Yamaha GEP50 Bedienungsanleitung Seite 14

17. Delay Dist,
18. Dist. Filter
19. Double Dist.
20. Max-Delay Dist.
Programs 17 through 20 combine delay or echo and distortion.
Distortion Levei (DiSTORTiON): 0
—
100%
Sets the "degree" or "depth" of the distortion portion of the
effect.
Deiay Baiance or Echo Baiance (DELAY BAL or
ECHO BAL): 0
—
100%
Determines the amount of delay or echo effect applied to the
distortion sound.
Left Channel Deiay (Lch DLY):
0.1 — 500 miiiiseconds in programs 17 & 20
0.1 ^ 250 miiiiseconds in 18 & 19
Sets the time between the direct sound of the instrument and
the first repeat heard from the left channel.
Left Channei Feedback Gain (Lch F.B): -99% — +99%
Sets the amount of the left-channel delay signal fed back to
the input of the processor. The higher the feedback gain
setting, the greater the number of delayed repeats pro¬
duced.
Right Channei Deiay (Rch DLY):
0.1 — 500 miiiiseconds in programs 17 & 20
0.1 ~ 250 miiiiseconds in 18 & 19
Sets the time between the direct sound of the instrument and
the first repeat heard from the right channel.
Right Channei Feedback Gain (Rch F.B): -99% —
+99%
Sets the amount of the right-channel delay signal fed back
to the input of the processor. The higher, the feedback gain
setting, the greater the number of delayed repeats produced.
High Frequency Feedback (HiGH): xO. 1
—
xl.O
Controls feedback in the high-frequency range. The high-
frequency feedback is reduced as the value of this parame¬
ter is decreased.
Midrange EQ Frequency (MiD FRQ): 500 — 4000 Hz
Sets the mid-frequency range to be boosted or cut using the
next parameter: MID GAIN.
Midrange EQ Gain (MiD GAiN): -12 —+12 dB
Boosts or cuts response in the frequency range set by the
MID FRQ parameter (above). A setting of 0 produces no
boost or cut. Minus settings (e.g: -6 dB) cut response in the
selected frequency range, while plus settings (e.g: +12 dB)
boost response.
Trigger Levei (TRG. LEVEL): 1 — 100
Determines the amplitude of the input signal required to
trigger the effect. This parameter functions effectively as a
noise gate to cut out hiss and noise when an input signal is
not present. TRG LEVEL should be set so that the effect is
activated only when a note is played on the instrument
used.
15 GEP50 GUITAR EFFECT PROCESSOR