Inhaltsverzeichnis
Werbung
S
M
TAGE
ONITOR
m i c
AM PLI FI ERS
s p l i t t e r
MO NITOR
t o FOH
6
c o n s o l e
INSERT R
L INSERT
M
R
This example shows the 6 aux
sends routed through the main
groups and L-R outputs to provide
6
independent
stage
monitor
mixes
with
metering,
MUTE
switches, inserts and balanced
XLR connectors.
The
AUX/GROUP
reverse
switches reroute the group and L-
R mix to the aux jacks outputs for
additional monitoring or effect
sends or as independent submix
facilities. For example, aux 5 and
6 jack outputs may provide a
seperate stereo mix output from
the channel L-R routing switches
and the additional 4 stereo return
line inputs.
Use the groups to add effects
such as delay, reverb or echo to
the stage monitors.
26
1
2
GRAPHI C
EQUALI SERS
i n s e r t s
2-TRACK
STEREO
STEREO
L/MONO
L/MO NO
INSERT
INSERT
RETURN
RETURN
RETURN
15
13
10
9
STEREO
STEREO
IN
IN
LINE
LINE
16
14
IN
IN
5
4
3
2
1
R
R
MIC
12
MIC
11
MIC/LINE
MIC/LINE
IN
INSERT
INSERT
INSERT
INSERT
TALKBACK
3
1
SEND
DIRECT
DIRE CT
OUT
OUT
10
9
L
4
2
TALKBACK
Selecting the GRP 1-4 and L-R
switches in the OSC/NOISE
section enables talkback to the
performers
using
monitors.
AUX
PRE
PRE
GL2200 U
STAGE M ONI TORS
5
3
4
GRAPHIC EQUALISERS
R
Graphic equalisers plugged into the console inserts are
an invaluable aid to reducing on-stage acoustic
L
feedback and enhancing the clarity of the monitors.
4
Using AFL allows the stage engineer to check the
3
operation of the equalisers in the listen wedge monitor.
2
It is best to use the same type of loudspeaker for the
engineer's monitor as those used on stage.
1
INSERT
INSERT
INSERT
INSE RT
INSERT
INSERT
INSERT
INSERT
8
7
6
5
4
3
2
1
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
IN
IN
IN
IN
IN
IN
IN
IN
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
IN
IN
IN
IN
IN
IN
IN
IN
IN
DIRECT
DIRECT
DIRECT
DIRECT
DIRECT
DIRE CT
DIRECT
DIRECT
OUT
OUT
O UT
OUT
OUT
OUT
OUT
O UT
8
7
6
5
4
3
2
1
SI GNAL
PROCESSOR
the
stage
G
SER
UIDE
6
ENGINEER'S WEDGE MONITOR
Set up the WEDGE MIX by
selecting one or a combination of
the groups/L-R AFL switches to
listen
to
the
desired
monitor
outputs. These are post insert and
therefore post graphic EQ and
post fader for accurate monitoring.
Pressing any PFL or AFL switch
allows channel set up and signal
checking
These switches are recessed to
avoid accidental operation.
using a pen tip or pointed object.
Set the AUX REVERSE switch to
the down position (below panel) to
route the aux mix through the
groups and L-R XLR outputs for
stage monitor level control with
fader.
Set LR SUM MONO switch to down
(below panel) for engineer's listen
wedge following PFL/AFL.
Set
Quicklinks ausblenden:
Werbung
Inhaltsverzeichnis
