5�1�3 Signal Delay; Monitoring The Signal; 5�1�4�1 Pfl /Afl, Monitor Level; Assigning A Signal Path - IMG STAGELINE DELTA-160R Bedienungsanleitung

5.1.3 Signal delay
A delay can be set for the mono input signals (but also for the mixed
signals of the signal buses and of the stereo sum channel)� This is
useful when, for example, a sound source is picked up with multiple
microphones placed at different distances to the sound source� In this
case, the signal of the microphone closer to the sound source can
be delayed in order to avoid phase cancellation due to the different
sound delay times while the two signals are being mixed�
1) Select the channel and call up the view for matching the input
☞
level ( chapter 5�1)�
2) To activate the signal delay, tap the button "IN" underneath
"Delay" on the screen; it will be displayed in colour� At the top
of the channel strip, ⓣ will indicate activation of the signal delay�
3) To adjust the delay time, use the control "Delay" displayed on the
screen or the control knob ADJUST (9)�
Note: The unit of measurement (ms, ft, m) for all delay settings can be selected
in the setup menu (
4) To deactivate the delay, tap the button "IN" once again�

5.1.4 Monitoring the signal

To monitor the input signal of the channel selected via headphones,
use the Solo function�
CAUTION Never adjust a very high volume� Permanent high
volumes may damage your hearing! Your ear will get
accustomed to high volumes which do not seem to be
that high after some time� Therefore, do not further
increase a high volume after getting used to it�
1) Press the key SOLO (11) for the corresponding channel� The signal
of the channel is switched to the Solo bus now� The key will be
illuminated and "SOLO" will be indicated in green at the bottom
of the channel strip�
2) Use the control H�P (3) to adjust the headphone volume�
3) To deactivate the Solo function for this channel, press the key
SOLO once again�
When the Solo function is selected for multiple channels, the head-
phones will reproduce the mixed signal of these channels� When the
Solo function is not selected for any channel, the stereo sum will be
automatically routed to the Solo bus�
5.1.4.1 PFL /AFL, monitor level
The setup menu allows you to define if the Solo signal is to be mon-
itored ahead of the fader or after the fader�
1) Press the key SETUP (4)� The setup menu will be displayed�
2) Tap the button "Monitor" on the left to call up the view for the
settings used to monitor the signals (fig� 5)�
3) Tap the button underneath "Solo" to switch between "PFL" (pre-
fader listening) and "AFL" (after-fader listening)�
4) To compensate a difference in volume, use "PFL Trim" to addition-
ally match the monitor level for PFL�
The bar graph on the right will indicate the level�
5) In the section "Monitor/ Phones", use "Level" to adjust the general
monitor volume and "Mute" to mute the Solo channel�
The bar graph on the right will indicate the level�
6) To exit the setup menu, press the key SETUP�
30
Setup
Oscillator
Type
White noise
Patch
Pink noise
Sine wave
Meter
Sine sweep
Level
FX
−73.0 dB
Scenes
Frequency
Recorder
1.00 kHz
Monitor
☞
chapter 7�3)�
Monitor/Phones
Off
Mute
Destination
Level
Bus 1
Bus 2 0.0 dB
Bus 3
Bus 4
Bus 5
PFL
Bus 6
Bus 7
PFL Trim
Bus 8
−20.0 dB
L/R MIX OUTPUT
Fig. 5 Monitor/Solo settings

5.2 Assigning a signal path

There are several ways to add input signals to one or multiple outputs�
The following chapters will describe some of these possibilities�

5.2.1 Signal sum L /R MIX OUTPUT

There is an easy way to create a signal path: Directly route the signal
of an input to the sum channel L / R MIX OUTPUT� In the factory set-
tings, the sum signal is available at the XLR jacks OUT 7 and OUT 8
(19) and also, as a digital stereo signal, at the jacks S/ PDIF (21) and
AES / EBU (20)� Via the internal audio recorder, it can also be recorded
on a USB flash drive connected to one of the USB ports (5)� When
these settings are changed, however, the signal can be routed to any
☞
outputs ( chapter 5�2�4)�
5.2.1.1 Assigning an input
1) Press the key IN 1– 8 or IN 9 – 20 (8) to call up the input channel
overview (fig� 3) for the range of the corresponding channel� Press
the corresponding control knob (10) to select the channel� The LED
underneath the control knob will be illuminated and the channel
strip in the view will be highlighted�
2) Press the key SENDS (8) so that it will be illuminated� The keys
MUTE (12) and SOLO (11) will then have functions deviating from
their marking�
3) The key MUTE underneath the control for the stereo sum (13) is
used to directly route the signal of the input channel selected to
the stereo sum�
When a channel has been assigned, the key MUTE will be illumi-
nated and "L&R" will be displayed in the lower section of the
channel strip for the input channel�
4) To define the position of the input signal in the stereo panorama
for the mono channels or to adjust the stereo balance for the stereo
channels, call up the view for the channel output (fig� 6)� To do
this, tap the lowermost section of the channel strip�
5) Tap the field underneath PAN to select the parameter "Panorama"�
The field will have a yellow frame� For the stereo channels, the field
is named BAL (balance)�
6) Use the control ADJUST (9) to adjust the ratio between the left
stereo channel and the right stereo channel� To make it easier to
reset the setting to the centre position "50|50", tap the display
field twice�
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Clip Clip
+12 +12
0 0
−12
−24
−36
Solo
Clip
+12 +12
0 0
−12 −12
−24 −24
−36 −36