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A. Mic control
I Mic input section
fig.04-1fig.04-1a
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2
3
1. Mic input jacks (MIC1, MIC2)
These are input jacks for analog audio signals. You can use either XLR type or phone type
connectors, depending on the device you are connecting. Either balanced or unbalanced
connections may be used. 48V phantom power can be supplied to the XLR type connector, allowing
you to use phantom-powered condenser mics. In this case, turn on the Phantom power switch.
*
This instrument is equipped with balanced
(XLR/TRS) type input jacks. Wiring
diagrams for these jacks are shown at right.
Make connections after first checking the
wiring diagrams of other equipment you
intend to connect.
*
Always turn the phantom power off when connecting any device other than condenser microphones that
require phantom power. You risk causing damage if you mistakenly supply phantom power to dynamic
microphones, audio playback devices, or other devices that don't require such power. Be sure to check the
specifications of any microphone you intend to use by referring to the manual that came with it.
(This instrument's phantom power: 48 V DC, 10 mA Max)
2. Gain select switch (PAD -20 dB)
This switches the input level of the Mic input jacks.
Turn this off if you have connected a device that has low output gain.
3. Input sensitivity knobs
These adjust the input level of the mic input jacks.
4. Phantom power switch (PHANTOM 48V)
This is an on/off switch for the phantom power that is supplied to the XLR type mic input jacks.
* You must switch this off if a device not using phantom power is connected to the XLR type jacks, since
supplying phantom power to such a device will cause malfunction.
5. LO-CUT switch
This lets you make a clearer recording by cutting pop noise (which can occur when a performer
blows on the mic) and unwanted low-frequency "rumble".
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Names of things and what they do
XLR type
TRS
Phone type
phone type
(Unbalanced)
(Balanced)
GND(SLEEVE)
1:GND
2:HOT
HOT(TIP)
3:COLD
COLD(RING)
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