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BM 9 S
Owners Manual

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Inhaltsverzeichnis

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Inhaltszusammenfassung für Dynaudio BM9S

  • Seite 1 BM 9 S Owners Manual...
  • Seite 2: Inhaltsverzeichnis

    D(.N?!$))5'-1%+. @ABCDE BF?BGGH2222222222222222222222222222222222222222222222222222222222222222 WS R-$%)%[,6+ +(.)%+11+. @L-(.H 222222222222222222222222222222222222222222222222222222222222222222222222222222 WW >$";##<+,NL,+.\<,+O$+.\ ;['1+. @>4Q R#;*-))H222222222222222222222222222222222222222222 WW A'-)+ +(.)%+11+. @A'-)+H 2222222222222222222222222222222222222222222222222222222222222222222222222222222222 W3 >-%+11(%+.NL,+.\<,+O$+.\ -.*-))+. @>!U V(/'*-))H2222222222222222222222222222222222222222 W3 Fehlersuche......................24 Technische Informationen/Garantie ..............25 >(5'+,$./ +,)+%\+. 2222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222 W: U+5'.()5'+ ]-%+. 222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222 W= L-,-.%(+2222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222 WY Dynaudio Acoustics BM9S...
  • Seite 3: Important Safety Instructions

    "+ +b*#)+9 %# ,-(. #, 0#()%$,+ -.9 #"J+5%) <(11+9 ;(%' 1(O$(9)a )$5' -) K-)+)a )'#$19 .#% "+ *1-5+9 #. %'() -**-,-%$)2 S=2U# 5#0*1+%+1P 9()5#..+5% %'() +O$(*0+.% <,#0 %'+ 0-(.)a 9()5#..+5% %'+ *#;+, )$**1P 5#,9 *1$/ <,#0 %'+ ,+5+*%-51+2 SY2U'+ 0-(.) *1$/ #< %'+ *#;+, )$**1P 5#,9 )'-11 ,+0-(. ,+-9(1P #*+,-"1+2 Dynaudio Acoustics BM9S...
  • Seite 4: Safety Signs

    _.9(5-%+) (. 5#0"(.-%(#. ;(%' - )-<+%P )(/. - *#%+.%(-11P '-\-,9#$) )(%$-%(#. ;'(5'a (< WARNING .#% -K#(9+9a 5#$19 ,+)$1% (. 9+-%' #, )+,(#$) (.J$,P2 _.9(5-%+) (. 5#0"(.-%(#. ;(%' - )-<+%P )(/. - '-\-,9#$) )(%$-%(#. ;'(5'a (< .#% -K#(9+9a DANGER ;(11 ,+)$1% (. 9+-%' #, )+,(#$) (.J$,P2 Dynaudio Acoustics BM9S...
  • Seite 5: Used Signs And Symbols

    • Optimizing settings/Troubleshooting: V+,+ 9+%-(1+9 +b*1-.-%(#.) 5-. "+ <#$.9 '#; %# #*%(0(\+ %'+ )+%%(./) (. #,9+, %# -5'(+K+ %'+ 0-b(0$0 )#$.9 O$-1(%P2 g#$ ;(11 <(.9 %'() 5'-*%+, %(%1+) #. %#* #< +-5' *-/+ <#, P#$, O$(56 .-K(/-%(#.2 Dynaudio Acoustics BM9S...
  • Seite 6: Unpacking

    ! R(.+ $* %'+ )%$9) ;(%' %'+ 5#,,+)*#.9(./ <,#.% "-<<1+ '#1+)2 ! L+.%1P *$)' %'+ /,(11+ (. -% -11 5#,.+,)2 Note: • Q+ 5-,+<$1 ;'+. 0#$.%(./ %'+ /,(11+ .#% %# %#$5' %'+ 5#.+ #< %'+ 1#$9)*+-6+, (%)+1<2 Dynaudio Acoustics BM9S...
  • Seite 7: Controls And Connections

