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Harman dbx DDP Bedienungsanleitung Seite 33

Digitaler dynamikprozessor
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Section 6: Appendices
Mono Setups
Default #1
Default #2
Default #3
Default #4
Default #5
Default #6
Swift Kick
Fat Kick
Solid Kick
Thick Kick
Brite Snare
Rim Shot
Slam Snare
Tom's Toms
Tight Toms
Ringin Toms
CongoCongas
Tambourine
Sh-shaker
Funk Bass
Punchy Bass
Slap Bass
Rumble Bass
Martin's Gt
F-Pick AcGt
Folk Rock Gt
Twang E Gtr
2x12 Guitar
Monster Gtr
FunkStompGt
Low Strings
Hi Strings
LushStrings
Horns O Luv
Mello Horns
Horn Splat
Brite Horns
7ft Grand
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Upright Pno
Tight Voc
Small Voc
De-ess Voc
Country Voc
Clear Voc
Ambient Voc
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EQ-G-Cmp-L . . . ."Default set-up with all values set to zero, for use when building a custom set-up from
scratch."
EQ-G-Cmp-DS . ."Default set-up with all values set to zero, for use when building a custom set-up from
scratch."
EQ-Cmp-DS-L . . ."Default set-up with all values set to zero, for use when building a custom set-up from
scratch."
SEQ-G-Cmp-L . . ."Default set-up with all values set to zero, for use when building a custom set-up from
scratch."
SEQ-G-Cmp-DS . ."Default set-up with all values set to zero, for use when building a custom set-up from
scratch."
SEQ-Cmp-DS-L . ."Default set-up with all values set to zero, for use when building a custom set-up from
scratch."
EQ-G-Cmp-L . . . ."Medium Compression, heavy Gating with a push in the bottom."
EQ-G-Cmp-L . . . .Heavier Compression and EQ with lots of gating.
SEQ-G-Cmp-DS . .Heavy Compression and Gating with the bottom ringing.
SEQ-G-Cmp-L . . .Medium Compression on the mids and heavy gating on everything else.
EQ-G-Cmp-L . . . .Heavy Compression with a lot of gating and a dip at 400 Hz.
EQ-G-Cmp-L . . . .Heavier Compression with lots of gating and a dip in the bottom.
SEQ-G-Cmp-L . . ."Medium Compression on the bottom with some gating, and a push at 315 Hz."
EQ-G-Cmp-L . . . .Medium to heavy compression with some gating and EQ to accentuate the ring.
EQ-G-Cmp-L . . . ."Heavy Compression with medium gating, a boost in the low mids, and the bottom rolled
out."
SEQ-G-Cmp-L . . .Medium Compression on the top and gating.
EQ-G-Cmp-L . . . .Light to medium compression with some gating and EQ to bring the top out.
EQ-G-Cmp-L . . . .Medium compression with some gating and EQ to mellow out the top end.
EQ-G-Cmp-L . . . .Light compression and gating with the bottom rolled out.
EQ-G-Cmp-L . . . ."A boost in the deep bass with a cut in the mid-bass, medium compression and a little
gating.."
SEQ-G-Cmp-L . . .Sidechain EQ with light compression to enhance the low mids and a fair amount of gat-
ing.
EQ-G-Cmp-L . . . .EQ with heavy compression and a lot of gating.
EQ-Cmp-DS-L . . .Light overeasy compression with the top rolled out.
EQ-G-Cmp-L . . . .Mild compression with a little EQ for your prized acoustic guitar.
EQ-G-Cmp-L . . . .Medium Compression with a little gating and EQ to keep your picking under control.
SEQ-G-Cmp-L . . .Sidechain EQ combined with medium to heavy Compression to keep from feeding back.
EQ-G-Cmp-L . . . .Light Compression with a tiny boost in the top end to shine through.
EQ-G-Cmp-L . . . .Heavy Compression and gating with some sidechain EQ to keep the bottom punchy.
EQ-G-Cmp-L . . . .Medium Compression with a big boost on the bottom.
EQ-G-Cmp-L . . . .Medium Compression with heavy gating and wild EQ.
EQ-G-Cmp-L . . . .Light overeasy compression with a boost in the bottom end.
SEQ-G-Cmp-L . . .Light compression with a bump in the sidechain EQ to minimize harshness.
EQ-G-Cmp-DS . .Very light compression with a push in the low end.
EQ-G-Cmp-L . . . .Medium Compression with some added top and bottom.
SEQ-G-Cmp-L . . .Sidechain EQ pushed in the upper mid with medium compression.
EQ-G-Cmp-L . . . .Medium to heavy overeasy compression with a push on the top.
SEQ-G-Cmp-L . . .Medium compression with a real gentle curve on the sidechain EQ.
EQ-G-Cmp-L . . . .Very light overeasy compression with a little more bottom and top.
EQ-G-Cmp-L . . . .Medium compression with a small bump in the midrange.
EQ-Cmp-DS-L . . .Medium overeasy compression with some of the real low end rolled out.
EQ-G-Cmp-DS . .Medium compression and gating with the top and bottom rolled out.
SEQ-Cmp-DS-L . .Medium Compression with the sidechain EQ bumped at 8KHz to control the sibilance.
EQ-G-Cmp-L . . . .Light compression with a fair amount of top end.
EQ-G-Cmp-L . . . .Medium to heavy Compression with the low end rolled out.
EQ-Cmp-DS-L . . .Light Compression with the Sidechain EQ to accentuate the room.
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