Index
P
P Mod (Tonhöhenmodulation) ............................... 81
PAN ....................................................................... 30
Pan (Controller Nr.10) ......................................... 106
Pan (Panorama) ............................ 65, 79, 85, 91, 94
Param. with Voice (Parameter
mit Voice kopieren) ............................................... 94
Part ........................................................................ 37
Part Edit................................................................. 36
Part Edit (Part-Bearbeitung) .................................. 94
Part-EQ.................................................................. 57
Part-EQ (Part-Klangregelung) ............................... 96
PB Range Lower (unterer Pitch-
Bend-Bereich) ................................................. 65, 94
PB Range Upper (oberer Pitch-
Bend-Bereich) ................................................. 65, 94
PEG (Pitch EG)...................................................... 74
Phase .................................................................... 69
Phaser ................................................................... 59
PHONES-Buchse ............................................ 10, 13
Pitch Bend (Tonhöhenäderung) .......................... 107
Pitch Key Follow (Empfindlichkeit der
Tastaturskalierung f. Tonhöhe) ............................. 74
Pitch Key Follow Center Key (Mittlere Taste
der Tastaturskalierung f. Tonhöhe) ....................... 74
Play Mode ............................................................. 83
Play Mode (Wiedergabemodus) ..................... 69, 94
Play-Modus ........................................................... 65
Poly (Controller Nr.127)....................................... 107
Polyphonic Aftertouch ......................................... 107
Porta Lgt Slope (Portamento-Legato-Verlauf) ....... 66
Porta Mode (Portamento-Modus) .................... 65, 95
Porta Sw (Portamento-Schalter) ...................... 65, 95
Porta Time (Portamento-Zeit) .......................... 65, 95
Porta Time Mode (Portamento-Zeit-Modus) .......... 65
PORTAMENTO ...................................................... 30
Portamento Switch (Controller Nr.65).................. 106
Portamento Time (Controller Nr.5) ...................... 106
Power on Mode (Einschaltmodus) ........................ 98
Preset (Voreinstellung) ............................ 72, 93, 103
Preset-Bank........................................................... 27
Prg Change Sw (Program-Change-Schalter)...... 100
Program Change (Programmwechsel) ............... 107
PureMajor (Reine Dur-Stimmung) ......................... 87
PureMinor (Reine Moll-Stimmung) ........................ 87
Q
Q (Bandbreite) ...................................................... 82
Q (Kehrwert der Bandbreite)................................. 93
QS 1 – 3 Arp MIDI Out Sw (MIDI-Ausgabe
der Arpeggio-Daten für Quick Setup 1–3) .......... 100
QS 1 – 3 Clock Out (MIDI-Clock-Ausgabe
für Quick Setup 1–3) ........................................... 100
QS 1 – 3 Local Control (Lokalsteuerung
für Quick Setup 1–3) ........................................... 100
QS 1 – 3 MIDI Sync (MIDI-Synchronisation
für Quick Setup 1–3) ........................................... 100
Quantize Strngth (Stärke der Quantisierung) ........ 67
Quantize Value (Quantisierungswert) ................... 67
Quick Setup (Schnelleinrichtung) ....................... 100
Quick-Setup-Dialogfenster .................................. 101
R
Random (Zufallsstimmung) ................................... 74
Random Pan (Zufällige Pan-Position) ............. 79, 85
Random SFX (Zufallseffekt) .................................. 68
Random Speed (Zufallsgeschwindigkeit) ............. 69
RB Ctrl No. (Controller-Nummer
des Gleitbandes) ................................................ 101
Rcv Sw (Empfangs-Schalter) ................................ 97
Receive Bulk (Bulk-Daten empfangen) ............... 100
Receive Ch (Empfangskanal) ............................... 94
Receive Ch (MIDI-Empfangskanal)..................... 102
Receive Note Off (N.-O.-Empfang) ....................... 84
Regler 1 – 5 ........................................................... 11
Regler 1–5 ................................................. 29, 30, 36
RELEASE (AEG-Ausklingzeit) ............................... 30
Release Time (Controller Nr.72) .......................... 106
116
MOTIF-RACK XS – Bedienungsanleitung
Reset All Controllers (Controller Nr.121)..............107
RESONANCE ......................................................... 30
Resonance.................................................68, 76, 85
Resonance (Resonanz) .........................................96
Resonance Velocity Sens
(Anschlagempfindlichkeit der Resonanz)..............76
Reverb (Hall) ........................................57, 59, 72, 93
REVERB (Reverb Send) .........................................30
Reverb Ins Send (Ausspielpegel
des Insert-Effekts Reverb) .....................................84
Reverb Pan ............................................................ 72
Reverb Pan (Reverb-Panorama)............................93
Reverb Return ........................................................ 72
Reverb Return (Reverb-Effektrückweg) .................93
Reverb Send .......................................................... 72
Reverb Send (Key Reverb Send) ....................83, 84
Reverb Send (Reverb-Ausspielpegel des Keys) ...92
Reverb Send (Reverb-Ausspielpegel) ...................97
REV-X..................................................................... 61
RPN (Registrierte Parameternummer) .................106
S
Scaling Pan (Skalierung der Pan-Position) ............79
[ENTER]-Taste ....................................................... 10
Segment (Anschlagempfindlichkeit
der EG-Zeiten des Segments) ...................75, 78, 80
[SELECT]-Taste ..................................................... 11
SFX Key on Ctrl (Velocity-Steuerung
des Zufallseffekts)..................................................68
SFX Vel Offset (Velocity-Versatz
des Zufallseffekts)..................................................68
Shape (Form) ......................................................... 92
Sostenuto (Controller Nr.66) ................................106