    • Flat: )(/.-1 () .#% *,#5+))+9 • 60: 5$%N#<< <,+O$+.5P -% =T V\  • 80: 5$%N#<< <,+O$+.5P -% IT V\ Terminal pinout œ  ž Ÿ S j T ž W j l 3 j m Dynaudio Acoustics BM9S...
  • Seite 8: Connecting The Subwoofer

    • ,#$%+9 %# %'+ SAT/SUB OUT %+,0(.-1)2 R#; <,+O$+.5(+) -,+ 5$%N#<< -55#,9(./ %# Phase %'+ SAT Highpass )+%%(./a • ,#$%+9 %# %'+ Slave OUT <#, - )+5#.9 )$";##<+, %# "+ 5#..+5%+92 V(/' <,+O$+.5(+) -,+ 5$%N#<< -55#,9(./ %# %'+ SUB Lowpass )+%%(./2 Slave OUT SAT/SUB OUT Subwoofer Dynaudio Acoustics BM9S...
  • Seite 9 %'+ )$";##<+,) -,+ -11 %'+ )-0+ 0#9+12 • _< P#$ ;()' %# $)+ 0$1%(*1+ )$";##<+,) ;(%' <$11 (.9(K(9$-1 5#.%,#1a )+% %'+ _.*$% );(%5' <#, -11 %# %'+ df-)%+,e *#)(%(#.2 G,#0 %'+ )#$,5+ )$";##<+, #$%*$%a $)+ - gN5#..+5%#,2 Dynaudio Acoustics BM9S...
  • Seite 10: Operation

    • !<%+, S: %# WT 0(.$%+) #< .#% )+.)(./ -.P (.*$% 0$)(5 )(/.-1a %'+ )$";##<+, ;(11 );(%5' (%)+1< %# >%-.9"P 0#9+ -$%#0-%(5-11P2 '() &"#"+& ,-. /0 "() 3#%9 /2 "() &+34//2)1 4!$$ $!5(" +6 1)7 Note: ! U# );(%5' %'+ )$";##<+, 5#0*1+%+1P #<<a )+% %'+ 0-(. ABCDE );(%5' %# %'+ BGG *#)(%(#.2 Dynaudio Acoustics BM9S...
  • Seite 11: Adjusting The Volume (Gain)

    • A+,'-*) )$";##<+, 5$%N#<< <,+O$+.5P () -1,+-9P )+% (. %'+ "-)) 0-.-/+0+.% #< P#$, )#$,5+2 A1+-)+ ,+<+, %# %'+ #*+,-%(./ 0-.$-1 #< P#$, )#$,5+2 _. /+.+,-1 $)+ #.1P #.+ "-)) 0-.-/+0+.% )P)%+02 A1+-)+ -1)# '++9 %'+ (.)%,$5%(#.) /(K+. (. %'+ #*+,-%(./ 0-.$-1 #< P#$, 1#$9)*+-6+,)2 Dynaudio Acoustics BM9S...
  • Seite 12: Setting The Phase (Phase)

    • G1-% j .# 1(0(%-%(#. • =T V\ j <,+O$+.5(+) "+1#; =T V\ -,+ 5$%N#<< • IT V\ j <,+O$+.5(+) "+1#; IT V\ -,+ 5$%N#<< Setting the cut-off frequency ! >;(%5' SAT Highpass 5#.%,#1 %# .++9+9 *#)(%(#.2 Dynaudio Acoustics BM9S...
  • Seite 13: Troubleshooting

    • >$";##<+, K#1$0+ 1+K+1 '-) "++. %$,.+9 9#;. -11 %'+ )#$,5+2 ;-P ;(%' %'+ )$";##<+,i) 5#.%,#12 ! 8-,+<$11P -.9 /,-9$-11P (.5,+-)+ %'+ )$";##<+, K#1$0+ 1+K+1 #. %'+ )#$,5+2 ! 8-,+<$11P -.9 /,-9$-11P (.5,+-)+ %'+ )$";##<+, K#1$0+ 1+K+1 #. %'+ )$";##<+, L-(. 5#.%,#12 Dynaudio Acoustics BM9S...
  • Seite 14: Technical Information/Warranty

