Yamaha MU100 Bedienungsanleitung Seite 174

Index
Multi-Modus ..................................................................... 85
Multi-Modus Equalizer Lock ......................................... 144
Mute (Stummschaltung) ................................................... 85
Mute Lock (Stummschaltung-Verriegelung) .................. 144
N
Note Limit High (obere Notenbereichsgrenze) ........ 110,128
Note Limit Low (untere Notenbereichsgrenze) ........ 110,128
Note Shift (Notenverschiebung/
Transponierung; Multi-Modus) ................................. 97
Note Shift (Notenverschiebung/
Transponierung; Performance-Modus) ................... 122
O
Others-Parameter („Andere") .................................. 107,127
Output Select (Wahl der Ausgänge; Drum Setup) ........... 118
Output Select (Wahl der Ausgänge; Multi-Modus) ......... 113
Output Select Lock (Wahl der Ausgänge - Sperre) ........ 145
P
Pan (Panorama/Stereoposition;
Performance-Modus) ............................................... 122
Pan (Panorama/Stereoposition; Drum-Setup) ................. 115
Pan (Panorama/Stereoposition; Multi-Modus) ................. 97
Part-Modus ..................................................................... 108
Performance Pan
(Performance-Panorama/Stereoposition) ................ 120
Performance Volume (Performance-Lautstärke) ............ 120
Performance-Bank .......................................................... 120
Performance-Edit-Modus ............................................... 123
Performance-Modus ................................................... 59,119
Performance-Name ......................................................... 124
Performance-Nummer (Performance Number) .............. 120
Pitch Bend Control
(Controller zur Tonhöhenänderung) .................. 111,125
Pitch Coarse (Grobstimmung; Drum Setup) ................... 115
Pitch EG (Tonhöhen-EG) ............................................... 104
Pitch EG Attack Time
(Tonhöhen-EG-Anstiegszeit) ................................... 104
Pitch EG Initial Level
(Tonhöhen-EG-Anfangspegel) ................................ 104
Pitch EG Release Level
(Tonhöhen-EG-Loslaß-Abklingpegel) .................... 104
Pitch EG Release Time
(Tonhöhen-EG-Ausklingzeit) .................................. 104
Pitch Fine (Feinstimmung; Drum Setup) ........................ 115
Platinen des XG Plug-In-Systems .................................. 164
PLG100-VL .................................................................... 164
PLG100-VH ................................................................... 164
PLG100-DX ................................................................... 164
Portamento Switch (Portamento-Schalter) .............. 109,124
Portamento Time (Portamento-Zeit) ....................... 109,124
Programm- (Voice)-Nummer (Multi-Modus) ................... 96
Programm- (Voice)-Nummer (Performance-Modus) ..... 121
R
Recall-Funktion (Wiederherstellung) ............................. 132
Receive Bank Select (Empfang von Bank Select) ......... 145
Receive General MIDI Exclusive
(Empfang von ...) ..................................................... 145
Receive Note Off
(Note Off empfangen; Drum Setup) ......................... 118
Receive Note On
(Note On empfangen; Drum Setup) ......................... 118
Receive System Exclusive (Empfang von ...) ................ 145
Resonanz (LPF; Drum Setup) ......................................... 116
178
Resonanz (LPF; Multi-Modus) ...................................... 101
Reverb (Nachhall) .......................................................... 134
Reverb Pan (Stereoposition des Reverb-Effektes) ......... 134
Reverb Return
(Reverb-Anteil; Performance-Modus) .................... 120
Reverb Return (Reverb-Anteil; Multi-Modus) ................. 98
Reverb Send (Reverb-Effekt; Drum Setup) .................... 115
Reverb Send (Reverb-Effekt; Multi-Modus) .................... 97
Reverb Send (Reverb-Effekt; Performance-Modus) ...... 122
Reverb Type (Nachhall-Typ) .......................................... 134
S
Scream Control Depth ..................................................... 114
Scream; Controller-Nummer (chaotische Oszillation) .... 113
Send Chorus to Reverb
(Reverb-Anteil des Chorus-Effektes) ...................... 135
Send Variation to Chorus
(Chorus-Anteil des Variation-Effektes) ................... 137
Send Variation to Reverb
(Reverb-Anteil des Variation-Effektes) ................... 137
Show Control Change
(Controller-Änderungen anzeigen) .......................... 157
Show Exclusive (SysEx-Events anzeigen) ..................... 159
Single-Part-Parameter (Multi-Modus) ............................. 49
Single-Part-Parameter (Performance-Modus) ................ 121
Solo ................................................................................... 85
Speichern (Store) ............................................................ 130
System MIDI Channel (System-MIDI-Kanal) ............... 120
System Transpose ........................................................... 121
System-Funktionen ......................................................... 144
System-Verschaltung ...................................................... 140
T
TG300B-Modus ................................................................ 22
Thru Port (Thru-Anschluß) ............................................ 146
Transponieren (Transpose) ............................................... 99
U
Utility-Modus ................................................................. 143
V
Variation ......................................................................... 136
Variation Connection
(Variation-Verschaltung) ......................................... 137
Variation Pan
(Stereoposition des Variation-Effektes) ................... 137
Variation Return
(Variation-Anteil; Performance-Modus) ................. 121
Variation Return (Variation-Anteil; Multi-Modus) .......... 99
Variation Send (Variation-Anteil;
Performance-Modus) ............................................... 122
Variation Send (Variation-Anteil; Drum Setup) .............. 116
Variation Send (Variation-Anteil; Multi-Modus) ............. 97
Variation Type (Variation-Effekttyp) .............................. 136
Velocity Limit High
(obere Velocity-Bereichsgrenze) ....................... 111,128
Velocity Limit Low
(untere Velocity-Bereichsgrenze) ...................... 111,128
Velocity LPF Cutoff Frequency
(Anschlagsempfindlichkeit der
LPF Grenzfrequenz) ................................................. 116
Velocity Pitch Sensitivity
(Anschlagsempfindlichkeit der Tonhöhe) ................ 115
Velocity Sensitivity Depth
(Anschlagsempfindlichkeit) .............................. 110,128
Velocity Sensitivity Offset
Anhang