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ABCDEFGHIK
NP
Q
(Continued)
SATURATION-(F)
Bewirkt eine harmonische Ver-
zrrrung cince vol dbersteucrtai Rohren-
Veratarkers (glcichmfissigc Ver-
zerrung. singendes Sustain und
warmer Toni.
SATURATION-(F)
Cel effet simule uno distorsion
d'ampli a tubes ileger ecrfrlage). i.e
potentiomfetre dose I'imporianee do
rcffci
de distortion.
SATURATION-IF)
(U.S. Patent #4.439.7+2)
Is ii transistor .-unulmion of tube
distortion (soft clipping). It controls
the amount of distortion that can be
added
POST GAIN (G>
Controls lire overall volume level of
the lead channel.
The final level
adjustment should Ire mace after
the desired sound hue Iwn achieved.
NORMALGAIN(H)
Controls the volume level of the
normal channel and it not affected
by the Post Cain control.
LOW FREQl IENCY KQ (I)
A passive tone control that adjusts
low frequencies.
MID FREQUENCY KQ(.J)
A passive tone control that adjusts
mid frequencies.
HIGH FREQUENCY EQ(K)
A passive tcmccuntrul that adjusts
high Irequencies.
PRESENCE (LI
An uctivo tone control I*/- 12 dB>
ihut adjusts the extreme high fre¬
quency range. Control settings be¬
low "Vt
12
o'clock position) willcut
these frequencies. Control settings
above "V will boost these frequen¬
cies
PUSH THICK (M)
Isa boosted midrange sound widely
used in rock music. The Thick effect
is oft on used in conjunction with the
Saturation effect To activate, press
the Push Thick switch to its
in"
position.
DEPTH CONTROL (N)
Controls the depth (intensity)of the
horus effect
RATE CONTROL (O)
Controls the sweep rate (frequency)
of the chores effect.
POST CAIN (G)
Kon troliiert den gesamten I .auto tdrkc-
j>egel des Hauptkanals t Mastcrvolu-
men)
Die endgfiltige Lautsiflrke-
regrl ung sol I to vorgenommen went en.
nuthdtm dcr gewiinschte Sound
eingeslellt
1
st.
NORMAL GAIN (H)
(Normal-Gain)
Bcetimml dm Pcgel dc* Normal
Knnals. und wird nicht durch den
"Post Gain"-Reg!er bceinflusst.
LOW FREQUENCY EQ(I)
Eire passive Klangreitlung, welch*
die tiefen Frequenzen regelt.
MID F.Q (.J)
(Mid EQ)
Eine passive Klangregelung fUr die
miitleren Frequenzen
HIGH FREQUENCY EQ (K)
Eine passive Tonrcgclung ftlr die
hohen Frequenzen.
PRESENCE (L)
(Presence)
Dieser nktivc Klungrcgler beein-
fiusst den extremen Hochlonbereich
um «/-!2dB. Reglvrstellunger enter
"5"
1
12-Uhr Stcllurg) senken den
Pcgcl im Hochlonbereich ab.
wahrenci Stellungen Uber'6"diesen
Boroich anheben
PUSH THICK (M)
( Thick"-Schultc*r)
Mit dieser Hchaltung wird eine
Anhebung dor mittlvren Frequen?-
bcreiche bewirkt, wic sic in viclen
Anwendungen der Kockmisik ver-
langt wird. Dieser Kffekt wird oft in
Vurbindung mil dem Saturntion-
Effokt benulzt
Zum Einschaltcr
driicken Sie bilte den "Thick*-
Schnlter in seine Tn"-Fosition.
DEPTH CONTROL (N)
(Depth-Rcgler)
Bestimmt die
intensitat des
Clxirus Effekts.
RATE CONTROL (Ol
(Rute-Rcglcr)
Bestimmt die Geschwindigkeit dcs
Chorus-Kffekts.
POST GAIN (G)
(Volume Aval)
Cnmmande le volume general du
canal Lead (Solo*. Ce rtglage de
niveau sera effeetue apr£s avoir
ohtenu le sonsouhoitc par les outres
rtrglages.
NORMAL GAIN (H)
(Gain •'Normal"!
Command* le niveau do volume du
canal normal- Ce rtglnge n est pas
affectc parlc volume ' Post Gain*'.
LOW KQ ID
(Potcntiometro Gruves)
Rt'glage de tonaliti- pussif qui dose
les frequences graves
Mil) KQ (J)
(Medium)
Co rtglage ue tonality pass if com-
mande le niveau des frequences
moy Mines
HIGH FREQUENCY KQ(K)
(Potentiomctre AigUs)
Reglagede tonaliie passif qui dose
les frequences aigdes.
PRESENCE (1.)
(Presence)
Rcglagede tonnlit6actifd'efficacite
*/-12 <IB oui affect* les frequences
oxtrome-aigiu-s
Kn-dessous de In
position medium
"5". le reglage
affaiblitcetle gamine do frequences
Audessus. il la remplacc.
PUSH THICK (M)
C'Gros Son*')
Sonoritc comport tint un medium
renfmrr*. tres utilise on rock. Cot
effet cst purticulierement sensible
lor.squ on lui adjoint la Saturation.
II sera mis en service on appuyant
sur le bouton correspond ant
DEPTH CONTROL (NT
(Profondeur Chorus)
Command? la profondeur iintensity
de I'offel Chorus.
R ATE CONTROL (O)
(Frequence Chorus)
Command? lu vitew frequence) dc
1'effet Chorus.
SATURATION'-(F)
Es cria simulat ion de distorcidncon
bulbos a base de trans:stoies (d:s-
torcidn suave). Controla la cantidnri
dcdistorcion que pucdcstragregodo
POST GAIN (G)
(Control dc Voliimen Posterior
ul Pre amplifies dor)
Controla d voliimen general de)
canai dc la guitarra El njuste final
debe haccrac doepucs do quo cl
son i do deaeado ha sido archivado.
NORMAL GAIN (H)
(Ganancia Normal)
Controla cl nivcl dc volumen del
canal normal
y
noesnfcctadoporel
control de ganancia posterior.
LOW FREQUENCY KQ (I)
(Krualirador de Frecucncias
Graves)
Es un control pusivo de tono que
ajusta las frecuencias graves.
MID EQ (J)
(Kcuulizador do mvdioe)
Un controlde tonopasivo que ajusta
las frecuencias media*.
HIGH EQ (Kj
(Evuniizadorde Alta Frecuencia)
Bs* un control paoivo dc teno, que
ajusta ins alias frecuoncias
PRESENCE (L)
(i'roKcncial
Un conliol activo de tuno( '/-l
2
dDi
que ajus'.a la extrema alta frecuen¬
cia. Colocando cl control debajo '*5"
(eomo ina 12 del reloj) cortara C-SQ8
frccucncius. Colocando el control
nrriha del "5" uumentara estas
frcrucncia*.
PUSH THICK (M)
Esteesun efectomuy dc^cable para
Uisquegustan dcun sonido "gnieso-
cn music,i de "rock"; usclo junto con
el ofocto de saturucion poru logrur
mda "color" en el sonido. Para aai-
van*; "thick" presionoel interruptor
"push thick" a su posieidn "in."
DEPTH CONTROL (Nl
(Control de Profundidad)
Controla la profundMad (intensi
dad) del efecto de cores.
RATE CONTROL (O)
(Control de Frecuencias)
Controla las frecuencias del efecto
de cares.
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