Anschlussdiagramme - Mackie SRM1801 Bedienungsanleitung

Anschlussdiagramme

PA-Hauptsystem mit einem Subwoofer und zwei Aktivboxen
Der linke und rechte Line-Pegel-Ausgang eines Mischers wird in die Eingänge des aktiven Mackie
SRM1801 Subwoofers eingespeist. Die Line-Pegel Hochpass-Ausgänge des Subwoofers werden in die
Eingänge der Mackie SRM450v2 Aktivboxen eingespeist, damit diese den Mitten- und Höhenbereich in
Stereo und der Sub die Bässe in Mono wiedergeben.
PA-Hauptsystem mit zwei Subwoofern und zwei Aktivboxen
ACTIVE SOUND REINFORCEMENT SYSTEM
Hochpass-
Boxenstange
Ausgang
THERMAL OL SIGNAL POWER OUTPUT
A HIGH PASS B
LEVEL
- 6dB + 6dB
POL ARITY A FULL RANGE B
NORMAL
INVERT
18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER
INPUT
A B
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
SERIAL NUMBER REVISION
~100 -120 VAC
50/60Hz 1010W
POWER
ON
FUSE: T10AH AC250V
Der linke und rechte Line-Pegel-Ausgang eines Mischers wird in die Eingänge eines aktiven Mackie
SRM1801 Subwoofers eingespeist. Die Line-Pegel Hochpass-Ausgänge des Subwoofers werden in die
Eingänge der Mackie SRM450v2 Aktivboxen eingespeist, damit diese den Mitten- und Höhenbereich in
Stereo und die Subs die Bässe in Stereo wiedergeben.
6
ACTIVE SOUND REINFORCEMENT SYSTEM
linke und rechte
aktive Hauptboxen
(Mackie SRM450v2)
THERMAL OL SIGNAL POWER
OUTPUT
A HIGH PASS B
LEVEL
- 6dB 6dB +
POL ARITY A FULL RANGE B
NORMAL
INVERT
INPUT
A B
Hochpass-
Ausgang
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
SERIAL NUMBER REVISION
~100 -120 VAC 50/60Hz 1010W
POWER
ON
FUSE: T10AH AC250V
rechte aktive
Hauptbox
(Mackie SRM450v2)
vom rechten
MIC 1 MIC 2 MIC 3 MIC 4 MIC 5
Mischerausgang
BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL
LINE IN LINE IN LINE IN LINE IN LINE IN
INSERT INSERT INSERT INSERT INSERT
1 2 3 4 5
ZERO ZERO ZERO ZERO ZERO
5 +50 LEVEL 5 +50 LEVEL 5 +50 LEVEL 5 +50 LEVEL 5 +50 LEVEL 5
-15dB +30dB GAIN -15dB +30dB GAIN GAIN -15dB +30dB GAIN -15dB +30dB -15dB +30dB GAIN GAIN -15dB +30dB
LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT
100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz
AUX AUX AUX AUX AUX
U U U U U
1 1 1 1 1
O O +15 O O +15 O O +15 O O +15 O O +15 O O
U U U U U
2 2 2 2 2
O O +15 O O +15 O O +15 O O +15 O O +15 O O
PRE FADER PRE FADER PRE FADER PRE FADER PRE FADER PRE FADER
U U U U U
EFX EFX EFX EFX EFX
1 1 1 1 1
+15 (EXT) +15 (EXT) +15 (EXT) +15 (EXT) +15 (EXT)
O O U O O U O O U O O U O O U O O
EFX EFX EFX EFX EFX
2 2 2 2 2
+15 (INT) +15 (INT) +15 (INT) +15 (INT) +15 (INT)
O O O O O O O O O O O O
U EQ U EQ U EQ U EQ U EQ
12k HI 12k HI HI 12k 12k HI HI 12k
-15 +15 U -15 U +15 -15 +15 U -15 U +15 -15 U +15 -15
MID MID MID MID MID
-15 600 +15 -15 600 +15 -15 600 +15 -15 600 +15 -15 600 +15 -15
150 1.5k FREQ 150 1.5k FREQ 150 LG. 1.5k FREQ 150 1.5k FREQ 150 1.5k FREQ 150
LG. MD.
