Management ................................................................................................................................................ 71
8.5.1.
Aktuelle Sequenz kopieren (Copy current Seq)....................................................................................................................................... 71
8.5.2.
Sequenz einfügen (Paste Seq) .......................................................................................................................................................................... 71
8.5.3.
Sequenz einfügen und automatisieren (Paste Seq + Autom)...................................................................................................... 72
8.5.4.
Aktuelle Sequenz löschen (Clear Current Seq)...................................................................................................................................... 72
8.5.5.
Noten löschen (Erase Notes).............................................................................................................................................................................. 72
8.5.6.
Automation löschen (Erase Automation)................................................................................................................................................... 72
9.
Schrittaufnahme und -editierung ................................................................................................................... 73
9.1.
Was ist der Unterschied?............................................................................................................................................... 73
9.2.
Overdub ON vs. Overdub OFF.................................................................................................................................... 73
9.3.
Schrittaufnahme ................................................................................................................................................................. 73
9.3.1.
Einen Schritt eingeben / bearbeiten .............................................................................................................................................................. 74
9.3.2.
Mehrere Schritte eingeben / bearbeiten.................................................................................................................................................... 75
9.4.
Schritteditierung: Noten ................................................................................................................................................. 75
9.4.1.
Noten hinzufügen oder löschen........................................................................................................................................................................ 75
9.4.2.
Ändern der Dauer ..................................................................................................................................................................................................... 76
9.4.3.
Auswahl eines lila leuchtenden Schritts..................................................................................................................................................... 76
9.4.4.
Die Schritteditierung beenden .......................................................................................................................................................................... 77
9.5.
Schrittaufnahme: Modulationen ............................................................................................................................... 77
9.5.1.
Eingeben / Editieren eines Modulationsschritts ..................................................................................................................................... 77
9.5.2.
Eingeben / Editieren mehrerer Modulationsschritte .......................................................................................................................... 78
9.5.3.
Eine Modulationsspur löschen.......................................................................................................................................................................... 78
10.
Der Morph-Modus................................................................................................................................................... 79
10.1.
Was genau ist der Morph-Modus? ........................................................................................................................ 79
10.1.1.
Morph vs. Crossfade ............................................................................................................................................................................................... 79
10.2.
Der Morph-Regler........................................................................................................................................................... 80
10.3.
Morphing mit Morphée............................................................................................................................................... 80
10.4.
Morph und Modulations-Routings ......................................................................................................................... 81
10.5.
Morphing-Sounds............................................................................................................................................................. 81
10.5.1.
Sounds A und B bearbeiten .............................................................................................................................................................................. 81
10.5.2.
Morph-Werkzeuge ................................................................................................................................................................................................ 83
10.6.
Was kann gemorphed werden?........................................................................................................................... 84
10.6.1.
Mixer-Modulationsziele (Filter-Routing).................................................................................................................................................... 84
10.6.2.
LFO 1 / LFO 2-Wellenformen.......................................................................................................................................................................... 85
10.6.3.
LFO 1-3 Retrigger-Modi....................................................................................................................................................................................... 85
10.6.4.
LFO 1-3 Sync ............................................................................................................................................................................................................. 86
10.6.5.
LFO 3 Single .............................................................................................................................................................................................................. 86
10.6.6.
LFO 3 XLFO 1.............................................................................................................................................................................................................. 87
11.
Die Effekte ..................................................................................................................................................................... 88
11.1.
Das FX-Routing .................................................................................................................................................................... 88
11.2.
Modulation............................................................................................................................................................................. 89
11.3.
Delay ......................................................................................................................................................................................... 89
11.3.1.
Delay-Bedienelemente.......................................................................................................................................................................................... 89
11.3.2.
Delay Sync-Optionen ........................................................................................................................................................................................... 90
11.3.3.
Delay Filter-Optionen ........................................................................................................................................................................................... 90
11.4.
Reverb ..................................................................................................................................................................................... 90
11.4.1.
Reverb Filter-Optionen.......................................................................................................................................................................................... 90
12.
Einstellungen (Settings) ........................................................................................................................................ 91
12.1.
Übersicht ................................................................................................................................................................................. 91
12.1.1.
Preset-Einstellungen ................................................................................................................................................................................................ 91
12.1.2.
Preset / Voice Settings .......................................................................................................................................................................................... 91
12.1.3.
Global Settings........................................................................................................................................................................................................... 92
12.2.
Preset: Voice........................................................................................................................................................................ 92
12.2.1.
Voice: VCO .................................................................................................................................................................................................................... 92
12.2.2.
Voice: Envelopes ...................................................................................................................................................................................................... 95
12.2.3.
Voice: LFO .................................................................................................................................................................................................................... 96
12.2.4.
Voice: Allocation........................................................................................................................................................................................................ 97
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