Envelope 2 (Filter) Parameters; Common Envelope Parameter; Envelopes 3 To 6 Parameters - Novation UltraNova Benutzerhandbuch

RE5: Filter Velocity
Displayed as:
FltVeloc
Initial value: 0
Range of adjustment: -64 to +63
As Amplitude Velocity adds touch sensitivity to volume, so Filter Velocity can be set to
make ilter action touch sensitive. With positive parameter values, the harder you play the
keys, the greater will be the effect of the ilter. With Filter Velocity set to zero, the sound's
characteristics are the same regardless of how the keys are played. Note that negative
values have the inverse effect.
RE6: Filter Repeat
Displayed as:
FltRept
Initial value: 0
Range of adjustment: 0 to 126, Ininity
When Filter Repeat is set to a value other than zero, the Attack and Decay phases of the
envelope are repeated before the Sustain phase is initiated. This has a similar effect to
Amplitude Repeat and use of either both repeat parameters can create some be quite
striking sounds.
RE7: Filter Touch Trigger
Displayed as:
FltTTrig
Initial value: Off
Range of adjustment: Off, T1ReTrig to T8ReTrig, T1Trig to T8Trig, T1Enable to T8Enable
Unlike Amplitude Touch Trigger, Filter Touch Trigger has three options per touch-
sensitive control: Trigger, Re-trigger and Enable. However, as with Amplitude Touch
Trigger, it is necessary to enable the Animate Touch mode by pressing the TOUCH
button [22] in order to use the function.
Re-Trigger – acts in a similar way to Amplitude Re-Trigger, except that it is the ilter ac-
tion which is re-triggered by touching the selected encoder knob. The note plays as normal
when the key is pressed, touching the knob re-triggers the entire envelope. Re-Trigger
mode is conirmed on Page 1 of the Animate Touch menu by the letter 'R' in the appropriate
position.
Trigger - in this mode, the envelope-triggered ilter action is not initiated by pressing a
O1Semi O1Cents O1VSync O1Wave
0 0 0 Sawtooth
key, and the note will initially sound with no envelope acting on the ilter. Touching the knob
O1PtchWh O1WTInt FixNote ModVib
(while the key is pressed) will trigger the ilter envelope. Trigger mode is conirmed on
+12 127 Off
Page 1 of the Animate Touch menu by the letter 'T' in the appropriate position.
O2Semi O2Cents O2VSync O2Wave
Enable – in this mode, the envelope-triggered ilter action is initiated by the keyboard, but
0 0 0 Sawtooth
only while the knob is being touched. Thus you can very easily lip between the sound with
O2PtchWh O2WTInt FixNote ModVib
and without the action of the envelope on the ilter. Enable mode is conirmed on Page 1 of
+12 127 Off
the Animate Touch menu by the letter 'E' in the appropriate position.
O3Semi O3Cents O3VSync O3Wave
0 0 0 Sawtooth
RE8: Filter Multi-trigger
O3PtchWh O3WTInt FixNote ModVib
Displayed as:
FltMTrig
+12 127 Off
Initial value: Re-Trig
Range of adjustment: Legato or Re-Trig
F1Freq F1Res F1Env2 F1Track
This operates in a very similar way to Amplitude Multi-trigger. When set to Re-Trig,
0
127 0
each note played will trigger its full ADSR envelope, even if other keys are held down.
FBalance FRouting FreqLink ResLink
With the envelope applied to the ilter section, this means that the effect of any envelope-
-64 Parallel Off
triggered iltering will be heard on every note. When set to Legato, only the irst key to be
F2Freq F2Res F2Env2 F2Track
pressed will produce a note with the full envelope and thus produce any iltering effect. All
127 0 0
subsequent notes will lack any dynamic iltering. Remember that for the Legato mode to be
FBalance FRouting FreqLink ResLink
operative, mono voicing must be selected – it will not work with polyphonic voicing. See page 18. -64 Parallel Off
See page 20for more details about Legato style.
