Types Of Effects; Types Of Sound Color Fx Effects; Types Of Beat Effect - Pioneer DJM-900SRT Bedienungsanleitung

Types of effects

Types of SOUND COLOR FX effects

Effect Name Descriptions
Applies a reverberation effect to
SPACE
the original sound.
Applies an echo effect, with the
sound delayed slightly after the
DUB ECHO
original sound output several
times and gradually attenuated.
Changes the texture of the overall
GATE/COMP
sound.
White noise generated inside
this unit is mixed in to the sound
of the channel via the filter and
output.
The volume can be adjusted
by turning the [TRIM]
NOISE
controls for the respective
channels. The sound quality
can be adjusted by turning
the [EQ/ISO (HI, MID, LOW)]
controls.
Changes the original sound to a
CRUSH
crushed-like sound for output.
Outputs sound that has passed
FILTER
through a filter.

Types of BEAT EFFECT

DELAY
1
A delay sound is output once according to the beat fraction set with the [BEAT
] buttons.
When 1/2 beat delay sound is added, 4 beats become 8 beats.
Original
(4 beats)
1/2 delay
(8 beats)
Use these to set a time delay of 1/8 – 16/1 with respect to the
, buttons (parameter 1)
BEAT
time of one beat of the BPM.
Use this to set the delay time.
TIME control (parameter 2)
1 to 4000 (ms)
LEVEL/DEPTH control (param- Use this to set the balance between the original sound and the
eter 3) delay sound.
X-PAD (parameter 4) Use this to set the delay time.
ECHO 1 2
A delay sound is output several times and gradually attenuated according to the
beat fraction set with the [BEAT ,
With 1/1 beat echoes, the delay sounds are faded out according to the track's tempo
even after the input sound has been cut.
Input sound turned off
1 beat
Use these to set a time delay of 1/8 – 16/1 with respect to the
, buttons (parameter 1)
BEAT
time of one beat of the BPM.
Use this to set the delay time.
TIME control (parameter 2)
1 to 4000 (ms)
[COLOR] control
Turn counterclockwise: Applies the
reverberation effect to the mid- and
low ranges.
Turn clockwise: Applies the rever-
beration effect to the mid- and high
ranges.
Turn counterclockwise: Applies the
echo effect to the mid-range only.
Turn clockwise: Applies the echo
effect to the high range only.
Turn counterclockwise: A gate
effect makes the sound tighter,
with a reduced sense of volume.
Turn clockwise: A compressor
effect makes the sound fatter, with
an increased sense of volume.
Turn counterclockwise: The cut-
off frequency of the filter through
which the white noise passes
gradually decreases.
Turn clockwise: The cut-off fre-
quency of the filter through which
the white noise passes gradually
increases.
Turn counterclockwise: Increases
the sound's distortion.
Turn clockwise: The sound is
crushed before passing through
the high pass filter.
Turn counterclockwise: Gradually
decreases the low-pass filter's
cutoff frequency.
Turn clockwise: Gradually
increases the high-pass filter's
cutoff frequency.
] buttons.
Fade-out
Time
LEVEL/DEPTH control (param-
eter 3)
X-PAD (parameter 4)
SPIRAL 1 2
This function adds a reverberation effect to the input sound.
When the delay time is changed, the pitch changes simultaneously.
1 beat
, buttons (parameter 1)
BEAT
TIME control (parameter 2)
LEVEL/DEPTH control (param-
eter 3)
X-PAD (parameter 4)
REVERB
1 2
This function adds a reverberation effect to the input sound.
Direct sound
Early reflected sound
Level
Reverberations
1%
100%
, buttons (parameter 1)
BEAT
TIME control (parameter 2)
LEVEL/DEPTH control (param-
eter 3)
X-PAD (parameter 4)
,
TRANS 1
The sound is cut according to the beat fraction set with the [BEAT
Cut
1/1 beat
, buttons (parameter 1)
BEAT
TIME control (parameter 2)
LEVEL/DEPTH control (param-
eter 3)
X-PAD (parameter 4)
FILTER
1
The filter's cutoff frequency changes according to the beat fraction set with the
[BEAT , ] buttons.
, buttons (parameter 1)
BEAT
TIME control (parameter 2)
LEVEL/DEPTH control (param-
eter 3)
Use this to set the balance between the original sound and the
echo sound.
Use this to set the delay time.
Input sound turned off
Fade-out
Time
Use these to set a time delay of 1/8 – 16/1 with respect to the
time of one beat of the BPM.
Use this to set the delay time.
10 to 4000 (ms)
Use this to set the balance between the original sound and the
effect sound and to set the quantitative parameter.
Use this to set the delay time.
Time
Use these to set the extent of the reverberation effect, from
1 – 100 %.
Use this to set the degree of the reverb effect.
1 – 100 (%)
Sets the balance between the original sound and the effect
sound.
Sets the filter's cut-off frequency.
Cut
Time
Use these to set a cut time of 1/16 – 16/1 with respect to the
time of one beat of the BPM.
Use this to set the effect time.
10 to 16000 (ms)
Sets the balance between the original sound and the effect
sound.
This sets the cut time.
Frequency
Use these to set the cycle for moving the cut-off frequency
as a time of 1/4 – 64/1 with respect to the time of one beat of
the BPM.
Use this to set the cycle at which the cut-off frequency is
moved.
10 to 32000 (ms)
The further the control is turned clockwise, the more the effect
is stressed.
, ] buttons.
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