Effect Unit; Headphones And Monitor System; Wireless Lan Adapter For Remote Control; 10 Power Supply - IMG STAGELINE DELTA-160 Bedienungsanleitung

4.7 Effect unit

To integrate an external effect unit, connect its input to the output
OUT (17) which has been assigned to the signal bus used for the
Send signal�
Connect the output of the effect unit to any line level input of
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the mixer ( chapter 4�2)�
Stereo effect units will also be able to use the digital inputs and
outputs�

4.8 Headphones and monitor system

Connect stereo headphones to the 6�3 mm jack H�P (18) to monitor
the Solo bus signals� To monitor these signals via an amplifier system,
connect the amplifier system to the jacks MONITOR (23)�

4.9 Wireless LAN adapter for remote control

For remote control via a mobile device, connect the wireless LAN
adapter supplied with the mixer to one of the two USB ports (3)�

4.10 Power supply

Connect the power supply unit provided to the power supply jack (22)
and to a mains socket (230 V/ 50 Hz)�

5 Operation

To switch on the mixer, press the key
The settings of the most recent operation will be loaded� The mixer
is ready for operation� The screen (1) will show an overview of the
input channels IN 1 – 8 (fig� 3)�
To switch off after operation, keep the key
message "Power off – Shutting down..." appears� [To activate the key
☞
lock, press the key briefly (
mixer is not used for a longer period of time, disconnect the power
supply unit from the mains�
The mixer can partly be operated via the screen or the keys and
faders on the unit� For setting most parameters, it is necessary first to
tap the control elements displayed on the screen in order to be able
to set the value by means of the control knob ADJUST (6)� For many
parameters, a fine adjustment can be made when the knob is pressed
and turned at the same time� This will allow a more precise adjustment
than mere operation via the screen where the control elements are
usually adjusted by swiping�
Mic IN Mic IN Mic IN
GEQ 2 REV 1 REV2 INSERT
48V REV HPF 48V REV HPF 48V REV HPF 48V
EQ EQ EQ
GATE COMP GATE COMP GATE COMP GATE
Bus 1 Bus 1 Bus 2 Bus 1 Bus 2 Bus 1
Bus 6 50|50 Bus 6 50|50 Bus 6 50|50 Bus 6
Bus 7 30|70 Bus 7 30|70 Bus 7
CH 1 CH 2 CH 3
-1 dB PAN -1 dB PAN -1 dB PAN -1 dB
50/50 50/50 50/50
L&R L&R L&R
SOLO SOLO SOLO
MUTE MUTE MUTE
Fig. 3 Overview of the input channels
(2) for approx� 5 seconds�
(2) pressed until the
chapter 7�6)�] To save power when the
Mic IN Mic IN Mic IN Mic IN
INSERT INSERT INSERT
REV HPF 48V REV HPF 48V REV HPF 48 V REV
EQ EQ EQ EQ
COMP GATE COMP GATE COMP GATE COMP
Bus 2 Bus 1 Bus 2 Bus 1 Bus 2 Bus 1 Bus 2
50|50 Bus 6 50|50 Bus 6 50|50 Bus 6 50|50
30|70 Bus 7 30|70 Bus 7 30|70 Bus 7 30|70
CH 4 CH 5 CH 6 CH 7
PAN -1 dB PAN -1 dB PAN -1 dB PAN
50/50 50/50 50/50 50/50
L&R L&R L&R L&R
SOLO SOLO SOLO SOLO
MUTE MUTE MUTE MUTE
In the overview of the input channels (fig� 3), a strip for each input
channel is displayed� The following information is displayed (from
top to bottom):
– type of input, e� g� "MIC IN" or "ST IN"
– insert effect currently used for this input, e� g� Mod 1, Rev 2 or GEQ 1
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( chapter 5�7�1); INSERT will be displayed if no effect has been
assigned to the insert point
– status indications for phantom power (
☞
inversion (
signal delay (
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( chapter 5�1)
– miniature curve of the parametric equalizer (
– miniature curves and status indications for dynamic processing
☞
( chapter 5�4)
– all signal buses to which the input channel has been assigned includ-
ing the signal part adjusted (Send control) and the stereo position
adjusted for stereo buses (
– channel name (
– volume adjustment "Fader" for the input channel (bar graph on
the left)
– PAN (mono channels)/BAL (stereo channels) stereo position or stereo
balance of the signal (
– assignment to the stereo sum "L&R" (
– SOLO status (
– signal level (bar graph on the right, in case of stereo channels for
both sides)
The steps described below are merely an aid; other procedures are
possible�

5.1 Matching the input signal

To prevent the input channels from being overloaded and to achieve
an ideal signal-to-noise ratio, first match the input gain of all channels
used to the input signal� If a microphone connected or any other
signal source requires phantom power, please refer to chapter 5�1�1�
1) Press the key IN 1 – 8 or IN 9 – 20 (13) to call up the input channel
overview (fig� 3) for the range of the corresponding channel� Press
the corresponding key SEL (10) to select the channel� The key will
be illuminated and the channel strip in the view will be highlighted�
Note: The key SENDS (13) must not be illuminated (press the key, if necessary)�
Mic IN
INSERT
HPF 48V REV HPF
Alternatively, swipe your finger horizontally across the screen (1)
EQ
to change the view and tap the corresponding channel strip to
select the channel�
GATE COMP
2) Tap the topmost section of the channel strip to call up the view for
matching the input (fig� 4)�
Bus 1 Bus 2
3) For ideal level control, use the control "Gain" (for mono channels)
or "Trim" (for stereo channels) to adjust the gain in such a way that
Bus 6 50|50
Bus 7 30|70
the level in the lower left corner of the view is approx� 0 dB (which
is the range where the bar graph changes from green to yellow)�
The LED VU meter (8) will also indicate the signal level� The topmost
CH 8
-1 dB PAN
red section of the bar graph must never light up for signal peaks;
50/50
L&R
the signal will be distorted when the input channel is overloaded�
SOLO
MUTE
A larger level indication can be found in the view "Channel output"
(fig� 6)� Tap the lowermost section of the channel strip to call up this
view� In the level overview (
indicated before the level is matched by means of "Gain" or "Trim"�
4) The mono sum for analog stereo inputs can be created from the
stereo signal via the button "SUM" if required� It is indicated in
blue ("SUM") at the top of the channel strip�
5) To select another input of this group for processing, press the
corresponding key SEL or tap  or �
☞
chapter 5�1�2), high-pass filter (
☞
chapter 5�1�3), mono summing for stereo inputs
☞
chapter 5�2�2)
☞
chapter 6�1)
☞
chapter 5�2�1)
☞
chapter 5�2�1)
☞
chapter 5�1�4) and MUTE status (chapter 5�2�3)
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chapter 6�3), the signal level can be
chapter 5�1�1), signal
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chapter 5�3�1) and
☞
chapter 5�3�2)
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