AmpAtt AmpDec AmpSus AmpRel
2 90 127
AmpAtSlp AmpDcSlp AmpAttTk AmpDecTk
0 127 0
Envelope 2 (Filter) parameters (Page 2)
FltAtt FltDec FltSus FltRel
2 75 35
FltAtSlp FltDcSlp FltAttTk FltDecTk
0 127 0
E3Att E3Dec E3Sus
RE1: Filter Attack Slope
10 70 64
Displayed as:
FltAtSlp
E3AtSlp E3DcSlp E3AttTk E3DecTk
Initial value: 0
0 127 0
Range of adjustment: 0 to 127
This parameter controls the "shape" of the attack characteristic as applied to the ilters.
With a value of 0, any iltering effect applied to the Attack phase increases linearly – that is
to say, increases by equal amounts in equal time intervals. A non-linear attack characteristic
may be selected as an alternative, where the ilter effect increases more rapidly at irst.
22
O1PW/Idx O1Hard O1Dense
0 127 0
MVibRate OscDrift OscPhase
0 65 0 0deg
O2PW/Idx O2Hard O2Dense
0 127 0
MVibRate OscDrift OscPhase
0 65 0 0deg
O3PW/Idx O3Hard O3Dense
0 127 0
MVibRate OscDrift OscPhase
0 65 0 0deg
F1Type F1DAmnt F1DType
127 LP24 0 Diode
Off
F2Type F2DAmnt F2DType
127 LP24 0 Diode
Off
AmpVeloc AmpRept AmpTTrig
40 0 0 OFF
AmpSusRt AmpSusTm AmpLvlTk
0 0 127 0
FltVeloc FltRept FltTTrig
45 0 0 OFF
FltSusRt FltSusTm FltLvlTk
0 0 127 0
E3Rel E3Delay E3Repeat E3TTrig
40 0 0 OFF
E3SusRat E3SusTim E3LvlTk
0 0 127 0
RE2: Filter Decay Slope
Displayed as:
Initial value:
Range of adjustment:
This corresponds to Filter Attack Slope in the same manner that Amplitude Decay
Slope corresponds to Amplitude Attack Slope. Thus the linearity of the reaction of the
ilter section during the Decay phase of the envelope can be varied, from linear to a more
exponential slope, where any ilter effect is more pronounced during the irst part of the Decay
phase.
RE3: Filter Attack Track
Displayed as:
Initial value:
Range of adjustment:
Like Amplitude Attack Track, this parameter relates a note's attack time to its position on
the keyboard. When Filter Attack Track has a positive value, the iltering effect during the
Attack phase of a note is shortened as you go up the keyboard. Conversely, lower notes
have their attack time increased. When a negative value is applied, the relationships are
reversed.
RE4: Filter Decay Track
Displayed as:
Initial value:
Range of adjustment:
This parameter works in exactly the same way as Attack Track, except that it is the ilter
effect during the Decay phase of a note that becomes dependent on its keyboard position.
RE5: Filter Sustain Rate
Displayed as:
Initial value:
Range of adjustment:
With a value of Flat, ilter frequency remains constant during the Sustain phase of the note.
If Filter Sustain Rate is given a positive value, the ilter frequency continues to increase
O1DnsDtn
0
during the Sustain phase, thus the character of the note continues altering audibly for
NoiseTyp
longer. With low values of Filter Sustain Rate, the change is slow, and increases in rapid-
White
ity as the value is increased. With negative values, the ilter frequency decreases during the
O2DnsDtn
Sustain phase. See page 21 for an illustration.
0
OSCILLATORS O1Semi O1Cents
0 0
NoiseTyp
RE6: Filter Sustain Time
White
O1PtchWh O1WTInt
Displayed as:
+12 127
O3DnsDtn
Initial value:
0
O2Semi O2Cents
Range of adjustment:
0 0
NoiseTyp
This parameter also applies to the Sustain phase, and sets how long any envelope-trig-
White
O2PtchWh O2WTInt
gered iltering remains active. When set to Keyoff, the iltering remains applied continu-
+12 127
ously until the key is released. Any lower value of Sustain Time will cause the iltering
O3Semi O3Cents
F1QNorm
effect to suddenly stop before the note ends, and you will be left with release phase of the
0 0
64
envelope. This does, of course, only occur if the Amplitude Sustain Time is longer than
O3PtchWh O3WTInt
the Filter Sustain Time, otherwise the note will stop sounding altogether before the ilter +12 127
has cut off.