    S2 >;(%5' #<< %'+ 0-(.) *#;+, );(%5' -.9 $.*1$/ %'+ *#;+, 5-"1+2 W2 A$11 #$% %'+ <$)+ '#19+, 32 E+*1-5+ <$)+ ;(%' )-0+ %P*+ -.9 ,-%(./ 72 A$)' <$)+ '#19+, "-56 <(,01P $.%(1 (% () 1#56+9 (.%# *#)(%(#.2 Dynaudio Acoustics BM9S...
  • Seite 15: Technical Specifications

    WMa7 50 b WIaM 50 b 3SaI 50 @(.512 <++% -.9 /,(11+H @'+(/'% b ;(9%' b 9+*%'H 8-"(.+% K#1$0+ S:aM 1(%+,) C+(/'% ST 6/ f-(.) STTNSWT oa :T?=T V\a G$)+ U32S: ! WWTNW7T oa :T?=T V\a G$)+ US2= ! Dynaudio Acoustics BM9S...
  • Seite 16 !11 ;-,,-.%P 51-(0) 0$)% "+ -55#0*-.(+9 "P - 5#*P #< %'+ #,(/(.-1 *$,5'-)+ (.K#(5+ -.9 ;-,,-.%(+) -,+ #.1P K-1(9 (. %'+ 5#$.%,P #, 0-,6+% #< #,(/(.-1 #,(/(. -.9 9()%,("$%(#.2 >'#$19 ;-,,-.%P )+,K(5+ "+ ,+O$(,+9a (% 0$)% "+ -,,-./+9 <#, (. %'+ 5#$.%,P #< *$,5'-)+ "P -. -$%'#,(\+9 ]P.-$9(# !5#$)%(5) 9+-1+,2 Dynaudio Acoustics BM9S...
  • Seite 17: Sicherheit

    ! C[',+.9 )5'1+5'%+, C+%%+,"+9(./$./+. )#11%+. >(+ J+9+) +1+6%,()5'+ L+,[% \$0 >5'$%\ K#, Q1(%\)5'1-/ K#0 >%,#0.+%\ %,+..+.2 ](+) /(1% +"+.<-11) -1) o#,)(5'%)0-Z.-'0+ ;[',+.9 1[./+,+, !";+)+.'+(%2 ! >(+ )#11%+. 9+. >$";##<+, -$5' K#,q"+,/+'+.9 K#. -11+. !.)5'1q))+. %,+..+.a ;+.. >(+ -. 9+, !.1-/+ ^#0*#.+.%+. -$)%-$)5'+. #9+, .+$ K+,"(.9+.2 Dynaudio Acoustics BM9S...
  • Seite 18: Vor Dem Betrieb

    +.%)*,+5'+.9 .$00+,(+,%2 Q(%%+ "+<#1/+. >(+ 9(+ -./+/+"+.+ E+('+.<#1/+ N >(+ 6#00+. 9-9$,5' )5'.+11+, \$0 X(+12 9+1&!< .#& B)&+$"#" )!0)& C)7!)0+05&&%(1!"")& 4!17 !0 9+1&!<)1 D%(1!2" 3)&%(1!)3)08 .!)& 9#00 2E1 D!) (!$21)!%( &)!0> +; 7)0 -12/$5 )!0)& D%(1!"")& F+ E3)161E2)08 fett Q+9(+.+1+0+.%+ )(.9 (0 U+b% <+%% 0-,6(+,%2 Dynaudio Acoustics BM9S...
  • Seite 19: Auspacken

