Bosch PRAESENSA Konfigurationshandbuch Seite 163

PRAESENSA
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Bosch Security Systems B.V.
– Marimba und Vibraphone, C5/E5/C5/G4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2 s
Attention_N1_7T_2s.wav
– 7-Klang-Vorgongsignal
– Marimba und Vibraphone, E5/F4/C5/G4/E6/C6/G5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2 s
Attention_N2_4T_2s.wav
– 4-Klang-Nachgongsignal
– Marimba und Vibraphone, C6/E5/C5/G4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2 s
Attention_O1_6T_3s.wav
– 6-Klang-Vorgongsignal
– Marimba und Vibraphone, F5/C5/C5/G5/(A4+C6)/(F4+A5)
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_O2_5T_2.5s.wav
– 5-Klang-Nachgongsignal
– Marimba und Vibraphone, A#5/A#5/A5/A5/(F4+F5)
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2.5 s
Attention_P1_8T_4s.wav
– 8-Klang-Vorgongsignal
– Marimba und Vibraphone, A4/A4/A4/C5/D5/D5/D5/(D4+A4)
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 4 s
Attention_P2_4T_2.5s.wav
– 4-Klang-Nachgongsignal
– Marimba und Vibraphone, (A4+D5)/A4/D5/(A4+D5)
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2.5 s
Attention_Q1_3T_3.5s.wav
– 3-Klang-Vorgongsignal
– Celesta, G4/C5/E5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3.5 s
Attention_Q2_3T_3.5s.wav
– 3-Klang-Nachgongsignal
– Celesta, E5/C5/G4
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 3.5 s
Attention_R_6T_2.5s.wav
– 6-Klang-Gongsignal
– Guitar, F4/C5/F5/F4/C5/F5
– Spitzenpegel -6 dBFS, RMS-Pegel < -10 dBFS, 2.5 s
Attention_S_3T_2s.wav
– 3-Klang-Gongsignal
– Vibraphone, C4/D4/D#4
– Spitzenpegel -3 dBFS, RMS-Pegel < -10 dBFS, 2 s
Attention_T_3T_3s.wav
– 3-Klang-Gongsignal
– Vibraphone, D5/C4/D4
– Spitzenpegel -4 dBFS, RMS-Pegel < -10 dBFS, 3 s
Attention_U_3T_3.5s.wav
– 3-Klang-Gongsignal
– Vibraphone, C#6/E5/C5
Configuration manual
Töne | de 163
2019.12 | V1.01 |