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Verfügbare Sprachen
Verfügbare Sprachen
WHEN LISTENING TO THE SOUND IN [1] ABOVE WHILE RECORDING
:
1. Operate the stereo amplifier as in[1].
3. Set the tape monitor switch on the graphic equa-
2. set the equalizer selector switches on the graphic
lizer to OFF (for a tape deck with 3 heads, set to
equalizer to RECORDING.
ON for tape monitor).
WHEN
ADJUSTING
SOUND
QUALITY OF TAPE PLAYBACK
WITH THE GRAPHIC
EQUALIZER
re
aren terre
phic equalizer may be switched off If desired.
set this switch to ON)
:
| 1. Set the tape monitor switch on the stereo amplifier
3S. Set the equalizer selector switcnes on the graphic
|
to ON (TAPE) (the input selector can be set to any
equalizer to ON.
position).
4. Set the tape monitor switch on the graphic equa-
2. Set the tone control on the stereo amplifier to give
lizer to ON.
a "flat" response (in the case of a tone switch, set
to DEFEAT).
i WHEN
LISTENING
TO
RECORDS
AND
AM/FM
BROADCASTS,
ETC., WITHOUT
USING THE GRAPHIC
EQUALIZER
| 1. Set the equalizer selector switches on the graphic
2. Set the tape monitor switch on the graphic equa- |
|
equalizer to DEFEAT.
The power supply to the gra-
lizer to OFF (when playing back from the tape deck, |
L
WHEN COPYING FROM TAPE
1. Set the equalizer selector switches on the graphic
2. set the tape monitor switcn on the graphic equa-
| equalizer to DEFEAT.
izer to ON.
|
WHEN
THE
FREQUENCY
RANGE
OF
A
MUSICAL
INSTRUMENT
!IS KNOWN,
CHANGES IN THE SOUND FROM EACH POINT CAN BE APPRECIATED.
Basic frequency ranges of
@ 31.5 Hz... These sounds are felt with the body rather than
musical instruments and voice
heard by the ear. The range of human hearing is
:
7
7
7
said to be from 20 Hz to 20 kHz, so these are
really low-range sounds.
When this control |s lo-
eg 6 iy | Bass ie Males" : os A | ee
ae
a
i as a
ee ee
'
wered, it acts as a noise filter.
|.
| Sppranp- «
nite
Vite .. hes
@ 63 Hz...... Makes low-range sounds more grave. When the
eee
| he
eile,
i?
control is raised, the beat of the bass drum is
ef}
Violin'
te
Pope
f
more intense, while lowering it removes "muddin-
@ 125Hz...
Affects
the
bass
drum
and
bass.
Raising
the
control
brings
richness
and_
fullness
to
the lower range.
|
ess from the lower range.
|
.. Affects intensity. When the control is raised, bass
rhythms begin to sound more articulated.
. This
is
the
basic
frequency
range
for
mu-
sic.
When
raised,
low-range
vocals
sound
fuller,
and
when
lowered
they
sound
thin-
ner.
eee Gives
depth
to
music.
Raising
the
control
projects the sound, lowering the control retracts
IT.
Easily
perceived
by the
ear.
Has
a
big ef-
fect
on
vocals.
Raising
the
control
makes
the voice sound more /ustrous.
Affects
brass, strings and vocals.
When
raised,
Poe
meow
they sound
sharper and
brighter, and
when
lo-
tag ict
wered they sound milder.
|
eee
ee
ee.
. . .
Gives
a light
stimulus
to the
sound.
Rais-
ing
the
control
makes
sound
stand
out,
lo-
wering the control subdues it.
|
@ 10 kHz... Affects
the
whole
atmosphere
of
the
mu- |
sic.
Raising
the
control
makes
strings
sound
more sensitive, more exquisite.
|
|
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