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Gemini MM-02 Bedienungshandbuch Seite 5

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comfortable level, once you've selected the proper line.
You can further modify the sound output of this channel
by adjusting the rotary GAIN (46) control located below
the LN SWITCH (45).
NOTE: FOR OPTIMAL PERFORMANCE, BEGIN PROGRAM MIX
WITH ROTARY GAIN (34, 38, 42, 46) CONTROLS SET TO ZERO
(ROTATE IT COUNTERCLOCKWISE TO THE LEFT POSITION).
MAKE ALL ADJUSTMENTS IN SOUND OUTPUT WITH THE USE OF
YOUR CHANNEL (36, 40, 44, 48), MASTER VOLUME (22) SLIDE
CONTROLS, AND ZONE (21) ROTARY CONTROL. THIS WILL PRE-
VENT SIGNAL OVERLOAD AND DECREASE DISTORTION. ONCE
YOU HAVE MODIFIED YOUR SOUND AND WOULD LIKE TO
INCREASE THE OUTPUT OF YOUR SOUND, THEN YOU MAY
ADJUST THE ROTARY GAIN CONTROLS IF NEEDED.
6. EQUALIZER: The MM-02 features 3 BAND EQ (24, 25,
26) rotary controls located above the MASTER VOLUME
(22) slide control. These controls give you a wide range of
sound modification. The HIGH (24), MID (25), and LOW
(26) controls allow you to fully adjust the main output.
7. STEREO/MONO: You can convert your sound output
from STEREO to MONO and vice versa by pushing the
MONO BUTTON (23). The MONO BUTTON'S LED (23)
will glow indicating that this feature is in use.
8. OUTPUT SELECTION CONTROL: Once you are com-
fortable with the sound level of your music you may adjust
the volume with the MASTER VOLUME (22) slide control.
With this unit you may transfer the sound out put to anoth-
er area with the use of your ZONE VOLUME (21) rotary
control.
9. CUE: By connecting a set of headphones to the HEAD-
PHONE (18) jack, you can monitor any or all channels.
Press CUE buttons (35, 39, 43, 47) for CH 1 through CH
4 to assign the channel(s) to be monitored. The respec-
tive CUE LED indicators will glow when in use. Use the
rotary CUE VOLUME (19) control to adjust the cue vol-
ume without changing the overall mix. By moving the
CUE/PGM FADER (20) control to the LEFT you will be
able to monitor the assigned cue signal. Moving the con-
trol to the RIGHT allows you to monitor PGM output.
Moving the control to the MIDDLE allows cue mix with
PGM.
10. CROSSFADER SECTION: The CROSSFADER (49)
allows you to mix from one source to another. CH 2 (40) is con-
trolled on the left side of the CROSSFADER (49). CH 3 (44) is
controlled by the right side of the crossfader (49). CH 1 (36) and
CH 4 (48) are controlled through their respective SLIDE CON-
TROLS, not the CROSSFADER (49). The CROSSFADER (49)
in your unit is removable and if the need arises can be easily
replaced. Your Gemini mixer comes with an RG-45 PRO (RAIL-
GLIDE™) Dual-Rail Crossfader. Rail Glide™ crossfaders
have internal dual stainless steel rails that allow the slider to ride
smoothly and accurately from end to end. Also available is our
CF-45 PRO (PROGLIDE™) Dual-Rail Crossfader. This unique
crossfader features, state of the art conductive plastic technology,
for unlimited useage. Another crossfader we have available is the
PSF-45 (PRO SCRATCH™) crossfader with a special curve
designed for scratch mixing. Just purchase one from your
Gemini dealer and follow the instructions:
Replaceable Crossfader
1. Unscrew the outside FADER plate screws (B).
- Do not touch INSIDE SCREWS (C).
2. Carefully remove old
Crossfader
and
CABLE (D).
3.Plug new Crossfader into
CABLE (D) and place back
into mixer.
4. Screw Crossfader to
mixer
with
the
FADER
PLATE SCREWS (B).
11. MIC SECTION: Plug your main mic into the MIC 1 XLR
input (28) located on the top panel. The rotary controls for
HIGH (30) and LOW (31) for MIC 1 (28) allow you to
adjust the tone of MIC 1. The MIC 1 rotary volume con-
trol (29) , above the HIGH(30)/LOW(31) controls, adjust
the decibel level of MIC 1 (28). You may also plug a sec-
ond mic into the rear panel's MIC 2, ¼" jack (16). The
tone and decibel level of MIC 2 (16) is controlled by the
CH 1 SLIDE (36) control and the 3 BAND EQ (24, 25, 26)
rotary controls.
12. TALKOVER: The purpose of the TALKOVER MODE is
to allow the program playing to be muted so that the mic
may be heard above the music. The MIC/TALKOVER
SWITCH (32) controls MIC 1 (28) with 3 settings:
- When the MIC/TALKOVER SWITCH (32) is in the
BOTTOM position, MIC 1 (28) and TALKOVER MODE
are all OFF.
- When the MIC/TALKOVER SWITCH (32) is in the
CENTER position, MIC 1 (28) is ON and TALKOVER
MODE is OFF. The MIC ON LED INDICATOR glows
when MIC 1 (28) is ON.
- When the MIC/TALKOVER SWITCH (32) is in the TOP
position, MIC 1 (28) is ON and TALKOVER MODE is ON,
and the volume of all sources except MIC 1(28) inputs is
lowered by -16 dB.
13. VU METER: The VU METER (27) indicates the pro-
gram output level of the MASTER (3) left and right stereo
levels.
SPECIFICATIONS:
INPUTS:
Phono......................................................................3 mV, 47 KOhm
Line......................................................................150 mV, 10 KOhm
MIC 1 & MIC 2........................................1.5 mV, 1 K Ohm Balanced
OUTPUTS:
Amp/Booth...........................................................0 dB 1V, 400 Ohm
Max......................................................................20V Peak-to-Peak
Rec........................................................................225 mV, 5 KOhm
GENERAL:
Frequency Response....................................20Hz - 20KHz +/- 2 dB
Distortion.............................................................................< 0.02%
S/N Ratio..............................................................Better Than 80 dB
Talkover Attenuation...............................................................-16 dB
Headphone Impedance........................................................16 Ohm
Power Source..................................................................115V/60Hz
........................................................................................230V/50Hz
Unit Dimensions...............................................W 19" x H 3.4" x D 7"
..............................................................(482.6 x 86.36x 177.8 mm)
Weight...................................................................8.95 lbs (4.05 kg)
SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTIFICATION
FOR IMPROVEMENT.
(5)
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