Werbung
Verfügbare Sprachen
Verfügbare Sprachen
f THE CONNECTOR PAN^
O
MIDI IN Connector
MIDI signals from external MIDI devices can be fed to this
terminai to remoteiy seiect effects, set the pitch shift of the
PITCH CHANGE A effect, and trigger some other effects.
0 MIDI THRU Connector
the MIDI THRU connector simply re-transmits any data re¬
ceived at the MIDI IN connector, permitting convenient
"chaining" of MIDI devices.
© BYPASS FOOT SW Jack
An optionai YAMAHA FC5 footswitch or equivaient con¬
nected to this jack can be used for foot controi of the
BYPASS function:
O MEMORY FOOT SW Jack
An optionai Yamaha FC5 footswitch or equivaient can be
used to sequentiaily select any group of effects from the 100
avaiiable memory iocations, permitting a sequence of effects
to be set up to match the fiow of a live performance.
© R & L OUTPUT Jacks
These two monaural 1/4" phone jacks deliver the stereo out¬
put signal from the GEP50 to subsequent amplification or
mixing equipment. These jacks can be connected directly to
the inputs of guitar ampiifiers, keyboard ampiifiers, recording
equipment or mixing consoies. Since many of the GEP50
effects are true stereo effects, we recommend connecting
both output jacks to the corresponding inputs of a stereo or
two-channei sound system in order to get the best possible
sound. If this is not possible, connect either of the OUTPUT
jacks (L or R) to the ampiification equipment used.
© INSERT IN and OUT Jacks
The INSERT IN and OUT jacks allow connection of a second
signai processor to the GEP50 which can be activated or by¬
passed by using the INSERT button.
©INPUT Jack
The rear-panel INPUT jack duplicates the function of the
front-panei INPUT jack. Either — but not both — can be
used to receive the signai from your instrument or other
audio signal source. The front-pane! INPUT jack takes prior¬
ity, so if sources are plugged into both the front- and rear-
panel INPUTS, only the front-panel INPUT will be active.
8
Werbung
