5�2�1�2 Setting The Sum Channel; Signal Buses; 5�2�2�1 Assignments For An Input Selected - IMG STAGELINE DELTA-160 Bedienungsanleitung

5.2.1.2 Setting the sum channel
1) Use the Fader M (14) to set the volume of the stereo sum�
The LED VU meters (7) will always show the level of the sum signal
after the Fader M (14)�
2) The key M (MUTE) next to the fader M is used to mute the stereo
sum channel� The key will be illuminated to indicate muting� To
unmute, press the key once again�
Note: The key SENDS (13) must not be illuminated (press the key if required)�
3) To monitor the sum signal via headphones, press the key SOLO to
send the signal to the Solo bus� It will, however, be automatically
sent to the Solo bus if the Solo function has not been selected for
any other channel (
4) For additional settings of the sum channel, call up the stereo sum
view (fig� 7)� To do this, press the key SEL next to the fader M (14)�
1 2 3 4 5 6 7
Clip
+12 +12
0 0
−12 −12
−24 −24
−36 −36
−48 −48
−60 −60
OUT1 OUT2 OUT3 OUT4 OUT5
Clip
+12 +12
0 0
−12 −12
−24 −24
−36 −36
−48 −48
−60 −60 Bus1 Bus2 Bus3 Bus4
Fig. 7 Stereo sum with VU meters for inputs and outputs
The VU meters for all input channels and for all outputs are dis-
played on the left� The current assignment for each output is also
displayed�
The channel strip for the stereo sum is displayed on the right� It
contains the following information (from top to bottom):
– analog outputs assigned, e� g� "OUT 7&8" (
– insert effects used, e� g� Mod 1, Rev 2 or GEQ 1 (
INSERT will be displayed if no effect has been assigned to the
insert point
– miniature curve of the parametric equalizer (
– all input channels and signal buses that have been assigned to
the stereo sum, including the signal part adjusted (fader)
☞
– channel name (
– volume setting (fader) for the sum channel
– stereo balance BAL
– status indication ⓣ when the signal delay has been activated
– SOLO status and MUTE status
– signal level (bar graphs on the right)
5) To adjust the stereo balance of the sum signal or to adjust a signal
delay, tap the lowermost section of the channel strip� The view
shown in fig� 8 will be displayed�
6) To change the stereo balance, tap the field underneath BAL�
The field will have a yellow frame� Use the control ADJUST (6) to
adjust the ratio between the left stereo channel and the right
stereo channel� To make it easier to reset the setting to the centre
position "50|50", tap the display field twice�
7) To adjust a signal delay, tap the control displayed in the field
"Delay"� Use the control ADJUST to adjust the corresponding delay
value and tap IN to activate or deactivate the delay�
Note: The unit of measurement (ms, ft, m) for all delay settings can be selected
in the setup menu (
8) When all settings have been made, tap �� to close the window�
32
☞
chapter 5�1�4)�
USB
8 9 10 11 12 ST1 ST2 S/PDIF
USB
OUT6 OUT7 OUT8 S/PDIF
Bus5L Bus5R L R
☞
☞
chapter 6�1)
☞ chapter 7�3)�
OUT 7&8
GEQ 2
CH 2
CH 5 CH 6
CH 9 CH 10
ST 1 ST 2
Bus 5 50|50
Bus 7 50|50
Bus 8 50|50
L/R MIX OUTPUT
+2 dB
SOLO
MUTE
Fig. 8 Balance and delay of the stereo sum
OUT 7&8
GEQ 2
INSERT

5.2.2 Signal buses

EQ
The mixer features 8 signal buses offering a variety of functions:
– subgroups for combining multiple channels for joint signal pro-
CH 2 CH 3 CH 4
cessing (e� g� chorus voices or various instruments of a drum set)
CH 5 CH 6 CH 7 CH 8
CH 9 CH 10 CH 11 CH 12
– auxiliary sends for stage monitors or in-ear monitoring
ST 1 ST 2 SPDIF USB
– buses for joint use of internal effects
Bus 5 50|50
– auxiliary sends for external effects
Bus 7 50|50
Bus 8 50|50
– subgroups for mixing a recording signal
Buses 1– 4 are mono buses; buses 5 – 8 are stereo buses� The signals
L/R MIX OUTPUT
BAL
+2 dB
of all input channels can be assigned to the buses� In addition, the
50/50
outputs of the mono buses can be assigned to the stereo buses�
SOLO
All bus signals can be routed to the stereo sum and/or sent to any
MUTE
analog outputs� The signals of the stereo buses can also be routed to
the digital outputs (
5.2.2.1 Assignments for an input selected
To assign an input channel to one or more signal buses:
1) Press the key IN 1– 8 or IN 9 – 20 (13) to call up the input channel
overview (fig� 3) for the range of the corresponding channel� Press
chapter 5�2�4)
the corresponding key SEL (10) to select the channel� The key will
☞
chapter 5�7�1);
be illuminated and the channel strip in the view will be highlighted�
2) Press the key SENDS (13) so that it is illuminated�
The fader (9) and the keys M (12) and SOLO (11) now refer to
chapter 5�3�2)
the signal buses BUS 1– 8� The keys have functions deviating from
their marking�
3) The key M can be used to route the signal of the input channel
selected to the corresponding bus�
When an assignment has been made, the key M will be illuminated
and the name of the bus and the current level adjustment will be
indicated in the central section of the channel strip of the input
channel�
4) Use the fader to make the level adjustment (the signal part of the
input channel to be sent to the bus)� To quickly set the value 0 dB,
press the key SOLO�
5) For additional settings, tap the central section of the channel strip�
The Send view of the input channel selected will be displayed
(fig� 9)�
6) Define for each of the signal buses assigned if the signal is picked
up ahead of (Pre Fader) or after (Post Fader) setting the channel
volume� To switch over, tap the corresponding button�
Note: For taking off a monitor signal, it is recommended to use the setting
"Pre Fader"� Thus, the volume on stage can be adjusted independently of
the sound for the audience (FOH)� For effects, "Post Fader" is usually useful:
When the volume of the channel signal changes, the volume of the effect
will change accordingly�
7) When the input channel has been assigned to one of the stereo
buses (Bus 5 – 8), the stereo position of the signal (for mono input
INSERT
L/R MIX OUTPUT
EQ
Delay
CH 3 CH 4
IN
CH 7 CH 8
CH 11 CH 12
0.0 ms
SPDIF USB
BAL
50 | 50 50 | 50
BAL
50/50
Solo Mute
☞ chapter 5�2�4)�
X
Fader Meter
Clip
+2.0 dB +2.0 dB
+12 +12
10 10
0 0
0 0
−12 −12
−24 −24
−36 −36
−48 −48
−∞ −∞
−60 −60