Studiomaster Powerhouse Vision 700 serie Bedienungsanleitung Seite 16

A2
MIC PREAMP
MID
MONO
MONITOR
NOISE
NOISE GATE
OHM
PAN
PFL
PHANTOM POWER
PHONES
POST FADE
PRE FADE
PHONO (RCA JACK)
REGEN (Regeneration)
RESISTANCE
RETURN
REVERB Reverberation
SEND
SEND/RETURN
SEQUENCER
SIGNAL TO NOISE
SPEAKON™
SUB GROUP
STEREO
SWEEP EQ
TRS Tip Ring Sleeve
TS Tip, Sleeve
UNBALANCED
WEDGE
WET
XLR
MIDI IMPLEMENTATION
MESSAGE FORMAT
START FAH
CONTINUE FBH
STOP FCH
PROGRAM CnH,ppH
CHANGE
n = MIDI Channel OH - FH ( channel 1-16)
pp = Program Number 00H - 7FH (0 - 127)
A "pre-amplifier" that increases the mic voltage up to the internal operating level of the console.
The middle part of the audible frequency range or the speakers that are used to reproduce it.
Short for monaural. Single channel sound reproduction
The ability to hear signals within a console or the speakers used by the performers to hear on-stage.
Any sound you didn't want.
A device which shuts off the channel if the signal and drops below a pre-set level.
A unit of electrical resistance. 1000 ohms = 1Kohm (or 1000 = 1k )
Sets the Left to Right balance of a sound in a stereo mix. Derived from the film industry term where
a camera would follow the action from one side of the picture (or panorama) to the other.
Pre Fade Listen. A function which allows the operator to monitor (usually on headphones and on
meters) a signal even when the channel output fader is down at it's minimum volume position.
48V supply applied to Pins 1 & 2 of a 3pin XLR connector to power condenser type microphones.
Headphones
A signal taken after (post) the fader. Usually used for effects sends.
A signal taken before (pre) the fader. Usually used for monitor sends.
An unbalanced two pole connector used for hi-fi or other line level equipment.
The control used to adjust the amount of artificial echo that continues after a sound has finished.
A measure of the ratio of voltage and current. Resistance = Voltage/Current.
The connectors or controls used to bring an externally processed signal back into the console.
A series of very closely spaced echoes which ring on after the original sound has finished. Usually
reproduced by electronic devices and probably the most widely used effect in modern music.
The connectors or controls used to send a signal out of the mixing console.
See INSERT.
Usually a MIDI based device which controls electronic equipment by sending sequences of
digital information, normally to play sounds on external sound modules.
The ratio between the level of a signal and the background noise that accompanies it.
A quality connector designed for use with high power amplifiers and loudspeakers.
A single fader used to control a group of signals (a "sub-mix") without affecting their relative levels.
Two track sound where the two signals are sent to separate left and right amp/speaker systems.
Allows the frequency of the cut and boost control to be adjusted over a wide range.
¼" 3 pole ("stereo") jack plug. Used for balanced line signals, inserts, send/returns and headphones.
¼" 2 pole ("mono") jack plug. Used for unbalanced signals.
Two wire connection using one signal and one screen conductor.
A angled speaker designed to project the sound up towards the performers ears.
A signal that has been processed using an effects processor.
Usually a 3 pin connector used for balanced mics. Also used for line signals and speaker outputs.
ACTIVE
When MIDI channel is not 'OFF' and
when START/STOP is 'ON'
When MIDI channel is not 'OFF' and
when START/STOP is 'ON'
When MIDI channel is not 'OFF' and
when START/STOP is 'ON'
When MIDI channel is not 'OFF'and
when a program is set to receive the
relevant Program Change Number
Powerhouse 700/1200 Operator Guide
FUNCTION
Un-mute the REVERB Module
Un-mute the REVERB Module
Mute the REVERB Module
Recall a Program from non-volatile
memory