100 8k 100 8k MD. 100 8k 100 8k 100 8k 100
U U SM. U U U
LOW LOW LOW LOW LOW
80Hz 80Hz 80Hz 80Hz 80Hz
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15
PAN PAN PAN PAN PAN
L R L R L R L R L R
1 1 2 3 4 5
MUTE MUTE MUTE MUTE MUTE
ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN
dB 10 1-2 10 dB 1-2 dB 10 1-2 dB 10 1-2 10 dB 1-2 dB 10
5 5 5 5 5 5
3-4 3-4 3-4 3-4 3-4
U U U U U U
5 5 5 5 5 5
10 10 10 10 10 10
20 20 20 20 20 20
30 30 30 30 30 30
40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40
50 PFL 50 PFL 50 PFL 50 PFL 50 PFL 50
60 O O O O 60 60 O O 60 O O 60 O O O O 60
Mischpult
(Mackie CFX12mkII)
ACTIVE SOUND REINFORCEMENT SYSTEM
18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER
vom
linken und rechten
Mischerausgang
linke aktive
Hauptbox
(Mackie SRM450v2)
vom linken
MIC 6 MIC 7 MIC 8 STEREO EFX RETURN EFX SEND TAPE INPUT TAPE OUTPUT MAIN INSERT MAIN OUT MAIN OUT LAMP 12V 0.5A
L R L L
1
1 L L L Mischerausgang
R R
2
2 R R EFX
BAL/UNBAL BAL/UNBAL 1 1 3 R
(MONO) (MONO)
LINE IN LINE IN LINE IN 9 11 L
FOOT SWITCH
LEFT LEFT
2 2 4
RIGHT RIGHT S
INSERT INSERT INSERT 10 12 R
UTILITY OUT AUX SEND SUB OUT SUB OUT 75Hz PHONES
6 7 8 9/10 11/12
U U
ZERO ZERO ZERO
+50 LEVEL 5 +50 LEVEL 5 +50 LEVEL -20 +20 -20 +20
-15dB +30dB GAIN -15dB +30dB GAIN GAIN GAIN
LOW CUT LOW CUT
100 Hz 100 Hz MASTER SEND +15 15+
AUX AUX AUX AUX AUX AUX 10 10
U U U U U U 5 5
1 1 1 1 1 1 0 0
5 5
+15 O O +15 O O +15 O O +15 O O +15 O O +15
U U U U U U 10 10
2 2 2 2 2 2 –15 15–
+15 O O +15 O O +15 O O +15 O O +15 O O +15 63 125 250 500 1K 2K 4K 8K 16K
PRE FADER PRE FADER PRE FADER PRE FADER STEREO GRAPHIC EQ
U U U U U U EFX
EFX EFX EFX EFX EFX 1
1 1 1 1 1 (EXT)
+15 (EXT) +15 (EXT) +15 (EXT) +15 (EXT) +15 (EXT) +15 12 CHANNEL COM PACT INTEGR ATED LIVE SOUND MIXER
U O O U O O U O O U O O U O O
EFX EFX EFX EFX EFX
2 2 2 2 2 DIGITAL STEREO EFFECTS PROCESSOR
+15 (INT) +15 (INT) +15 (INT) +15 (INT) +15 (INT) EFX 2 (INT) RETURN MASTERS PHANTOM POWER
O O O O O O O O CLIP 48v
U EQ U EQ U EQ U EQ U EQ U U U U U
POWER STATUS
12k HI 12k HI 12k HI HI 12k HI 12k
LEFT RIGHT
U +15 -15 U +15 -15 U +15 -15 U +15 -15 +15 U O O 2 +15 O O +15 O O 1 +15 O O +15 2 EFX O O 1 RETURN +20 CLIP 22
SEND EFX TO MAIN MIX AUX EFFECTS TO MONITOR AUX U 10
MID MID MID HI MID MID HI 7
3k 3k REVERSE DELAY 1
+15 600 -15 600 +15 -15 600 +15 -15 +15 U -15 U +15 GATED DELAY 2 O O +20 4
CATHEDRAL DELAY 3 TAPE LEVEL 2
1.5k FREQ 150 1.5k FREQ 150 1.5k FREQ MID LOW LOW MID HALL DELAY 4 0
400Hz 400Hz HALL PLATE FLANGE CHORUS BREAK SWITCH 2
8k 100 8k 100 8k -15 +15 -15 +15 PLATE PHASER (MUTES ALL CHANNELS)
U U U U U ROOM SPRING 4
LOW LOW LOW LOW LOW NORMAL NORMAL ZERO 7
80Hz 80Hz 80Hz 80Hz 80Hz EFX LEVEL SET 10
+15 -15 +15 -15 +15 -15 +15 -15 +15 O O PHONES LEVEL MAX
PAN PAN PAN PAN PAN U 20
WIDE BYPASS 30
0 10 REVERBS 0 10 0dB=0dBu
TIME DELAYS DAMPING O O +10 RUDE
L R L R L R L R L R RATE CHORUS/FLANGE/PHASER DEPTH UTILITY OUT LEVEL SOLO
6 7 8 9-10 11-12 1 2 3 4 STEREO STEREO
SUB SUB SUB SUB MAIN MIX MAIN MIX
MUTE MUTE MUTE MUTE MUTE
ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN
1-2 10 dB 1-2 dB 10 1-2 10 dB 1-2 dB 10 1-2 10 dB LEFT 10 dB LEFT 10 dB LEFT 10 dB LEFT 10 dB
5 5 5 5 5 5 5 5 5
3-4 3-4 3-4 3-4 3-4 RIGHT RIGHT RIGHT RIGHT
U U U U U U U U U
5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10
20 20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30 30
SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 40 40 40 40
PFL 50 PFL 50 PFL 50 PFL 50 PFL 50 50 50 50 50
O O 60 60 O O O O 60 O O 60 O O 60 O O 60 O O 60 O O 60 O O 60
MIC MIC MIC MIC MIC MIC (UNBALANCED)
L L
TAPE TAPE
IN OUT
R R
PROFESSIONAL MIC/LINE MIXER WITH FX
LINE 1 2 3 4 5/6 7/8 9/10 11/12
HI-Z
(MONO) (MONO) (MONO) (MONO) (MONO)
UNBAL BAL / UNBAL BAL / UNBAL BAL / UNBAL BAL / L L L L L UNBAL BAL / L
BAL / BAL / BAL / BAL / BAL / BAL /
LINE/HI-Z IN 1 LINE IN 2 LINE IN 3 LINE IN 4 LINE IN 5 UNBAL LINE IN 7 UNBAL LINE IN 9 UNBAL LINE IN 11 UNBAL UNBAL MON SEND UNBAL FOOTSWITCH
BAL /
R R R R R UNBAL R
INSERT INSERT INSERT INSERT LINE IN 6 LINE IN 8 LINE IN 10 LINE IN 12 ST RETURN FX SEND MAIN OUT PHONES
STEREO GRAPHIC EQ
U U U U U U
LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL
SET SET SET SET SET SET 15 15
10 10
-20dB U +50 +30dB -20dB U +30dB +50 -20dB U +50 +30dB -20dB U +30dB +50 U +50 U +50 -20 +20 -20 +20 PHANTOM
GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 5 5 POWER
LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT 0 0
100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 5 5
POWER
U EQ U EQ U EQ U EQ U EQ U EQ U EQ U EQ 10 10
HI HI HI HI HI HI HI HI 15 15 MAIN
12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz METERS
125 250 500 1K 2K 4K 8K 0dB=0dBu
-15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 +15 U OL
MAIN MIX EQ IN
MID MID MID MID MID MID MID MID MON BYPASS 15
2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 10
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 6
U U U U U U U U 3
LOW LOW LOW LOW LOW LOW LOW LOW USB 0
80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 01 BRIGHT ROOM FX PRESETS 2
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 02 WARM LOUNGE U 4
03 SMALL STAGE 7
U AUX U AUX U AUX U AUX U AUX U AUX U AUX U AUX 04 WARM THEATER 05 WARM HALL 10
06 CONCERT HALL 20
MON MON MON MON MON MON MON MON 07 PLATE REVERB 08 CATHEDRAL O O +20 30
09 CHORUS INPUT LEVEL L R
O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 10 CHORUS + REV PRESETS
U U U U U U U U 11 DOUBLER 12 TAPE SLAP
13 DELAY 1 (300ms) MUTE
FX FX FX FX FX FX FX FX 14 DELAY 2 (380ms)
O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 15 DELAY 3 (480ms) 16 REVERB + DLY (250ms) USB THRU BREAK
(MUTES ALL CHANNELS)
PAN PAN PAN PAN PAN PAN PAN PAN U U U
OL
+15 +15
L R L R L R L R L R L R L R L R FX MASTER O O O O FX TO MON O O PHONES MAX TAPE LEVEL O O +20
MON MAIN
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
OL OL OL OL OL OL OL OL OL
1 2 3 4 5/6 7/8 9/10 11/12 ST RTN FX RTN
dB dB dB dB dB dB dB dB dB dB dB dB
10 10 10 10 10 10 10 10 10 10 10 10
5 5 5 5 5 5 5 5 5 5 5 5
U U U U U U U U U U U U
5 5 5 5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10 10 10 10
20 20 20 20 20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40 40 40 40 40
50 60 60 50 60 50 60 50 50 60 50 60 50 60 50 60 50 60 60 50 60 50 50 60
O O O O O O O O O O O O O O O O O O O O O O O O
Mischpult
(Mackie ProFX12)
ACTIVE SOUND REINFORCEMENT SYSTEM
Hochpass-
Boxenstange
Ausgang
THERMAL OL SIGNAL POWER OUTPUT
A HIGH PASS B
LEVEL
6dB - + 6dB
POL ARITY A FULL RANGE B
NORMAL
INVERT
18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER
INPUT
A B
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
SERIAL NUMBER REVISION
~100 -120 VAC
50/60Hz 1010W
POWER
ON
FUSE: T10AH AC250V