Behringer DX626 Kurzanleitung Seite 14

14
PRO MIXER DX626
PRO MIXER DX626 Controls
Controls
(EN)
(1) The MIC INPUT is the balanced XLR connector
for your dynamic microphone.
(2) The GAIN control is used to line up the input
signal of each channel.
(3) Each input channel has a 3-band equalizer
(HIGH, MID and LOW) with kill characteristic.
Thus, the signal can be lowered to a much
greater extent (-32 dB) than it can be raised
(+12 dB).
(4) The MIC/LINE–PHONO switch allows you
to choose between the microphone signal
and the line or phono signal on channel 1.
The position of the rear panel PHONO/LINE
switch (see (21)) determines whether the
input is switched to the phono or the line level
setting of the right-hand switch position.
(5) On channels 2 and 3 you determine the
input signals with the PHONO/LINE switch.
"Phono" is intended for connecting a
turntable. "Line" must be selected for all other
signal sources (e. g. CD or MD players).
(6) Adjust the channel volume with the
CHANNEL fader.
(7) The PRO MIXER has a talkover function.
This feature is actually quite simple:
by pushing the TALK button, the signal of the
other input channels is lowered (TALK LED
lights up), enabling your voice to be heard
more clearly over the microphone.
(8) The MASTER control determines the output
volume at the MASTER output (see (27)).
(9) A BALANCE control for the MASTER output is
for shaping the stereo image.
(10) The BOOTH control determines the output
volume at the BOOTH output (see (26)).
The CUE control determines the volume of the
(11)
headphones signal (PFL signal).
(12) With the three buttons CH-1, CH-2 and
CH-3, you determine the signal source for
the headphones signal. You can preview
the channels individually or listen to all
three simultaneously.
The MASTER/CUE fader allows you to
(13)
control the volume ratio between the input
channels' signal and the MASTER signal on
your headphones.
(14) Here you can read the volume level of the PFL
and MASTER signals from three, 10-character
LED displays. The lower LED chain displays the
PFL signal and the two upper LEDs display the
right and left MASTER signals.
(15) The PRO MIXER DX626 BPM counter is an
extremely useful feature. It ensures smooth
transition from one track to the next,
making your session an absolute success.
It can calculate the various tempi of tracks
in bpm (beats per minute). The left display
indicates the tempo on channel 2 and the
right display shows the tempo on channel 3.
(16) The CROSSFADER is for crossfading between
channels 2 and 3.
(17) This is the connector for a commercially
available 12-volt BNC lamp.
(18) Turn on the DX626 with the POWER button.
(19) The HEADPHONES connector enables you to
preview pieces of music (PFL signal) on your
headphones. Your headphones should have a
minimum impedance of 32 ohms.
(20) This is the INPUT 1 input for channel 1. It can
be switched to phono or line input sensitivity.
(21) With the PHONO/LINE switch at the
channel 1 input you can choose between
LINE and PHONO input. However, in order to
do that, the MIC/LINE–PHONO switch on the
front panel must be switched to LINE–PHONO
(see (4)).
(22) The PHONO inputs from channels 2 and 3 are
also for connecting turntables.
(23) These are the LINE inputs from channels 2
and 3 for connecting tape decks, CD or MD
players etc.
(24) The GND connectors ground the turntables.
(25) Using the TAPE output you can record your
music by connecting devices such as tape
decks, DAT recorders etc. Unlike the MASTER
and BOOTH outputs, the output volume is
fixed, making it necessary for you to adjust the
input level on the recording device.
(26) The BOOTH output gives you another possible
way to connect an amplifier. It is controlled by the
BOOTH control on the front panel. Through this
output you can operate monitor speakers or even
provide another area with sound.
(27) The MASTER output is for connecting
an amplifier and is adjusted using the
MASTER control.
(28) This is the connector for the power
cable. This is where the advantage of the
sophisticated internal power supply can be
seen: the pulse behaviour of each amplifying
circuit is mainly determined by the voltage
reserves available.
(29) FUSE HOLDER / VOLTAGE SETTING.
(30) SERIAL NUMBER.