Output Section - Behringer D Kurzanleitung

FILTER MODULATION –
(32)
when ON, the filter section is
modulated by the modulation mix,
set by the MOD MIX knob.
FILTER MODE – select the filter
(33)
between Low-pass or High-pass.
LOUDNESS CONTOUR – these
(34)
3 knobs adjust the overall shape
enveloping the audio after it has
passed through the mixer section
and filter section. The controls
affect the change in volume
(loudness) level with time.
ATTACK – adjust the time it takes
for the signal to reach a maximum
level after a note is played.
DECAY TIME – adjust the time
for a signal to decay down to
the sustain volume level after
the attack time is over. If the
LOUDNESS DECAY switch is ON, this
is also how long it takes to decay to
minimum once a note is released.
SUSTAIN – adjust the volume level
that the signal is sustained after
the attack time and initial decay
time have been reached.
FILTER ENVELOPE CONTROLS –
(35)
these 3 knobs adjust the overall
shape enveloping the filter
section. The controls affect
the change in cutoff frequency
with time.
ATTACK – adjust the time for
the cutoff frequency to increase
from its set value and reach the
frequency set by the AMOUNT OF
CONTOUR control.
DECAY TIME – adjust the time
for the cutoff frequency to decay
down to the sustain frequency
after the attack time is over. If the
FILTER DECAY switch is ON, then
this decay time is also how long
it takes to decay from the sustain
frequency once a note is released.
SUSTAIN – adjust the cutoff to a
frequency which is sustained after
the attack time and initial decay
time have been reached.
FILTER CONTROLS – the filter
(36)
can be low-pass or high-pass,
depending on the setting of the
FILTER MODE switch. In low-pass
mode, audio frequencies above the
cutoff frequency
FACE-PRIN-PH1_QSG_BE_0718-AAC_MODEL D_A5_WW_PRINT_2024-06-24_Rev.7.indd 25 FACE-PRIN-PH1_QSG_BE_0718-AAC_MODEL D_A5_WW_PRINT_2024-06-24_Rev.7.indd 25
are attenuated. In high-pass
mode, audio frequencies
below the cutoff frequency
are attenuated.
CUTOFF FREQUENCY – adjusts
the cut-off frequency of the filter.
FILTER EMPHASIS – adjusts
the amount of volume level
boost (resonance) given at the
cut-off frequency.
AMOUNT OF CONTOUR – adjusts
the amount of frequency shift
given to the cutoff frequency.
CUT CV (INPUT) – allows
(37)
connection of a control voltage to
control the cutoff frequency.
FC GATE (INPUT) – allows an
(38)
external trigger voltage to be
applied to trigger the filter contour.
FILT CONT (OUTPUT) – outputs
(39)
the filter contour.
LC GATE (INPUT) – allows
(40)
an external trigger voltage
to be applied to trigger the
loudness contour.
LOUD CONTOUR (OUTPUT) –
(41)
outputs the loudness contour.

Output Section

A-440 – use this to turn on an
(42)
output tuning signal of 440 Hz
concert pitch. This switch can also
be used to enter various modes
during turn-on (see the Getting
Started section of this manual for
more details).
POWER – this LED shows
(43)
when power is applied and the
synthesizer is turned on.
VOLUME – adjust the
(44)
overall volume level of the
synthesizer output.
VOLUME (HEADPHONE) – adjust
(45)
the overall volume level of the
PHONES output.
PHONES – connect your
(46)
headphones to this 3.5 mm
TRS output. Make sure the
headphone volume is turned down
before putting on headphones.
ON – use this to quickly turn on
(47)
or Mute the main audio output
of the synthesizer.
Quick Start Guide
LOUD CV (INPUT) – allows
(48)
connection of an external
control voltage to control the
Loudness Contour.
MAIN (OUTPUT) – use this 3.5
(49)
mm TRS connection to output
the main audio output. Typically
it is patched to an audio input of
the MODEL D or the audio inputs
of other modular synthesizer
equipment. If you are using the
MODEL D in a Eurorack, then this is
the main output, as the rear panel
output connectors are not used.
Rear Panel
MAIN OUTPUT – connect these
(50)
1/4" TRS outputs to the inputs
of your external equipment as
follows (note that they are both
Mono, and not left/right):
LOW – this instrument-level
mono output can connect to the
instrument-level inputs of guitar
amplifiers or mixers for example.
HIGH – this line-level mono
output can connect to the line-
level inputs of mixers, keyboard
amplifiers, or powered speakers
for example.
MIDI CHANNEL – these 4 switches
(51)
allow you to set the MIDI Channel
number from 1 to 16 (see the table
on page 15). The MIDI channel
can also be changed using MIDI
SysEx commands, as shown in
the MIDI SysEx tables later in
this manual. (This method is used
when the MODEL D is housed in a
Eurorack, and these switches are
no longer present.)
POWER – turn the synthesizer
(52)
on or off. Make sure all the
connections are made before
turning on the unit.
DC INPUT – connect the supplied
(53)
12V DC power adapter here.
The power adapter can be plugged
into an AC outlet capable of
supplying from 100V to 240V at
50 Hz/60 Hz. Use only the power
adapter supplied.
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