Source (Quelle) ...................................................... 45
Speed (Geschwindigkeit) ................................69, 81
Store (Speichern) ................................................... 46
Store Compare....................................................... 46
[STORE]-Taste ....................................................... 10
Studio Connections................................................24
Studio Manager V2 ................................................23
Sub 1 Ctgry (Unterkategorie 1)..............................65
Sub 2 Ctgry (Unterkategorie 2)..............................65
Sub Ctgry (Unterkategorie)....................................68
SUSTAIN (AEG-Haltepegel) ..................................30
Swing ..................................................................... 67
Switch (Schalter) ......................................72, 93, 103
Sync Qntz Val (Quantisierungswert für
Synchronisation) .................................................... 91
Synchronize (Synchronisieren) ..............................21
System-Echtzeitmeldungen .................................107
Systemeffekte ........................................................ 57
Systemexklusive Meldungen ...............................107
T
Tech ....................................................................... 60
TEMPO (Arpeggio-Tempo) ....................................30
Tempo (Verzögerungstempo)................................73
Tempo Speed („Tempogeschwindigkeit") .............69
Tempo Sync (T.-Synchronisation)..........................69
Tempo Sync (Verzögerungstempo-Synchr.) .........73
Thru Port (Durchgangs-Port) .................................18
Time (Zeit)............................................74, 77, 80, 86
Time Key Follow (Empfindlichkeit
der Skalierung der EG-Zeiten) ...................76, 78, 81
Time Key Follow Center Key (Mittlere Taste
der Empfindlichkeit der Skalierung
der EG-Zeiten) ...........................................76, 78, 80
Time Vel Sens (Anschlagempfindlichkeit
der EG-Zeiten) ....................................................... 80
Time Velocity Sens (Anschlagempfindlichkeit
der EG-Zeiten) .................................................75, 77
Timing Clock (F8H) ..............................................107
Tonhöhe ................................................................. 51
Transmit Ch (MIDI-Sendekanal) ..........................102
Tremolo .................................................................. 52
Tremolo & Rotary ................................................... 60
Trigger Mode (Auslösungsart) ...............................68
Tune ................................................................. 74, 85
Tune (Stimmung) ................................................... 98
Typ......................................................................... 93
Type (EQ-Typ) ....................................................... 81
Type (Typ) ......................................... 68, 72, 76, 103
U
Unit Multiply (Vervielfachung der Einheit) ............. 67
USB TO HOST, Buchse ............................. 12, 17, 18
USB-MIDI-Treiber .................................................. 17
User LFO Cycle (Anwender-LFO-Zyklus) .............. 70
User LFO Slope (Verlauf des Anwender-LFO) ...... 70
User LFO Step Value 1 – 16 (Schrittwert des
Anwender-LFO) ..................................................... 71
User LFO Template (Anwender-LFO-Vorlage) ...... 71
User-Bank........................................................ 27, 35
User-Memory ......................................................... 48
Utility (Utility-Modus) ............................................. 98
[UTILITY]-Taste ..................................................... 11
V
Vallot&Yng (Vallotti & Young) ................................ 87
VCM (Virtual Circuitry Modeling) ........................... 61
Vel Cross Fade (Velocity-Überblendung) ............. 73
Vel Rate (Versatz des V.-Verhältnisses) ................ 68
Vel Sens Depth (Velocity Sensitivity Depth) .......... 95
Vel Sens Offset (Offset-Wert der
Anschlagempfindlichkeit) ...................................... 95
Vel Sns (Anschlagempfindlichkeit
der Tonhöhe) ................................................... 74, 85
Velocity Limit (Velocity-Grenze) ............................ 74
Velocity Limit Lo/Hi (untere/obere
Velocity-Grenze) .............................................. 67, 95
Velocity Mode (Velocity-Modus) ............................ 67
Velocity Rate (V.-Verhältnis) .................................. 66
Velocity Sens (Anschlagempfindlichkeit
d. Pegel) ................................................................ 85
Vibrato ................................................................... 52
Voice.......................................................... 27, 50, 94
Voice Edit .............................................................. 31
Voice Effect Edit .................................................... 33
Voice Elm Pan (Panorama des Voice-Elements) ... 94
Voice MEF (Master-Effekt im Voice-Modus) ........ 103
Voice MEQ (Master-EQ für Voice-Modus) ........... 103
Voice MIDI (MIDI-Parameter der Voice) .............. 102
Voice mLAN (mLAN-Parameter der Voice) ......... 103
Voice with Arp (Voice mit Arpeggio kopieren) ...... 96
Voice-Modus ............................................. 27, 50, 64
Voice-Name ........................................................... 47
[VOICE]-Taste ....................................................... 11
VOLUME ................................................................ 30
Volume (Lautstärke) ............................ 65, 91, 94, 98
[VOLUME]-Regler............................................ 10, 14
W
Wah-Wah ......................................................... 52, 60
Wave (Wellenform) ................................................ 69
Wave Bank ...................................................... 73, 84
Werckmeist (Werckmeister) .................................. 87
Width (Breite)......................................................... 76
X
XA Control (Expanded Articulation Control) .......... 73
Z
Zeichenliste ........................................................... 47
Zufällige Effektklänge ............................................ 55
Zurücksetzen ......................................................... 48