Yamaha REV7 Bedienungsanleitung Seite 15

(dB)
DELAY TYPE `
DIRECT SIGNAL
‚ 1ST REFLECTION
IST REF. LEVEL
DELAY LEVEL
LEFT DELAY (TIME}
ME
1ST REF.
DELAY
RIGHT DELAY
TIME
1. INITIAL DELAY. Range: 0.1 ~ 100 msec. Key: INITIAL
DELAY.
Allows you to program in an additional delay time which
equally affects both output channels. This brings the total
possible delay time up to 1 full second.
. 1ST REFLECTION DELAY. Range: 0.1 ~ 100 msec.
Key: 1ST REF.
. 1ST REFLECTION LEVEL. Range: 0 ~ 100% of direct
signal level. Key: 1ST REF.
Same as for REV type presets.
. LEFT CHANNEL DELAY TIME. Range: 0.1 ~ 900
msec. Key: F1.
. RIGHT CHANNEL DELAY TIME. Range: 0.1 ~ 900
msec, Key: F2.
Permits highly accurate independent setting of the left
and right delays. Note that the Initial Delay time is added
onto these delay times.
. DELAY LEVEL. Range: 0 ~ 100% of direct signal level.
Key: F3.
Permits simultaneous setting of left and right delay level,
as a proportion of direct signal level.
LEFT CHANNEL DELAY
ECHO TYPE
DIRECT SIGNAL ist REFLECTION
(dB) — 100%
1ST REF. LEVEL
LR
(TIME)
1ST REF.
DELAY
INITIAL
DELAY
. INITIAL DELAY. Range: 0.1 — 100 msec. Key: INITIAL
DELAY.
Allows you to program in an additional delay time which
equally affects both output channels. The first echo will
not appear until this delay time and the echo delay time
have elapsed. |
. IST REFLECTION DELAY. Range: 0.1 ~ 100 msec.
Key: 1ST REF.
. 1ST REFLECTION LEVEL. Range: 0 ~ 100% of direct
signal level. Key: 1ST REF.
Same as for REV type presets.
. LEFT CHANNEL DELAY TIME. Range: 0.1 ~ 450 msec.
Key: F1.
. RIGHT CHANNEL DELAY TIME. Range: 0.1 ~ 450
msec. Key: F2.
Permits highly accurate independent setting of the left
and right delays. After this delay time has elapsed (plus
the Initial Delay time) the first echo will appear. Sub-
sequent echoes will appear at the same time interval, the
number of echoes depending on how the Feedback Gain
parameter is set.
. FEEDBACK GAIN. Range: 0 ~ 99%. Key: REV TIME.
This parameter permits adjustment of the number of
echoes that follow the direct signal, from zero to a vir-
tually infinite repeat at the maximum setting. The overall
decay time of the effect is proportional to the Feedback
Gain setting.
. HIGH DAMP. Range: 0 ~ 10. Key: ЕЗ.
This effect is produced by inserting a low-pass filter in the
REV? feedback loop. This causes a gradual suppression of
the high frequency content at each echo. Effectively, this
means that the high frequency reverb time becomes
shorter in relation to the midrange reverb time. A bright,
. unfiltered direct signal blended with a more muted echo
can often create an authentic and pleasing acoustic effect.
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