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Connecting The Outputs; Connecting An Effects Device - Conrad MC Crypt DJ-7000 Bedienungsanleitung

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(28) EFF switch
You can use this switch to clear the relevant channel at the SEND output (42) (connection option for an exter-
nal effects device). At the same time, the switch activates the integral echo effect for the relevant channel.
Pay attention to the volume when using an effects device, as otherwise downstream
units or the loudspeakers can be damaged.
(29) TALK LEVEL control
The mixer has a TALKOVER function. This function allows you to reduce the level of channels 1 to 4 and of
the AUX channel in relation to the microphone level. This makes it easier to follow the microphone announ-
cement. The control enables you to set the degree by which you wish to reduce channels 1 to 4 in relation
to the microphone level.
(30) TALKOVER switch
You can use this three-stage switch to control the TALKOVER function for the microphone connected to the
MIC inputs (2).
Switch positions:
AUTO =
The DJ microphone is given on the Master output, in the volume set by the MIC-VOLUME con-
trol (32). The device automatically lowers the volume of channels 1 to 4 and AUX for as long as
you speak into the microphone, thus enabling the microphone announcement to be under-
stood better. The degree of reduction is set via the TALK LEVEL control (29). Once you stop
speaking into the microphone the channels are increased to their previous volume.
OFF =
The DJ microphone is given on the Master output, in the volume set by the MIC-VOLUME con-
trol (32). The volume of the remaining channels remains unaffected.
ON =
The DJ microphone is given on the Master output, in the volume set by the MIC-VOLUME con-
trol (32). The level of the remaining channels is reduced by the value which has been set via the
TALK LEVEL control (29).
(31) Microphone CUE switch
You can use these switches to select the microphone channels for „pre-listening" at the headphone output.
Microphone CUE switch pressed
Microphone CUE switch not pressed = Microphone channel cannot be listened to before-
(32) MIC VOLUME control
You can use this control to set the microphone volume.
(33) PAN control
The PAN control is a kind of balance setting for the mono microphone signal. The PAN control divides the
microphone signal between the left and right channels. The middle position is reached when the dial lightly
clicks into place, and the mono signal is then exactly divided between the left and right channel.
(34) EFF control
You can use this control to set the effect level of the integral echo or of an external effects device in the
microphone channel.
(35) GND screw terminal
To prevent buzzing tones, an earth connection (grounding) can be made via this screw terminal between the
mixer and the earth cables of the record player (usually a black cable with clamp-type socket).
32
= Microphone channel can be listened to beforehand
with the headphones
hand with the headphones
GND screw terminal (35)
If your record player has its own earth (usually a thin, black cable with clamp-type socket), you can connect
this to the GND screw terminal (35). This helps to avoid buzzing interference.
b) Connecting the outputs
REC output (43)
A recording device, such as a cassette deck and tape recorder, can be connected to the REC jacks.
If you wish to record the output signal of the mixer with a cassette deck, connect the recording input of the
cassette deck here.
The white output jack of the mixer is connected to the left recording input.
The red output jack of the mixer is connected to the right recording input.
AMP (44) or BALANCED (46) output
The mixer has symmetrical and asymmetrical MASTER outputs. The MASTER signal (mixer output signal) is
present at the stereo cinch output „AMP" (44) in asymmetrical form. The MASTER signal is present in sym-
metrical form at the „BALANCED" XLR built-in plugs. We recommend a connection via the XLR built-in plug
on account of the lower susceptibility to interference.
Connect a free stereo cinch input of your amplifier (e.g. AUX) to the AMP output. The white cinch output jack
of the mixer is connected to the left amplifier input. The red output jack of the mixer is connected to the right
amplifier input.
You can connect a free symmetrical XLR input of your amplifier to the relevant BALANCED output. The XLR
jack of the mixer marked „RIGHT" is connected to the right amplifier input. The XLR jack of the mixer marked
„LEFT" is connected to the left amplifier input.
XLR output assignment
BOOTH output (45)
The BOOTH output can be used for the connection of a second amplifier or an active monitor box. Connect
the stereo cinch output BOOTH (45) to a free cinch input of your amplifier (e.g. AUX) or your monitor box.
The white output jack of the mixer is connected to the left amplifier or monitor box input.
The red output jack of the mixer is connected to the right amplifier or monitor box input.
Headphone jack „LINE" (21)
Connect headphones with a 6.3 mm jack plug to the headphone jack. The headphones should have an
impedance of at least 32 Ohm as otherwise there will be mismatches.
c) Connecting an effects device
The mixer allows you to connect an external effects device, e.g. a sound processor, into the signal path. For
this, the mixer signal is output at the SEND output (42) via which the effects device is processed, and then
returned to the mixer via RETURN jack (41).
Connect the mixer SEND output (42) to the corresponding input of the external effects device.
Connect the mixer RETURN input (41) to the corresponding output of the external effects device.
The effects path is realised in mono.
(3) Negative - (COLD)
(1) Earth (GROUND)
(2) Plus + (HOT)
37

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