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17. Delay Dist.
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18. Dist. Filter
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19. Double Dist.
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20. Max-Delay Dist.
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Programs 17 through 20 combine delay or echo and distortion.
Distortion Level (DISTORTION): 0 — 100%
Sets the "degree" or "depth" of the distortion portion of the
effect.
Delay Balance or Echo Balance (DELAY BAL or
ECHO BAL): 0 —
100%
Determines the amount of delay or echo effect applied to the
distortion sound.
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Left Channel Delay (Leh ОГУ):
0.1 — 500 milliseconds in programs 17 & 20
0.1 — 250 milliseconds in 18 & 19
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Sets the time between the direct sound of the instrument and
the first repeat heard from the left channel.
Left Channel Feedback Gain (Lch Е.В): -99% — +99%
. .
Sets the amount of the left-channel delay signal fed back to
the input of the processor. The higher the feedback gain
setting, the greater the number of delayed repeats pro-
duced.
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Right Channel Delay (Ach DLY):
0.1 — 500 milliseconds in programs 17 & 20
0.1 — 250 milliseconds in 18 & 19
Sets the time between the direct sound of the instrument and
the first repeat heard from the right channel.
Right Channel Feedback Gain (Rch F.B): -99% —
+99%
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7
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Sets the amount of the right-channel delay signal fed back
to the input of the processor. The higher. the feedback gain
setting, the greater the number of delayed repeats produced.
High Frequency Feedback (HIGH): x0.1
— x1.0
Controls feedback in the high-frequency range. The high-
frequency feedback is reduced as the value of this parame-
ter is decreased.
Midrange EQ Frequency (MID FRQ): 500 — 4000 Hz
Sets the mid-frequency range to be boosted or cut using the
next parameter: MID GAIN.
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15
СЕР50 GUITAR EFFECT PROCESSOR
Midrange EQ Gain (MID GAIN): -12 — +12 dB
Boosts or cuts response in the frequency range set by the
MID РАО parameter (above). А setting of 0 produces по
boost or cut. Minus settings (e.g: -6 dB) cut response in the
selected
frequency range, while plus settings (e.g: +12 dB)
boost
response.
Trigger Level (TRG. LEVEL): 1 — 100
Determines the amplitude of the input signal required to
trigger the effect. This parameter functions effectively as a
noise gate to cut out hiss and noise when an input signal is
not present. TRG LEVEL should be set so that the effect is
activated
only when a note is played on the instrument
used.
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