    +(.+) >$";##<+,) ()% '(+,"+( +(.+ 61-./1(5'+ !$);(,6$./ K+,.-5'1[))(/"-,2 Abdeckung abnehmen/anbringen: ! X$0 !".+'0+.a !"9+56$./ .-5' K#,.+ -"\(+'+.2 ! X$0 !.",(./+.a >%(<%+ /+.-$ q"+, 9(+ o+,%(+<$./+. *1-%\(+,+. $.9 E-'0+. /-.\ +(.9,q56+.2 Hinweis: • !5'%+. >(+ 9-,-$<a 9(+ Q-))0+0",-. .(5'% \$ "+,q',+.2 Dynaudio Acoustics BM9S...
  • Seite 20: Anschluss- Und Bedienelemente

    Q+/,+.\% 9(+ $.%+,+ C(+9+,/-"+<,+O$+.\ 9+) >(/.-1)a 9-) -. SAT/SUB OUT -$)/+/+"+. ;(,92 • Flat: 6+(.+ Q+/,+.\$./ • 60: L,+.\<,+O$+.\ j =T V\ • 80: L,+.\<,+O$+.\ j IT V\  Pinbelegung œ  ž S j T Ÿ W j l ž 3 j m Dynaudio Acoustics BM9S...
  • Seite 21: Subwoofer Eingcnge

    • \$, !$)/-"+ -. 9+. !$)/[./+. SAT/SUB OUT2 ]-"+( 6-.. 9(+ C(+9+,/-"+ %(+<+, Phase G,+O$+.\+. 9$,5' SAT Highpass "+/,+.\% ;+,9+.a • \$, C+(%+,1+(%$./ q"+, 9+. !$)/-./ Slave OUT -. +(.+. ;+(%+,+. >$";##<+,2 u"+, SUB Lowpass ;(,9 9+, G,+O$+.\"+,+(5' .-5' #"+. "+/,+.\%2 Slave OUT SAT/SUB OUT Subwoofer Dynaudio Acoustics BM9S...
  • Seite 22: Einen Einzelnen Subwoofer Anschlieden

    • C+.. >(+ 0+',+,+ >$";##<+, K+,;+.9+.a )#11%+. -$) G$.6%(#.)N $.9 ^1-./O$-1(%[%)/,q.9+. -11+ >$";##<+, (9+.%()5' )+(.2 • >#11+. 0+',+,+ >$";##<+, (.9(K(9$+11 -.)%+$+,"-, "1+("+.a )%+11+. >(+ -11+ >$";##<+, -$< LFE2 ]-) w$+11+.N>(/.-1 0$)) 9-.. q"+, +(.+ C+(5'+ K+,%+(1% ;+,9+. @gN!9-*%+,H2 Dynaudio Acoustics BM9S...
  • Seite 23: Automatischer Modus

    • C+.. WT f(.$%+. 1-./ 6+(. >(/.-1 +,<#1/%a )5'-1%+% )(5' 9+, >$";##<+, -$%#0-%()5' -$< Q+,+(%)5'-<%a "() ;(+9+, +(. >(/.-1 -0 D(./-./ -.1(+/%2 .!) D"#"+&H,-. $)+%(")" 1/"8 Hinweis: ! >%+11+. >(+ 9+. F+%\)5'-1%+, -$< BGGa $0 9+. >$";##<+, /-.\ -$)\$)5'-1%+.2 Dynaudio Acoustics BM9S...
  • Seite 24: Lautstcrke Einstellen (Gain)

    • fr/1(5'+,;+()+ ()% 9(+ L,+.\<,+O$+.\ (0 Q-))0-.-/+0+.% _',+, >(/.-1O$+11+ "+,+(%) +(./+)%+11%2 D.%)*,+5'+.9+ V(.;+()+ <(.9+. >(+ (. 9+, Q+9(+.$./)-.1+(%$./ _',+, >(/.-1O$+11+2 o+,;+.9+. >(+ ;+.. 0r/1(5' .$, +(. +(.\(/+) Q-))0-.-/+0+.%N>P)%+02 • Q+-5'%+. >(+ -$5' 0r/1(5'+ V(.;+()+ $.9 D0*<+'1$./+. (. 9+, Q+9(+.$./)-.1+(%$./ _',+, ;+(%+,+. R-$%)*,+5'+,2 Dynaudio Acoustics BM9S...
  • Seite 25: Phase Einstellen (Phase)

