Einsatzbeispiel - Yamaha EMX3500 Bedienungsanleitung

EINSATZBEISPIEL

PA-Lautsprecher
A
B
I/O
1 2 3 4
1 2 3 4
A A A A
B B B B
PAD PAD PAD PAD
20dB 20dB 20dB 20dB
PEAK PEAK PEAK PEAK
SIGNAL SIGNAL SIGNAL SIGNAL
-16 -60 -16 -60 -16 -60 -16 -60
GAIN GAIN GAIN GAIN
80 80 80 80
-15 +15 -15 +15 -15 +15 -15 +15
HIGH HIGH HIGH HIGH
250 5k 250 5k 250 5k 250 5k
MID FREQ MID FREQ MID FREQ MID FREQ
-15 +15 -15 +15 -15 +15 -15 +15
MID MID MID MID
-15 +15 -15 +15 -15 +15 -15 +15
LOW LOW LOW LOW
0 10 0 10 0 10 0 10
MONITOR MONITOR MONITOR MONITOR
0 10 0 10 0 10 0 10
EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1
0 10 0 10 0 10 0 10
EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2
L R L R L R L R
PAN PAN PAN PAN
ON ON ON ON
0 0 0 0
5 5 5 5
10 10 10 10
15 15 15 15
20 20 20 20
30 30 30 30
40 40 40 40
50 50 50 50
60 60 60 60
1 2 3 4
Mikrofone
Effektor (Kompressor etc.)
INPUT
A
BALANCED
B
CH
INSERT I/O
0dB
INSERT
5 6 7 8 9 10 11 12
OUT IN
5 6 7 8 9 10 11 12
A A A A A A A A
B B B B B B B B
PAD PAD PAD PAD PAD PAD PAD PAD
20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB
PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK
SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL
-16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60
GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN
80 80 80 80 80 80 80 80
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH
250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k
MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
MID MID MID MID MID MID MID MID
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
LOW LOW LOW LOW LOW LOW LOW LOW
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0
EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 MONITOR
L R L R L R L R L R L R L R L R 0
PAN PAN PAN PAN PAN PAN PAN PAN LEVEL
ON ON ON ON ON ON ON ON EFFECT RETURN 1 EFFECT RETURN 2
0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10
15 15 15 15 15 15 15 15
20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40
50 50 50 50 50 50 50 50
60 60 60 60 60 60 60 60
5 6 7 8 9 10 11 12 1 —EFFECT SEND—
Tonbandrecorder CD-Player, Tonbanddeck, DAT-Deck
CD IN EFFECT RETURN +4dB EFFECT SEND +4dB
A B
-6dB
L L 1L/ 2L/ 1
MONO MONO
R R
1R 2R 2
LINE INSERT I/O +4dB MONITOR OUT +4dB
REC OUT TAPE IN
-10dBV -10dBV
L L A
L L
R R
R R B
PRE GEQ POST GEQ
L ST R
VOCAL HALL/ROOM INSTRUMENT
VOCAL ECHO 1 DLY (ms) LARGE HALL REV (s) SHARE GATE DLY (ms)
VOCAL ECHO 2 DLY (ms) SMALL HALL REV (s) SHARE REVERB REV (s)
VOCAL REVERB 1 REV (s) CHURCH REV (s) DELAY L, R DLY (ms)
VOCAL REVERB 2 REV (s) ROOM SIZE SHORT DELAY DLY (ms)
REVERB & ECHO 1 DLY (ms) PITCH CHORUS DETUNE
REVERB & ECHO 2 DLY (ms)
PEAK
ON
PRESET
PARAMETER PROGRAM RESET
DIGITAL EFFECT (EFFECT 2)
+12 +12
9 9
6 6
3 3
0 0
3 3
EQ 6 6
9 9
-12 -12
63 125 250 500 1k 2k 4k 8k 16k
STEREO GRAPHIC EQUALIZER
POWERED MIXER
PHANTOM
ON
OFF
10 0 10 0 10 0 10
MONITOR MONITOR A REC OUT
0 10
10 0 10 0 10 0 10 0 10
LEVEL MONITOR B CD IN TAPE IN PHONES
A
B
0 0 0 0
5 5 5 5
10 10 10 10
15 15 15 15
20 20 20 20
30 30 30 30
40 40 40 40
50 50 50 50
60 60 60 60
2 L ST R PHONES
CD-Player,
Tonbanddeck
Keyboard,
Rhythmusprogrammer,
Schlagzeugmaschine
Multi-Effektprozessor
Reverberator
Graphic
Equalizer
Verstärkerendstufe
Monitorlautsprecher
Kopfhörer
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