tebone
This manual includes the operation of the RB500 microphone and the available optional accessories.
Thankyou purchasingthe t.bone
designed specially for use for recording studio vocals, acoustic instruments,
ambient instrument audio, and many live sound applications.
This microphone provides the unique natural sound previously only available on such classic large ribbon mics, which is still
used to make great recordings today after almost 80 years. Powerful and versatile, and with the unmatched natural sound of
classis ribbon mics, the RB500 meets the stringent need or requirement of the most demanding digital recording or live
broadcasting applications.
Please read this user's guide carefully, so that you can take full advantage of the features of your microphone, and to enjoy
long and trouble-free use, since ribbon microphones are, by their design, very sensitive to damage from mishandling and
use, it is very important to read and observe the precautions about proper use.
MAIN
ITEMS
WHAT
WE
RB500 ribbon microphone attached with stand
mountand
XLR
cable
user
manual
Soft, padded carrying case
PERFORMANCE
AND
MAIN
Quite low-tension 2-inch long, 2 micron thick aluminum ribbon design with typical large, mellow" ribbon audio
reproduction with smooth, natural extended low and high ends
The unparalleled,
undescribed
Fast accurate transient response, ultra-high 165dB SPL capability, unmatched transient response and overall
stunning realism
Figure-8 audio directional (pickup) pattern for both front and rear wide, extended sweet spots(as compared to large
diaphragm Condenser mics); and increased off-axis high frequency response on sides, with decreased high
response above and Below on-axis (though lower audio levels)
Individual recording volume control of separate sources, through use of stereo mic setups wherein isolation is
achieved by placing the source so that it is in the principal axis of one mic and the off-axis null of the other
Manufactured
with the finest materials with a machined housing with advanced internal shock mount construction for
the highest structural integrity and rugged reliability
WHAT
YOU
SHOULD
NOTICE
Any RB500 microphone was packed carefully before delivery out from factory, the shipping carton (and soft carrying case)
was designed to protect the unit during shipping. So you should keep this container for subsequent
highly unlikely event that you ever need to return your microphone for servicing. Please note: since the ribbon assembly of
the RB500, as with all ribbon microphones,
microphone that it has not been damaged during shipment and is operating correctly. The warranty on this microphone does
not extend beyond an initial inspection; since these microphones can be so easy damaged during handling and use. If the
unit arrived damaged please return it immediately to where you bought it.
SPECIFICATIONS
Type: Large Ribbon Geometry (LRG) ribbon (velocity) Microphone
Frequency response: 30 to 18,000 Hz (+/-3dB)
Impedance: <=198 Ohms
Ribbon type & Dimensions:
Polar pattern: Figure 8
Sensitivity:
Net weight: 45 oz (1240g)
Recommended
load impedance:
Max. SPL (10/0THD @1000Hz):
Equivalent noise level to IEC 268-4 (A weighted): 18dB
S/N ratio:
69dB
Mic cable: 3-pin XLR standard cable (attached)
Size: Diameter: 2.7"(68.5mm),
Specifications
and design subject to change for improvement
RB500 high quality Ribbon Studio Microphone. This superior neoclassic microphone is
SUPPLIED
SPECIFICATIONS
audio performance
DURING
STORAGE
AND
is extremely
Pure aluminum, 2 microns thick, 50mmX5mm
1000 Ohms
165 dB
USER
MANUAL
RB500 High Quality
strings, horns, orchestras and choir groups,
ACCESSORIES
Pop Filter (highly recommended,
Are very susceptible to damage from strong air blasts,
as with percussive sounds during recording)
the
t.bone
MS180
of a classic ribbon (velocity) microphone
TRANSPORT
fragile, you must verify immediately
(LXW)
purposes without prior notice
Ribbon Studio Microphone
FOR
YOUR
CHOICE
as ribbon microphones
or MS250.
transport and in the
upon receipt of your