Werbung
Verfügbare Sprachen
Verfügbare Sprachen
18
MS-1
MS-1 Controls
(EN) Step 2: Controls
(1) KEYBOARD – the keyboard has 32 semi-
weighted, full-size keys.
(2) TUNE – adjust the frequency of the main VCO
of the synthesizer.
(3) POWER – turn the synthesizer on or off. Make
sure all the connections are made before
turning on the unit. The LED shows when
power is applied and the unit is turned on.
Modulator Section
(4) LFO/CLK RATE – adjust the frequency of
the modulation LFO. The LED blinks at the
current rate.
(5) LFO RATE – select the frequency range of the
LFO rate fader from Low, Medium, or High.
(6) WAVEFORM – select the waveform from
triangular, square wave, random, or noise.
VCO Section
(7) MOD DEPTH – adjust the level of modulation
of the VCO.
(8) RANGE – select the overall frequency range
(octave) of the VCO from 16', 8', 4', and 2'.
(9) PULSE WIDTH – adjust the pulse width of the
VCO when the pulse modulation source switch
is set to Manual. For LFO and ENV, it adjusts
the effect of the modulation.
PULSE WIDTH MODULATION SOURCE–
(10)
select from LFO triangular waveform, Manual,
or Envelope.
Source Mixer Section
PULSE – adjust the level of the
(11)
pulse waveform.
SAW WAVE – adjust the level of the
(12)
sawtooth waveform.
TRIANGULAR – adjust the level of the
(13)
triangular waveform.
SUB OSCILLATOR – adjust the level of the
(14)
sub oscillator.
SUB OSC TYPE – select the type of sub
(15)
oscillator, from 1 octave down, 2 octaves
down, or a narrower pulse width at 2
octaves down.
NOISE – adjust the level of noise.
(16)
EXT AUDIO – adjust the level of incoming
(17)
audio from an external source.
Sequencer Section
SEQUENCER – see details on page 16 and 36.
VCF Section
FREQ – adjust the cutoff frequency of the VCF.
(18)
Frequencies above the cutoff are attenuated.
RES – adjusts the amount of volume
(19)
level boost (resonance) given at the
cut-off frequency.
ENV – adjust the amount of effect the
(20)
envelope has on the VCF.
MOD – adjust the amount of effect the
(21)
modulation has on the VCF.
KYBD – adjust the amount of effect the
(22)
keyboard has on the VCF.
FM SOURCE – select the source of FM
(23)
modulation on the VCF from: pulse, sawtooth,
1 octave down square wave, 2 octaves down
square wave, 2 octaves down pulse, and noise.
FM AMOUNT – adjust the effect of FM
(24)
modulation on the VCF.
VCA Section
ENV/GATE – select if the VCA is affected by
(25)
the envelope controls, or by gate.
Envelope Section
When applied to the VCA, the ADSR envelope is used
to control the level of the note being played over
time. When applied to the VCF, the ADSR envelope
is used to control the cut-off frequency of the
filter for each note played over time. In addition,
the ADSR envelope can also affect the VCO pulse
width modulation.
Note that the ATTACK, DECAY and RELEASE stages are
measured in units of time, and the SUSTAIN stage is
measured in units of level.
GATE + TRIG – a new envelope is triggered at
(26)
each key press.
GATE – when a new note is pressed, a new
envelope is trigged after the current one
is done.
LFO – the envelope is triggered by the LFO.
A-ATTACK – this adjusts the time for the level
(27)
to reach maximum after a key is pressed.
D-DECAY – this adjusts the time to decay
(28)
down to the SUSTAIN level after the attack
time is over.
S-SUSTAIN – this sets the sustain level
(29)
reached after the attack and decay time
are over.
R-RELEASE – this adjusts the time it takes for
(30)
the signal to decay once the key is released.
Werbung