F2QNorm
64
FILTERS F1Freq F1Res
RE7: Filter Level Track
127 0
Displayed as:
FBalance FRouting
Initial value:
-64 Parallel
Range of adjustment:
F2Freq F2Res
AmpMTrig
127 0
This parameter works in a similar way to the other "tracking" parameters, but it is the depth
Re-Trig
with which the envelope is applied to the ilter which alters, in relation to the interval be-
FBalance FRouting
LvlTkNte
-64 Parallel
C 3 tween the note played and the Track Note set by RE8. With a positive value, the envelope-
triggered iltering effect becomes progressively more pronounced for notes higher than
FltMTrig
Re-Trig
the Track Note the further from the Track Note they are, and vice-versa. With a negative
ENVELOPES AmpAtt AmpDec
value, notes higher than the Track Note undergo progressively less iltering the further 2 90
LvlTkNte
C 3
from the Track Note they are, and again, vice-versa.
AmpAtSlp AmpDcSlp
0 127
E3MTrig
Re-Trig

Common Envelope Parameter

FltAtt FltDec
2 75
LvlTkNte
See page 21. The Track Reference Note parameter is available at RE8 on Page 2 of the
C 3
FltAtSlp FltDcSlp
menu for every Envelope.
0 127
E3-E6 E3Att E3Dec
10 70
E3AtSlp E3DcSlp
0 127
Envelopes 3 to 6 parameters (Page 1)
In addition to dedicated Amplitude and Filter envelopes, the UltraNova is equipped with
four further assignable envelopes, Envelopes 3 to 6. Control of these can be selected with
the SELECT button [10]. These envelopes have virtually the same set of parameters as the
FltDcSlp
127
0 to 127
FltAttTk
0
-64 to +63
FltDecTk
0
-64 to +63
FltSusRt
Flat
-64 to Flat to +63
O1VSync O1Wave O1PW/Idx O1Hard
0 Sawtooth 0 127
FixNote ModVib MVibRate OscDrift
FltSusTm
Off 0 65
127
O2VSync O2Wave O2PW/Idx O2Hard
0 to 126, Keyoff
0 Sawtooth 0 127
FixNote ModVib MVibRate OscDrift
Off 0 65
O3VSync O3Wave O3PW/Idx O3Hard
0 Sawtooth 0 127
FixNote ModVib MVibRate OscDrift
Off 0 65
F1Env2 F1Track F1Type F1DAmnt
0
127 LP24
FltLvlTk
FreqLink ResLink
0
Off Off
-64 to +63
F2Env2 F2Track F2Type F2DAmnt
0
127 LP24
FreqLink ResLink
Off Off
AmpSus AmpRel AmpVeloc AmpRept
127 40 0
AmpAttTk AmpDecTk AmpSusRt AmpSusTm
0 0 0 127
FltSus FltRel FltVeloc FltRept
35 45 0
FltAttTk FltDecTk FltSusRt FltSusTm
0 0 0 127
E3Sus E3Rel E3Delay E3Repeat
64 40 0
E3AttTk E3DecTk E3SusRat E3SusTim
0 0 0 127
O1Dense O1DnsDtn
0 0
OscPhase NoiseTyp
0 0deg White
O2Dense O2DnsDtn
0 0
OscPhase NoiseTyp
0 0deg White
O3Dense O3DnsDtn
0 0
OscPhase NoiseTyp
0 0deg White
F1DType F1QNorm
0 Diode 64
F2DType F2QNorm
0 Diode 64
AmpTTrig AmpMTrig
0 OFF Re-Trig
AmpLvlTk LvlTkNte
0 C 3
FltTTrig FltMTrig
0 OFF Re-Trig
FltLvlTk LvlTkNte
0 C 3
E3TTrig E3MTrig
0 OFF Re-Trig
E3LvlTk LvlTkNte
0 C 3