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Specifications - UMX -SE Betriebsanleitung

Professionneller vca mischpult
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1) Remove the channel slide, CROSSFADER
knobs and the 4 screws from the sides
of the lower face plate. Then
remove the lower faceplate.
2) Remove the 2 screws in the corners of
the assign switch plate. Rotate the
switch plate to the desired position,
replace the screws and tighten down.
3) To position the switch at a 45 degree angle, you need to reposition the
switch on the assign switch plate. First, remove the 2 screws in the
corners of the assign switch plate. Then, lift the switch plate up and
remove the 2 smaller screws next to the switch. Rotate the switch plate
to the right until the 45 degree holes align with the switch holes, replace
the screws and tighten down. Replace the switch plate and tighten down.
NOTE: KEEP TRACK OF WHERE YOU POSITION THE INPUT ASSIGN SWITCHES. TO AVOID
CONFUSION, MOVE THE SWITCH TO A POSITION NEAR THE CORRESPONDING PRINTING
ON THE FACEPLATE.
7. CHANNEL SLIDE CURVE SWITCHES: Use the 3 position CHANNEL
SLIDE CURVE (32) switches to adjust the kind of curve the channel
slides have. Move the selected channel slide curve switch to the 6 (top)
position to make the increase in level gradual and even. Move the
channel slide curve switch to the 20 (center) position to make the
increase in level less gradual as you move channel slide up. Move the
channel slide curve switch to the 30 (bottom) position to make the
increase in level even less gradual, especially at the top of the slide.
8. CROSSFADER SECTION: The CROSSFADER (39) allows the mixing of
one source into another. The UMX-SE features an assignable
CROSSFADER. The ASSIGN (41) switch allows you to select which
channels will play through the CROSSFADER and has 3 positions. When
the ASSIGN (41) switch is in the left postion, Channel 1 will play through
A (the left side of the CROSSFADER), channel 3 will play through B (the
right side of the CROSSFADER), and channel 2 will be on but not
assigned to the CROSSFADER. When the ASSIGN (41) switch is in the
center postion, Channel 2 will play through A, channel 3 will play
through B and channel 1 will be on but not assigned the the
CROSSFADER. When the ASSIGN (41) switch is in the right position,
Channel 2 will play through A, channel 3 will play through B and channel
1 will be OFF. The CROSSFADER ASSIGN LED (36, 37, 38) indicate
which channels are assigned to the CROSSFADER. When a channel is
assigned to the CROSSFADER, the CROSSFADER ASSIGN LED will light
BLUE. When a CROSSFADER ASSIGN LED is not lit, the channel is on
but not assigned to the CROSSFADER. When the CROSSFADER
ASSIGN LED (36) lights RED, channel 1 is OFF. The CROSSFADER
CURVE (40) control allows you to adjust the kind of curve the
CROSSFADER has. Move the CROSSFADER CURVE (40) control
to the right to make the curve steep and cutting (perfect for scratching).
Move the CROSSFADER CURVE (40) control to the left to make the
curve gradual and gentle. The CROSSFADER REVERSE SWITCH (42)
allows you to reverse the CROSSFADER so that B is control LED by the
left side of the CROSSFADER and A is control LED by the right side of
the CROSSFADER.
NOTE: WHEN THE CROSSFADER REVERSE SWITCH (42) IS ACTIVATED (MOVED TO THE
RIGHT), ONLY THE CROSSFADER REVERSES. THE CHANNEL SLIDES, GAIN, PAN AND
TONAL CONTROLS DO NOT REVERSE.
9. OUTPUT CONTROL SECTION: The level of the MASTER OUTPUT (9,
11) is controlLED by the MASTER (19) control. The ZONE (18) control
adjusts the level of the ZONE OUTPUT (12).
HINT: THE ZONE OUTPUT IS USED BY SOME DJS TO RUN MONITOR SPEAKERS IN THEIR DJ
BOOTH. YOU CAN ALSO USE IT AS A SECOND ZONE OR AMP OUTPUT.
NOTE: THE RECORD OUT (10) HAS NO LEVEL CONTROL. THE LEVEL IS SET BY THE
CHANNEL SLIDES AND THE GAIN CONTROLS OF THE SELECTED CHANNEL. THE TONAL
QUALITIES ARE SET BY THE LOW, MID AND HIGH CONTROLS OF THAT SAME CHANNEL.
10.CUE SECTION: By connecting a set of headphones to the PHONES (45)
jack, you can monitor any or all of the channels. Press the CUE ASSIGN
(28) buttons for channels 1 - 3 to select the channel or channels to be
monitored and their respective LED indicators will glow. Use the CUE
LEVEL (44) control to adjust the cue volume without effecting the
overall mix. By moving the CUE FADER (43) control to the left you will be
able to monitor the assigned cue signal. Moving the control to the right
will monitor the PGM (program) output.
11.DISPLAYS: The PEAK HOLD LED METER (21) indicates the MASTER
OUTPUT (9, 11) left and right channel levels. The individual channels each
have their own PREFADER INPUT LEVEL PEAK HOLD LED METERS
(22) which reflect the GAIN (23), HIGH (24), MID (25) and LOW (26)
rotary control adjustments. The CHANNNEL SLIDES (33, 34, 35) will not
effect the PREFADER INPUT LEVEL PEAK HOLD LED METERS (22).

SPECIFICATIONS:

INPUTS:
Mic..............................................................................1.5mV 2Kohm balanced
Phono..........................................................................................3mV 47Kohm
Line........................................................................................150 mV 27Kohm
OUTPUTS:
Master (balanced).............................................................0 dB 2 V 800 Ohm
Max.....................................................................................40 V Peak to Peak
Master/Zone (unbalanced)....................................................0 dB 1V 400ohm
Max......................................................................................20V Peak to Peak
Rec...........................................................................................225mV 5Kohm
MIC:
Mic..............................................................................1.5mV 2Kohm balanced
Controls............................................................................................Channel 1
GENERAL:
Low (Chnls 1-3).......................................................................+ 12dB/- 32 dB
Mid (Chnls 1-3).........................................................................+ 12dB/- 32 dB
High (Chnls 1-3).......................................................................+ 12dB/- 32 dB
Gain (Chnls 1-3)..............................................................................0 to -20dB
Frequency Response...................................................20Hz - 20KHz +/- 2dB
Distortion...................................................................................................0.08%
S/N Ratio................................................................................better than 80dB
Headphone Impedance..........................................................................16ohm
Power Source............................................................115/230V 60/50Hz 20W
Dimensions...........................10"w x 14.75"h x 4.25"d (254 x 375 x 108 mm)
Weight............................................................................................9 lbs (4 kg)
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