Yamaha PM5D Bedienungsanleitung Seite 364

PM5D Pegel-Diagramm
Analog
Analog Digital
PAD
dBu dBFS Bit
1 Max. Input [+30dBu]
+30
0 0
2 Max. Input [+24dBu]
+24 1
+20
-10
2
Nominal
1 [+10dBu]
3
Input
+10
-20
+4 4
Nominal [+4dBu]
0 2
-30 5
Input
6
-40
-10
7
3 Max. Input [-14dBu]
8
-20 -50
9
5 Max. Input [-30dBu]
-30 -60 10
3 Nominal Input [-34dBu]
11
-70
-40
12
4 Max. Input [-40dBu]
13 5 Nominal Input
[-50dBu]
-50 -80
14
Nominal
4
[-60dBu]
Input
-60 -90 15
16
-70 -100
17
INPUT 1-48 (GAIN MIN.,PAD ON)
1
18 ST IN (GAIN MIN.)
-80 -110
19
INSERT IN 1-48
2
-90
-120 20
2TR IN ANALOG 1,2 [L,R] (default setting)
21
3
-100 -130 ST IN (GAIN MAX.)
22
23
4 INPUT 1-48 (GAIN MAX.,PAD OFF)
-110 -140
24
-120 -150 25
5 TALKBACK
26
-130 -160
27
28
-140 -170
29
-150 -180
30
31
-190
-160
32
33
-170
-200
34
-210 35
-180
36
-190
[0dBu = 0.775Vrms]
[0dBFS = Full Scale]
Digital
INPUT
MS- EQ
GAIN AD PHASE ATT. HPF INSERT INSERT GATE
PATCH
DECDE (x4)
INSERT IN
IN IN
OUT OUT
BUS
DCA
EQ
COMP INSERT DELAY LEVEL INSERT ON PAN
INSERT
(x8) Adder (x8/4)
IN IN IN
CASCADE OUT
CASCADE IN
OUT OUT OUT
Digital
MASTER MASTER OUTPUT
DCA
INSERT COMP INSERT BAL INSERT DELAY
LEVEL (x2) ON PATCH
IN IN Digital Clipping Level IN
OUT OUT
default setting
Max. DSP Noise Floor
Analog
Analog
DA
dBu
Max. Output
+30
[+24dBu]
+24
+20
+10
Nominal Output
[+4dBu]
+4
0
PHONES
Max Output -10
(150mW@8Ω)
-20
Nominal Output
(75mW@8Ω)
[The position of the level -30
control is 10dB lowered
from Max] -40
STEREO A,B[L,R]
-50
MONITOR OUT[L,R,C]
CUE OUT[L,R]
MATRIX OUT1-8
-60
MIX OUT1-24
INSERT OUT 1-48
-70
-80
-90
-100
-110
-120
-130
-140
-150
-160
-170
-180
-190