Copy Preset ................................................................................................................. 131
Copy Layer .................................................................................................................. 132
Copy Filter .................................................................................................................. 132
Copy LFO .................................................................................................................... 132
Copy Note-On Control .................................................................................................. 133
Copy Realtime Control ................................................................................................. 133
Copy Hyperpreset ........................................................................................................ 134
Copy Zone ................................................................................................................... 134
Copy Midimap ............................................................................................................. 134
Copy Channel .............................................................................................................. 135
Copy Effect .................................................................................................................. 135
Copy Bank .................................................................................................................. 136
Vorwärts ..................................................................................................................... 139
Bearbeitung von Presets .............................................................................................. 139
Starten von Grund auf ................................................................................................. 140
Das Instrument............................................................................................................ 140
Volumen ..................................................................................................................... 141
Pan ............................................................................................................................. 141
Transponieren ............................................................................................................. 141
Grobstimmung ............................................................................................................ 142
Feinstimmung ............................................................................................................. 142
Anatomie einer Hüllkurve ............................................................................................ 144
Sound Delay ................................................................................................................ 145
Sound Start ................................................................................................................. 145
Zeit zum Sichern? ........................................................................................................ 147
LFO Modulation ........................................................................................................... 147
Modulatoren modulieren ............................................................................................. 150
UltraProteus Filter ....................................................................................................... 151
Just Do It .................................................................................................................... 152
Filter Philosophie ......................................................................................................... 154
129
137
vii
INHALT