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FM-Synthese (Frequenzmodulation) ............................8
FS-Synthese .......................................................................................8
*Formantsteuerung .......................................................................9
*Andere Formant-Anwendungen ................................................11
FM-Synthese ....................................................................................11
*Was war nochmal FM? ..............................................................12
Summa summarum.. ........................................................................13
Bedienelemente und Anschlüsse .........................................14
Vorderseite .......................................................................................14
Rückseite .........................................................................................16
Aufstellen und Anschließen ..................................................17
Stromversorgung .............................................................................17
MIDI-Verbindungen..........................................................................17
*Tasteninstrument .......................................................................17
*Sequenzer oder Computer........................................................18
*G50 Guitar-MIDI-Converter .......................................................18
*Wind-MIDI-Controller der WX-Serie...........................................18
Audio-Verbindungen ........................................................................19
*Kopfhörer...................................................................................19
*Instrumentenverstärker oder Stereo-Anlage .............................19
*Mischpult ...................................................................................19
Reihenfolge beim Einschalten .........................................................20
Anhören der Demo ..........................................................................20
Der PLAY-Betrieb....................................................................21
Performance- und Voice-Einteilung .................................................21
*Performance-Kombinationen.....................................................21
*Voices ........................................................................................21
*Bankanwahl via MIDI.................................................................22
Der Play-Betrieb (Performance) ......................................................22
Perf Ch (Performance-Kanal) .....................................................23
(Bank) .........................................................................................23
(Programmnummer)....................................................................23
Pfm Vol (Performance-Lautstärke)..............................................23
Pfm Pan (Performance-Panorama).............................................23
RevRtn (Reverb-Lautstärke) .......................................................23
VarRtn (Variation-Lautstärke) ......................................................24
PfmNSft (Performance-Transposition) ........................................24
Der PART ASSIGN-Betrieb...............................................................24
Rcv Ch (Empfangskanal)............................................................25
Rcv Max (Letzter Empfangskanal; nur für Part 1 & 2)................25
(Bank) .........................................................................................25
(Programmnummer)....................................................................25
Volume (Lautstärke) ....................................................................25
Pan (Panorama) ..........................................................................25
RevSend (Reverb-Anteil) ............................................................26
VarSend (Variation-Anteil) ...........................................................26
InsEfSw (Schalter des Insert-Effektes) .......................................26
DryLvl (Original-Ausgangspegel) ...............................................26
Filter (Filterversatz) .....................................................................26
NoteSft (Transposition)................................................................26
anwählen.....................................................................................26
Die Search-Funktion.........................................................................27
Editieren ..................................................................................28
Allgemeine Bedienvorgänge ...........................................................28
EDIT [PERFORMANCE] ...................................................................30
COMMON ...................................................................................30
*CtrlSrc (Voice-Steuerquelle) .................................................30
*CtrlDst (angesteuerte Parameter/Parts) ...............................31
*Fseq (Formantsequenz) .......................................................32
*Others...................................................................................35
PART ...........................................................................................37
*Tone ......................................................................................37
*EG (Hüllkurvengenerator) ....................................................39
Inhaltsangabe
UTILITY-Funktionen ...............................................................71
Fehlersuche ............................................................................79
Display-Meldungen.................................................................82
Technische Daten ...................................................................83
Index ........................................................................................84
7
*Pitch (Tonhöhe) ....................................................................40
*Others...................................................................................41
STORE PERFORMANCE.............................................................44
RECALL PERFORMANCE...........................................................44
EDIT [EFFECT] .................................................................................45
Signalweg der Effekte.................................................................45
Rev ..............................................................................................45
Type .......................................................................................46
Typspezifische Reverb-Parameter.........................................46
Reverb Pan ............................................................................46
Rev Return .............................................................................46
Var ...............................................................................................46
Type .......................................................................................46
Typspezifische Variation-Parameter ......................................46
Var Pan ..................................................................................47
Var Return ..............................................................................47
SendVar→Rev........................................................................47
Ins ...............................................................................................47
Type .......................................................................................47
Typspezifische Insert-Parameter ...........................................47
Ins Pan ...................................................................................47
SendIns→Rev ........................................................................48
SendIns→Var .........................................................................48
InsDryLevel ............................................................................48
EQ ...............................................................................................48
Low Freq ................................................................................48
Low Gain................................................................................48
Low Q ....................................................................................48
Low Shape .............................................................................48
Mid Freq.................................................................................49
Mid Gain ................................................................................49
Mid Q .....................................................................................49
High Freq ...............................................................................49
High Gain...............................................................................49
High Q ...................................................................................49
High Shape ............................................................................49
EDIT [VOICE] ...................................................................................50
COMMON ...................................................................................50
*LFO1 (Niederfrequenzoszillator 1) .......................................51
*LFO2 (Niederfrequenzoszillator 2) .......................................52
*Filter......................................................................................53
*Pitch EG (Tonhöhenhüllkurve) ..............................................57
*Others...................................................................................58
OPERATOR .................................................................................61
*Osc (Oscillator) ....................................................................62
*EG (Amplitudenhüllkurve) ....................................................66
*FrqEG (Frequenzhüllkurve) ..................................................67
*Sns (Anschlagempfindlichkeit) ............................................68
STORE VOICE.............................................................................70
RECALL VOICE...........................................................................70
SYSTEM ...........................................................................................71
*Master........................................................................................71
*MIDI ...........................................................................................72
*Control .......................................................................................74
*Others ........................................................................................76
DUMPOUT .......................................................................................77
*DUMPOUT-Arbeitsweise............................................................77
INITIAL .............................................................................................78
DEMO...............................................................................................78
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