E-Mu 1212m Bedienungsanleitung Seite 6

6 - Anhang ..................................................................... 89
Verwendung hoher Sampleraten ...................................................................................... 89
Überblick ........................................................................................................................ 89
WDM Aufnahme- und Wiedergabe-Verhalten ............................................................. 91
Sync-Tochterkarte .............................................................................................................. 92
SMPTE-Konvertierung ................................................................................................... 92
SMPTE-Funktionen .................................................................................................... 92
SMPTE-Optionen ........................................................................................................... 92
SMPTE-Betriebsmodi ..................................................................................................... 93
Hostmodus ................................................................................................................. 93
Externer Modus .......................................................................................................... 93
Flywheel-Modus ......................................................................................................... 93
Flywheel-Modi ............................................................................................................ 94
Stripe-Modus .............................................................................................................. 94
SMPTE-Beispielverbindung ........................................................................................... 95
MIDI-Zeitcode (MTC) ....................................................................................................... 95
Wordclock-Ein-/-Ausgang ................................................................................................. 96
Synchronisation ................................................................................................................ 98
Nützliche Informationen .................................................................................................. 99
Kabel - symmetrisch oder asymmetrisch? .................................................................... 99
Symmetrische Kabel ................................................................................................... 99
Asymmetrische Kabel ................................................................................................. 99
Adapter-Kabel .............................................................................................................. 100
1/8" Mini-Klinke auf 1/4" Adapter ......................................................................... 100
Cinch (RCA) auf 1/4" Adapter ................................................................................ 100
Digital-Kabel ................................................................................................................ 100
AES/EBU auf S/PDIF Kabel-Adapter ........................................................................... 100
Erdung .......................................................................................................................... 101
Phantomspannung ...................................................................................................... 101
Darstellungseinstellungen in Windows ...................................................................... 101
Technische Daten ............................................................................................................ 102
Internet-Referenzen ......................................................................................................... 109
Foren ......................................................................................................................... 109
Index ............................................................................ 113
6 Creative Professional