Bosch PRAESENSA Konfigurationshandbuch Seite 162

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2019.12 | V1.01 |
– 3-Klang-Nachgongsignal
– Marimba und Vibraphone, E5/C5/G4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2 s
Attention_G1_3T_2.5s.wav
– Drei-Klang-Vorgongsignal
– Marimba und Vibraphone, A#4/D5/F5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2.5 s
Attention_G2_3T_2.5s.wav
– 3-Klang-Nachgongsignal
– Marimba und Vibraphone, F5/D5/A#4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2.5 s
Attention_H1_4T_3s.wav
– 4-Klang-Vorgongsignal
– Marimba und Vibraphone, E5/C5/D5/E4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_H2_4T_3s.wav
– 4-Klang-Nachgongsignal
– Marimba und Vibraphone, G4/D5/E5/C5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_J1_4T_3s.wav
– 4-Klang-Vorgongsignal
– Marimba und Vibraphone, G4/C5/E5/G5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_J2_4T_3s.wav
– 4-Klang-Nachgongsignal
– Marimba und Vibraphone, G5/E5/C5/G4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_K1_4T_2.5s.wav
– 4-Klang-Vorgongsignal
– Marimba und Vibraphone, G4/C5/E5/G5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2.5 s
Attention_K2_4T_2.5s.wav
– 4-Klang-Nachgongsignal
– Marimba und Vibraphone, G5/E5/C5/G4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2.5 s
Attention_L1_4T_3s.wav
– 4-Klang-Vorgongsignal
– Marimba und Vibraphone, C5/E5/G5/A5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_L2_4T_3s.wav
– 4-Klang-Nachgongsignal
– Marimba und Vibraphone, A5/G5/E5/C5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_M1_6T_2s.wav
– 6-Klang-Vorgongsignal
– Marimba und Vibraphone, G4/C5/E5/G4/C5/E5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2 s
Attention_M2_4T_2s.wav
– 4-Klang-Nachgongsignal
Configuration manual
PRAESENSA
Bosch Security Systems B.V.