Menu Structure; Menu Items - Reloop Rmx95 Bedienungsanleitung

3.3.13 TRANSFORMER
The Transformer rhythmically fades the signal in and out. Level
Depth Steplessly adjusts the ratio between effect signal and original
signal. On the Effect Display -38- this will be shown as Dry & Wet. 0%
stands for no effect. 100% stands for maximum effect setting. Time
Encoder Steplessly adjusts the time lag between Fade In – Fade Out
in milliseconds. If you press and hold the Time Encoder, steps of 10
milliseconds will be carried out. (25 ms – 16,000 ms) Time Bar Buttons
Gradually adjust the time lag between Fade In and Fade Out. 1-8; 1-4;
1-2; 1-1; 2-1; 4-1.
3.4 FX FREQUENCY
Selects the frequency range to apply the effect. In center position, the
complete range is used.
4. BEATCOUNTER
4.1 CUE BEAT COUNTER
The RMX-95 disposes of two separate beat counters. Beat counter 1
calculates the speed of the channel with activated Cue Button -6-. The
calculated speed is shown on the BPM Cue Display -42-. The number
blinks while the beat counter is calculating the BPM or when a weak,
non-countable or no signal is present.
4.2 CHANNEL/FX BEAT COUNTER
Press the Tap Button -11- at least 4 times to the beat of the music.
Now with the activated ON/OFF Button the tempo can be determined
for the channel that was selected with the FX Routing selector -31-.
TIP: Please check whether the Effect On/Off Button is turned on or off
and put the Effect On/Off Button all the way to the left, if you want
to use the beat counter only. In both cases the determined speed is
shown on the BPM Channel/FX Display -41- and serves as base for
the time calculation of time-based effects. The number blinks while
the beat counter determines the BPM or when a weak, non-countable
or no signal is present.
NOTE! The RMX-95 disposes of an intelligent beat counter optimized
for a speed range between 80 BPM and 160 BPM. If the beat counter
recognizes a speed below 80 BPM (i.e. 70 BPM), it interprets this as
double time, namely 140 BPM. And speeds higher than 160 BPM are
recognized as half time (i.e. 180 BPM are recognized as 90 BPM). If
there is no continuous rhythm structure or the beats do not stand
out enough to be recognized as rhythm element, the tempo cannot
be determined automatically. In this case it is necessary to use the
manual beat counter.
5. SETUP-UTILITY

5.1 MENU STRUCTURE

Via the setup menu it is possible to adapt basic system settings to your
individual needs. USER SETUP: Hold CF START + CH START-buttons
for 3 seconds while the mixer is already powered on. Changes can be
applied in real-time. CLUB SETUP: Hold CF START + CH START-buttons
while powering on the mixer. The Effect Display -38- will read MASTER. By
turning the Beat FX Encoder -30- you can access the various menu items.
When you have found your desired menu item, press the Beat FX Encoder.
Now you can adjust the menu item by turning the Beat FX Encoder.

5.2 MENU ITEMS

5.2.1 MASTER
Select between stereo and mono. If your sound system only disposes of
mono mode, it is recommended to activate mono to make sure that the
same signal is sent to all speakers.
5.2.2 LIMITER
The limiter reduces the output signal. Select between a reduction of
0dB, -3dB, -6dB & -12dB. In order not to exceed a certain volume level,
it is helpful to limit the maximum output beforehand.
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5.2.3 USB OUT
You are able to send various input signals from the mixer to your
computer via the USB connections -55- and -56-. Set the respective
input switches to the USB A or USB B position.
TURNTABLES: Record players
• CDJs: CD players
• Custom: Based on the setting in the USB OUT firmware menu, you can
also use different DVS sources (TURNTABLES & CDJs).
USB IN (Mixer Output)
• 1+2: DVS Input Source Deck 1
• 3+4: DVS Input Source Deck 2
• 5+6: DVS Input Source Deck 3
• 7+8: DVS Input Source Deck 4
• 9+10: Master Recording (Mix)
NOTE! Input sources can be selected within the firmware menu.
USB OUT (Mixer Input)
• 1+2: Deck 1
• 3+4: Deck 2
• 5+6: Deck 3
• 7+8: Deck 4
• 9+10: Master (Return)
NOTE! Please visit https://www.reloop.com/faqs/ to find out which DJ
software is suitable for DVS use with the RMX-95.
5.2.4 AUX GAIN COMPENSATION
You can increase the Aux Input's input level in order to achieve louder
playback of sources with a weaker signal (e.g. smartphones).
5.2.5 PAN / BALANCE
Adjust the left/right balance of the master sound output.
5.2.6 CUE SET
Solo: Only one channel can be selected as cue source. An advantage of
this variant is that you only need to switch one cue button.
Mix: Several channels can be selected simultaneously as cue source.
5.2.7 TLKOVR
Talkover determines how much the signal will be suppressed by the mic
signal. -6dB, -12dB, -18dB, -24dB
5.2.8 ISO XOVR (ISOLATOR CROSSOVER)
Adapt the EQ's bass and high crossover frequencies to your
requirements.
5.2.9 MIC BTH (MIC BOOTH)
ON: The mic signal is also sent via the booth output.
OFF: The mic signal is not sent via the booth output.
NOTE! The OFF setting can prevent feedback.
5.2.10 MIC LOW CUT
When turned on, low frequencies (f<80Hz) will be cut off.
5.2.11 BTH SRC (BOOTH SOURCE)
With the help of this function an individual signal can be routed to the
booth output.
5.2.12 MIDI
The mixer is able to additionally send MIDI signals. The MIDI function
can be turned on/off.
5.2.13 EQ CONTROL
Turns on or off the hardware function of the equalizer-knobs. If off, the
knobs only send MIDI.
5.2.14 LED CHECK
All LEDs will be activated in order to check their functionality.
5.2.15 FACT RST (FACTORY RESET)
If you have adjusted a setting that cannot be reversed, you can select
this item to bring all settings back to default.