FRONT
PANEL
CONTROLS
Panel layout and control functions for R500H and R500-1 15 are the same, so only one model
NORMAL
HIGH
GAIN
NORMAL
and HIGH inputs are provided for the connection of bassguitars. High output active or passive instruments
1
should be connected via the High socket. Low output bassesshould be connected using the Normal input. High output basses
may also be placed in the Normal input if pre-amp overloading is desired.
GAIN
-This control is used to set the level of gain present in the pre-amp. The higher the level of gain,the more the signal
2
will clip producing distortion. The Gain control should be used in conjunction with the Volume control to produce the desired
signal characteristics.
COMP - engagesand dis-engagesthe on-board compressor giving your guitar a punchier sound. Use this control in
3
conjunction with the Gain control. More gain provides a greater level of compression to the guitar signal. T he two LED's
indicate the status. One to show when the compressor in enabled,the other which will only illuminate when compression is
taking place.VVith most guitars, compression will begin at about 5-6 on the Gain control.
Tip: It is possible to have the compressor engaged but it only be active during certain periods of playing - typically the most
dynamic sections.
ENHANCE
CONTROL
4
giving you a tighter, punchier sound. As you approach 6 or 7 on the control, a cut around 200Hz is applied to the signal. As
you continue to turn the control towards 10,the mid cut depth increases in conjunction the LF and HF boost.
5
BASS - Controls the boost and cut of the low-frequency response of the pre-amplifier. It is active regardless of the EQ
switch settings (6).
7
COMP
ENHANCE
30Ht
provides an increased definition at the low and high end of the frequency spectrum from I to 5
www.Laney.co.uk
EQUALISATION
125M*
IKHz
2KHz
7_5XHz
12KHz
6
has been
shown.
67 asoo
TREBLE
VOLUME
AUX IN PHONES
D.I. OUT