Peavey Studio Pro 110 Betriebsanleitung Seite 3

ENGLISH
HIGH GAIN INPUT (1)
Used for most electric guitars, It is 6 dB louder than the Low Gain input.
LOW GAIN INPUT (2)
Provided for instruments that have extremely high outputs, which can result in overdriving (distorting) the
High Gain input. If both inputs are used simultaneously, the output levels are the same (both arc High Gain).
NORMAL GAIN (3)
Controls the volume level of the Normal channel and is not affected by the SuperSat^ or Post Gain controls.
BRIGHT SWITCH (4)
Provides a preset boost (6 dB) to treble frequencies. To activate, depress the switch to its "in" position.
CHANNEL SELECT SWITCH <5)
Allows selection of the Lead or Normal channel- The "in'" position of the switch selects the Lead channel
and the "out" position select Normal.
NOTE: Channel selection may also be accomplished by the remote footswitch. If the remote selection is desired
the channel switch must be in the "in' (Lead) petition.
LOW, MID, & HIGH EQ (6)
Passive tone controls that regulate the low, mid and high frequencies, respectively.
SUPERSATVPULL GAIN (7)
A transistor simulation of tube distortion (soft clipping). To activate the SuperSat effect, Lead channel must
be activated. The Pull Gain switch boost the SuperSat gain. Pull SuperSat control "out'* to activate.
POST G.AIN (8)
Controls the overall volume level of the Lead channel. The final level adjustment should be made after the
desired sound has been achieved.
BOTTOM (9)
An active tone control (shelving type ±15 dB) that varies the low frequency boost or cut.
NOTE: This control is not functional on the Normal channel.
BODY (10)
An active tone control (peak/notch, ±15 ciB) that varies the mid frequency boost or cut.
NOTE; This control is not functional on the Normal channel.
EDGE (11)
An active lone control (shelving type. ±15 dB) that varies the high frequency boost or cut.
NOTE: This control is not functional on the Normal channel.