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Yamaha CP33 Bedienungsanleitung Seite 52

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MIDI-Datenformat
VoiceName
GRAND PIANO 1
Variation
GRAND PIANO 2
Variation
MONO PIANO
Variation
E.PIANO 1
Variation
E.PIANO 2
Variation
E.CLAVICHORD
Variation
VIBRAPHONE
Variation
CHURCH ORGAN
Variation
JAZZ ORGAN
Variation
HARPSICHORD
Variation
STRINGS/CHOIR
Variation
GUITAR
Variation
WOOD BASS
Variation
E.BASS
Variation
• Some devices use a "0 to 127" numbering system for program
change messages. Since the CP33 uses a "1 to 128" number-
ing system, you will need to subtract 1 from the transmitted
program change numbers to select the appropriate sound:
e.g. to select P.C.#1 in the list above, transmit program
change number 0.
5. PITCH BEND CHANGE
[EnH]
->
[ccH]
->
[ddH]
ccH = LSB
ddH = MSB
6. CHANNEL AFTER TOUCH
[Dnh]->[vvH]
7. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FEH: Active sensing
Data
Transmission
Transmitted every
F8H
96 clocks
Transmitted every
FEH
200 milliseconds
• Caution: If an error occurs during MIDI reception, the Sustain,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off message occurs.
8. SYSTEM EXCLUSIVE MESSAGES
(Yamaha MIDI Format)
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number)
00H, LLH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 35H (CLP05)
3xH, 3yH (version x.y)
52
Bedienungsanleitung CP33
P.C.#=Program Change number
MSB
LSB
P.C.#
0
122
1
0
123
1
0
112
1
0
112
2
0
123
2
0
114
2
0
122
5
0
123
5
0
122
6
0
122
89
0
122
8
0
123
8
0
122
12
0
122
13
0
123
20
0
122
20
0
122
17
0
123
17
0
122
7
0
123
7
0
122
49
0
122
53
0
122
25
0
122
26
0
122
33
0
124
33
0
122
34
0
122
36
Reception
Received as 96-clock tempo timing
when MIDI clock is set to External.
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)
F7H (End of Exclusive)
• Panel Data Contents
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) Split On/Off
(11) Split Voice
(12) Split Point
(13) Split Balance
(14) Split Voice1 Octave
(15) Split Voice2 Octave
(16) Split Voice1 Effect Depth
(17) Split Voice2 Effect Depth
(18) Split Sustain Mode
• Panel data send requests cannot be received.
9. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH =
Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = irrelevant
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH =
Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0~F.
X = irrelevant
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When a General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(19) Reverb Type 1
(20) Reverb Type 2
(21) Reverb Depth 1
(22) Reverb Depth 2
(23) Effect Type 1
(24) Effect Type 2
(25) Effect Depth
(26) —
(27) Touch Sensitivity
(28) Fixed Data
(29) AUX Pedal
(30) Soft Pedal Depth
(31) Absolute tempo low byte
(32) Absolute tempo high byte
(33) Key-Off Sampling Depth
(34) —
(35) —
(36) Variation

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