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7
NEUTRON User Manual
3.1.1 Oscillator Section VCO (Voltage Controlled
Oscillator)
(1)
(2) (3)
(5)
(4)
(6)
(7)
(10)
(8) (9)
(11)
(1) and (3) OSC TUNE - Adjusts the frequency of the oscillators.
(2) OSC MIX - Adjusts the blend between oscillator 1 and 2.
(4) and (5) OSC SHAPE - Adjusts the shape of the oscillator. Can be configured
to switch between fixed waveforms or to blend continuously between
adjacent waveforms.
(6) and (7) OSC RANGE - Adjusts the pipe length of oscillators between
32/16/8. +/-10 octave mode enabled when all 3 LEDs are on.
(8) OSC SYNC - OSC 1 will restart the period of OSC 2, so that they will have the
same base frequency.
(9) PARAPHONIC - Allows the two oscillators to be independently pitched
when more than one MIDI note is played. If only one note is received, both
oscillators will play the same pitch.
(10) and (11) PULSE WIDTH (PW) - Sets the pulse width of oscillator pulse/tone
mod waveforms.
3.1.2 VCF Section (Voltage Controlled Filter)
(13)
(12)
(14)
(15)
(16)
(17)
(12) FREQ - Adjusts the cutoff frequency of the VCF.
(13) MODE - Selects the filter type. Choose between High Pass Filter (HPF), Band
Pass Filter (BPF) and Low Pass Filter (LPF).
(14) RESO - Adjusts the resonance of the filter.
(15) KEY TRK - Applies keyboard tracking to the VCF.
(16) MOD DEPTH - Sets the depth of filter modulation from the FREQ MOD input.
(17) ENV DEPTH - Sets the depth of filter modulation from ENVELOPE 2.
3.1.3 LFO Section (Low Frequency Oscillator)
(20)(18) (19)
(18) SHAPE - Adjusts the shape of the LFO with the ability to blend between
waveforms.
(19) RATE - Adjusts the speed of the selected LFO waveform.
(20) KEY SYNC - Re-trigger the LFO phase with each new MIDI note.
3.1.4 Noise & VCA Bias
(21)
(22)
(21) NOISE LEVEL - Adjusts the amount of white noise injected into the filter.
(22) VCA BIAS - Opens or closes the VCA.
3.1.5 Delay Section
(23)
(24)
(25)
(23) TIME - Controls the rate of the delay. When the time control is fully to the
right, the longest delay time is set.
(24) REPEATS - Controls the number of repeats or echoes.
(25) MIX - Adjusts the wet/dry mix. When the mix control is turned fully to the
left, no effect will be heard. Turning the mix control fully to the right will
give you the delayed wet signal only. With the repeat control fully to the
right, repeats will be infinite and keep building.
3.1.6 Overdrive Section
(26)
(27)
(28)
(26) DRIVE - Sets the amount of overdrive. The drive control can be used to add
subtle overdrive through to wild all-out distortion. Turn to the left for gentle
warming or turn to the right for more aggression and bite.
(27) TONE - Changes the timbre of the overdriven sound. Turning the tone to
the left boosts the lows to create rich warm sounds. Turning to the right
gradually thins out the low end and starts to boost the highs to create sharp
cutting sounds.
(28) LEVEL - Controls the volume of the overdrive output. When fully off you may
hear no audio at the output.
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