Yamaha M7CL-32 Bedienungsanleitung Seite 309

■ Pegeldiagramm M7CL-48/M7CL-32
Analog
Analog Digital
GAIN
dBu dBFS Bit
1
Max. Input [+30dBu]
+30
0 0
+24 1
+20 -10
2
1
3 Nominal Input [+10dBu]
+10
-20
3
4 Max. Input [+4dBu]
+4
0
-30 5
6
-40
-10
7
3
Nominal Input [-16dBu]
8
-20 -50
9
-30 -60 10
11
4
Max. Input [-40dBu]
-70
-40
12
2
Max. Input [-42dBu]
13
-50
-80
14
4
Nominal Input [-60dBu]
-60 -90 15
2
16 Nominal Input [-62dBu]
-70
-100
17
INPUT 1-48 (GAIN MIN.)
1
ST IN (GAIN MIN.)
18
-80 -110
INPUT 1-48 (GAIN MAX.)
19
2
ST IN (GAIN MAX.)
-90 -120 20
3 TRACKBACK (GAIN MIN.)
21
-100 -130
22
4 TRACKBACK (GAIN MAX.)
23
-110 -140
24
-120 -150 25
26
-130 -160
27
28
-140
-170
29
-150 -180
30
31
-190
-160
32
33
-170
-200
34
-210 35
-180
36
-190
[0dBu = 0.775Vrms]
[0dBFS = Full Scale]
Digital
INPUT EQ DYN DYN
AD
φ
PATCH HPF INSERT ATT. (x4) 1 2 INSERT
IN IN
OUT OUT
DCA BUS
LEVEL (x8) ON PAN Adder INSERT ATT.
IN
CASCADE IN
CASCADE OUT
OUT
MASTER
EQ LEVEL MASTER
OUTPUT
(x4) DYN / BAL ON PATCH DELAY
Digital Clipping Level
Max. DSP Noise Floor
Digital Analog
Analog
φ, ATT,
DA
TRIM
dBu
Max. Output
+30
[+24dBu]
+24
+20
+10
Nominal Output
[+4dBu]
+4
0
PHONES
Max. Output
-10
(150mW@8‰)
-20
Nominal Output
(75mW@8‰)
[The position on the level -30
control is 10dB lowered
from Max]
-40
OMNI OUT 1-16 -50
[Default setting]
-60
-70
-80
-90
-100
-110
-120
-130
-140
-150
-160
-170
-180
-190