Inhaltsverzeichnis
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Verfügbare Sprachen
Verfügbare Sprachen
1
5
GAIN
4
6
3
7
2
8
1
9
0
10
LOW
CUT
50
100
(Hz)
20
150
OFF
300
0
HI
3
3
(dB)
6
6
9
9
12
12
15
15
0
MID
3
3
(dB)
6
6
9
9
12
12
15
15
MID
FREQ.
700
1K
(Hz)
300
2.5K
200
6K
0
LOW
3
3
(dB)
6
6
9
9
12
12
15
15
0
AUX
3
3
1
6
5
15
40
10
dB
0
AUX
3
3
2
6
5
15
40
10
10
dB
0
AUX
3
3
3
6
5
15
40
10
dB
0
AUX
3
3
4
6
5
15
40
10
dB
0
AUX
3
3
5
6
5
15
40
10
dB
0
AUX
3
3
6
6
5
15
40
10
dB
C
PAN
12
L
R
13
1/2
3/4
L/R
MONO
CHANNEL
1
14
MUTE/
PK
15
SIG/
10
PFL
6
3
0
6
12
20
30
16
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(8)
MID FREQ
This control determines the center frequency of the MID control.
Center frequency for the bandpass filter can be set from 200 Hz
to 6 kHz.
4
(9)
LOW
This active tone control is a shelving-type that varies low-frequency
5
response by +/-15 dB. Corner frequency is 75 Hz.
(10)
AUX 1– 4
6
These controls adjust the level of the channel's pre-fader signal that
is sent to the auxiliary mix. Gain is variable from minus infinity (– ∞)
to +10 dB. Unity gain is at the center detent position. Pre-fader
7
auxiliaries are typically used to send signal to stage monitors, but
can also be used to generate an independent recording mix.
8
NOTE: AUX SENDS 1-4 are factory set to deliver signal pre-EQ, but can
be modified (internally) to deliver signal post-EQ. Contact Peavey
9
Electronics Service Dept. for information. AUX SENDS 5-6 are always
post-EQ.
(11)
AUX 5 – 6
These controls adjust the level of the channel's post-fader signal
that is sent to the auxiliary mix. Gain is variable from minus infinity
(– ∞) to +10 dB. Unity gain is at the center detent position.
(12)
PAN
This control determines the signal's position with respect to L/R and
SUB 1– 4 outputs. Rotating the control counterclockwise increases
the amount of signal sent to L and odd-numbered SUBs; rotation
clockwise increases the amount sent to R and even-numbered
SUBs. For example, with the channel ASSIGN switch (13) in the
1/2 position, rotating the control counterclockwise increases the
11
amount of signal sent to SUB 1, while rotating clockwise increases
the amount sent to SUB 2. The C position sends equal amounts
to each.
(13)
1/2, 3/4, L/R, MONO (ASSIGN)
These post-fader, post-EQ switches determine where the channel
signal is being sent. For example, to send a signal to SUBs 1 & 2,
depress the 1/2 button. The PAN control (12) determines how much
signal is sent to each SUB group.
(14)
MUTE SWITCH/MUTE-CLIP LED
This switch mutes all AUX, SUB, L/R and MONO sends from the
corresponding channel. This switch is equipped with a red LED that
will illuminate when the channel is muted. When the MUTE switch is
disengaged, the LED functions as a clip (PK) indicator that will
illuminate at 2 dB below clipping. Muting the channel does not
prevent the PFL signal from being sent to the PFL mix when the
PFL switch (15) is engaged.
(15)
PFL SWITCH/SIGNAL-PFL LED
This switch connects the channel's pre-fader signal to the PFL mix.
With this feature engaged, the channel's signal can be monitored
through the headphones and/or on the AFL/PFL display. A yellow
manuals search engine
6
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