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Basic Recording; Preparations - Yamaha DSP-AX1 Bedienungsanleitung

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REC OUT/ZONE 2 allows you to record one source while viewing and/or listening to another source.

Preparations

STANDBY/ON
REC OUT/ZONE 2
SOURCE/REMOTE
LD
DVD
D-TV
MD
CBL/SAT
TAPE
TUNER
VCR 1
VCR 2
CD
VCR 3
PHONO
VIDEO AUX

Basic Recording

1
Turn on the power to the DSP-AX1 and all connected equipment.
1
Select the source equipment you want to record using REC OUT/
2
2
ZONE 2.
• To record the current source, set REC OUT/ZONE 2 to SOURCE/
REMOTE.
• To record a source that you do not want to reproduce, set REC OUT/
ZONE 2 to the source you want to record.
Start playback (or select a broadcast station) on the source
3
3
equipment.
Start recording on the recording equipment
4
4
• If you want to listen to another source, and REC OUT/ZONE 2 is not set
to SOURCE/REMOTE, select the source you want to reproduce with
INPUT SELECTOR and adjust the volume.
Notes:
• Do a test recording before you start an actual recording.
• When this unit's power is off, you cannot record between other equipment
connected to this unit.
• Operating BASS and TREBLE, BASS EXTENSION, BALANCE, VOLUME,
and DSP programs do not affect the recorded signal.
Caution:
• The
RF (AC-3) input signal cannot be output using REC OUT/ZONE 2.
Special considerations when recording DTS
software
The DTS signal is a digital bitstream. Attempting to digitally record the DTS
bitstream will result in noise being recorded. Therefore, if you want to use this
unit to record sources that have DTS signals recorded on them, the following
considerations need to be made.
For DTS encoded LDs, DVDs, and CDs:
Only 2-channel analog audio signals may be recorded as follows:
Laser Discs:
Set your Laser Disc player's left and right outputs to the analog soundtrack.
DVDs:
Use the disc menu to set the DVD player's mixed 2-channel left and right audio
outputs to the PCM or Dolby Digital soundtrack.
Compact Discs:
The DTS signal recorded on CDs can only be output as a digital bitstream, and
therefore cannot be recorded.
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