Yamaha MT50 Bedienungsanleitung Seite 26

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Chapter 4: Advanced Recording
!
Lower the faders of the tracks
you do not want to include in the
mix when ping-pong recording.
MT50 User's Guide
You can use this process over again to combine and mix three tracks into
one. Unfortunately, the sound quality will deteriorate rapidly after a couple
of bounces. Using this technique, the MT50 can function as though it had
far more than four tracks!
You can perform ping-pong recording of Tracks 1, 2, and 3, and simulta-
neously overdub an instrument connected to Module 4.
The procedure is almost the same as that described above (1-13), except for
the following steps:
Example 2:
3'. Connect an instrument to Module 4.
6'. Turn the PAN control for Module 4 all the way to the right (R).
12'. Adjust the recording level of Track 4 so that the +6 level meter for
Module 4 lights up momentarily, while balancing the volume level
of Tracks 1-4 using the faders.
Note:
Avoid ping-pong recording to an adjacent track (for example,
bouncing track 2 to track 1 or track 3) as much as possible. Otherwise,
cross-talk (signal leak at the recording head) may cause feedback
When you are ping-pong recording to an adjacent track, set the recording
level carefully. Do not boost the HIGH EQ too much.
We also recommend that you set the dbx ON to avoid feedback as much as
possible.