Werbung
Verfügbare Sprachen
Verfügbare Sprachen
• Tuning is optimum when the pointer of indi-
cator @ shows maximum deflection.
Tuning to FM-stations.
General notes to be observed when tuning to
FM-stations.
• The reception quality of FM-stereo broad-
castsdependsto a Iarge extent uponthe strength
of the signal provided by the aerial. If a strong
signal is being receivedand control@ is
switched to the 'STEREO'mode, high quality,
low noise, stereo reception will result. Stereo
indicator will then light up.
If the signal is weak however the noise level
will increase and may spoil the programme
content. At a pre-determined
automatically
switch to the 'MONO' mode. The
noise level will then be reduced but the stereo
effect will, of course, be lost. This function can
be performe
d
manually by settingswitch@
to the 'MONO'
mode.
In addition, the rotary part of the control can
be used to gradual ly alter the stereo separation.
In this way the noise level can be reduced to
an acceptable level without totally losing the
stereo
effect.
• AFC (Automatic Frequency Control) can be
switchedon by pressingkey(C.
Then, with AFC in operation, stable reception
is automatically
assured.
Remark: Preferably do not use AFC while tun-
ing. Also when, using AFC, this would lead to
undesired tuning to a stronger neightbouring
station.
• Tuning is optimum when the pointer of indica-
torqy shows maximum deflection.
FM-manual tuning
• Set source selector@to 'FM'.
• Then press key@.
• Tune to the station desired with knob 14.
Pre-setting FM-stations
• Set sourceselector@to 'FM'.
Press one of the buttons
• Tune to the station desired by rotating this
button.
• Tuning frequency can be read from indicator
• Follow this procedure for setting the remain-
ing buttons@.
Tuning to preset stations
• Set source
selector
• Then press one of the preset buttons 15.
8
level the set will
15.
13 to 'FM'.
Operation with record player
• Switch on the set with O.
• Set source selector@to 'PHONO' position
and tape/monitor
selector to 'SOURCE'.
• Adjust volume, balance, bass and treble with
@ and t).
Operation
with recorders
Listening-induring recording (monitoring)
Only when using a 3-head recorder (with se-
parate recording, playback and erase head) a
recording being made can be compared with
the source(monitoring)by changingovertape/
monitor selector@alternately
to 'TAPE BIMON' position.
Monitoring is only possible with a 3-head re-
corder connectedto the sockets@and@and
selector switch@in depressed position!
Recording
Onto recorders, connected to the sockets 20
and@ recordingscan be made of radio pro-
grammes
or record playback.
e Set source selector 13 to position 'LW',
MW', 'FM' or 'PHONO'.
• Set tape/monitor selector @ to position
'SOURCE'.
• Operatethe recorder according to its instruc-
tions for 'Recording'.
• When using a 3-head recorder B, connected
to socket@, monitoring is possible.
Important: When using two recorders A and B
simultaneously monitoring the recording onto
recorder B must be avoided since this will affect
the recording made onto recorder A.
• Contrary to the setting of the mono/stereo
control @ the setting of the controls for vo-
lume, balance, tone, contour and tone filters
does not affect the recording.
Playback
Playback from recorder A, connected to
socket@ is possible by setting source selec-
tor@to position 'TAPE A'.
• Playback from recorder B, connected to
socket@, is possibleby setting tape/monitor
selector@ to position 'TAPE B/MON'. In this
position no mono/stereo adjustmentispossible.
• Adjust volume,balanceand tone with @
@, @ andC).
Dubbing (copying tapes)
This can be done as follows:
• Playback the tape to be copied with recorder
from 'SOURCE'
Werbung