    QfM> +,0r/1(5'% '(+,\$ 9,+( D(.)%+11$./+.c • G1-% j 6+(.+ Q+/,+.\$./ • =T V\ j G,+O$+.\+. $.%+, =T V\ ;+,9+. -"/+)5'.(%%+. • IT V\ j G,+O$+.\+. $.%+, IT V\ ;+,9+. -"/+)5'.(%%+. Satelliten-Grenzfrequenz anpassen ! >5'-1%+, SAT Highpass -$< 9(+ "+.r%(/%+ D(.)%+11$./ 9,+'+.2 Dynaudio Acoustics BM9S...
  • Seite 26: Fehlersuche

    -$< F$11 '+,$.%+,/+,+/+1%2 ! D,'r'+. >(+ 9(+ R-$%)%[,6+ <q, 9+. >$";##<+,N !$)/-./ -. 9+, >(/.-1O$+11+ K#,)(5'%(/ (. 61+(.+. >5',(%%+.2 ! D,'r'+. >(+ 9(+ R-$%)%[,6+ -0 >$";##<+, @L-(.H )5',(%%;+()+ $.9 0(% +.%)*,+5'+.9+, o#,)(5'%a $0 9-) >P)%+0 .(5'% \$ "+)5'[9(/+.2 Dynaudio Acoustics BM9S...
  • Seite 27: Sicherung Ersetzen

    S2 >5'-1%+. >(+ 9+. >$";##<+, -$) $.9 \(+'+. >(+ 9-) F+%\6-"+1 '+,-$)2 W2 X(+'+. >(+ 9(+ 9+. >(5'+,$./)'-1%+, '+,-$)2 32 D,)+%\+. >(+ 9(+ 9+<+6%+ >(5'+,$./ 9$,5' +(.+ .+$+ /1+(5'+. UP*)2 72 >5'(+"+. >(+ 9+. >(5'+,$./)'-1%+, ;(+9+, (. 9(+ s<<.$./a "() +, +(.,-)%+%2 Dynaudio Acoustics BM9S...
  • Seite 28: Technische Daten

    WMa7 50 b WIaM 50 b 3SaI 50 @Vr'+ b Q,+(%+ b U(+<+H @(.612 GqZ+ $.9 !"9+56$./H L+'[$)+K#1$0+. S:aM R(%+, L+;(5'% ST 6/ F+%\-.)5'1$)) STTNSWT oa :T?=T V\a >(5'+,$./ U3aS: ! WWTNW7T oa :T?=T V\a >(5'+,$./ USa= ! Dynaudio Acoustics BM9S...
  • Seite 29 >5'[9+.a 9(+ 9$,5' $.)-5'/+0[Z+. Q+%,(+" #9+, 9+<+6%+ o+,)%[,6+, +.%)%-.9+. )(.9a ;+,9+. K#. 9+, L-,-.%(+ .(5'% -"/+9+56%2 !1) F-5';+() <q, 9+. L-,-.%(+-.)*,$5' /(1% 9+, ^-$<"+1+/2 ](+ !";(561$./ K#. E+61-0-%(#.+. +,<#1/% (. 9+, E+/+1 q"+, +(.+. -$%#,()(+,%+. ]P.-$9(# !5#$)%(5)N G-5''[.91+,2 Dynaudio Acoustics BM9S...
  • Seite 30 Phone +45 87 - 427 000 Denmark DYNAUDIO Acoustics A/S Sverigesvej 15 DK-8660 Skanderborg Denmark Phone/Tel. +45 86 52 34 11 Sales/Vertrieb DYNAUDIO Acoustics (UK) Ltd. Unit 21, Riverside Workshops 28 Park Street, London SE1 9EQ. UK. Phone/Tel. +44 171 403 3808...

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