Behringer XENYX QX1002USB Schnellstartanleitung Seite 12

22
XENYX QX1202USB/QX1002USB
XENYX QX1202USB/QX1002USB Getting started
Step 3: Getting
To correctly set the gains of the channels,
(EN) (EN)
first set the LEVEL controls of the input channels
started
to their center positions (0 dB). Then use the GAIN
controls to increase the input amplification until
signal peaks show 0 dB on the level meter.
Paso 3: Puesta en
(ES)
When recording to digital recorders, the recorder's
marcha
peak meter should not go into overload.
While analog recorders can be overloaded to
some extent, creating only a certain amount of
Etape 3 : Mise en
(FR)
distortion (which is common and often desirable),
oeuvre
digital recorders distort quickly when overloaded.
In addition, digital distortion is not only undesirable,
but also renders your recording completely useless.
Schritt 3: Erste
The peak meters of your XENYX display the level
(DE)
virtually independent of frequency. A recording level
Schritte
of 0 dB is recommended for all signal types.
Para ajustar el nivel debe posicionar el regulador
(ES)
Passo 3: Primeiros
LEVEL de los canales de entrada en la posición
(PT)
central (0 dB) y aumentar mediante el regulador
Passos
GAIN la amplificación de entrada a 0 dB.
En la grabación con grabadores digitales,
los medidores punta del grabador no deben
superar los 0 dB. Esto se debe a que, al contrario
que en la grabación analógica, ya las más
pequeñas sobrealimentaciones (que también
surgen de forma muy repentina) conducen a
desagradables distorsiones digitales. Los medidores
punta de su XENYX muestran el nivel más o
menos independientemente de la frecuencia.
Se recomienda un nivel de grabación de 0 dB para
todos los tipos de señal.
Reglage : Pour régler le niveau des
(FR)
signaux, placez la commande de niveau LEVEL
de chaque canal en position neutre 0 dB et
ajustez l'amplification d'entrée sur 0 dB via le
potentiomètre GAIN.
Pour l'enregistrement en numérique, l'afficheur de
crêtes de votre enregistreur ne doit pas excéder
0 dB. En effet, contrairement aux magnétos
analogiques, les enregistreurs numériques génèrent
des distorsions très désagréables dès le moindre
dépassement, même minime, du maximum
numérique. Les indicateurs de crêtes de votre
XENYX affichent le niveau de façon quasiment
indé-pendante de la fréquence. Nous vous
conseillons un niveau d'enregistrement de 0 dB quel
que soit le signal.
Aussteuerung: Zum Einpegeln sollten Sie den
(DE)
LEVEL-Regler der Eingangskanäle in Mittelstellung
(0 dB) bringen und mit dem GAIN-Regler die
Eingangsverstärkung auf 0 dB anheben.
Bei der Aufnahme mit Digitalrekordern
sollten die Peak-Meter des Rekorders 0 dB
nicht übersteigen. Das hat den Grund, dass im
Gegensatz zur Analogaufnahme bereits kleinste
Übersteuerungen (die auch sehr plötzlich auftreten)
zu unangenehmen, digitalen Verzerrungen führen.
Die Peak-Meter Ihres XENYX zeigen den Pegel
nahezu frequenzunabhängig an. Empfehlenswert ist
ein Aufnahmepegel von 0 dB für alle Signalarten.
Modulação: Para a regulação do nível deverá
(PT)
colocar o regulador LEVEL dos canais de entrada
na posição central (0 dB) e com o regulador GAIN
aumentar a amplificação de entrada para 0 dB.
Aquando da gravação com gravadores digitais,
os medidores de peak do gravador não
devem ultrapassar os 0 dB. O motivo é que,
contrariamente à gravação analógica, as mais
ínfimas sobremodulações (que também surgem
muito repentinamente) podem originar distorções
digitais desagradáveis. Os medidores do peak
do seu XENYX indicam o nível de forma mais ou
menos independente da frequência. Recomenda-se
um nível de gravação de 0 dB para todos os tipos
de sinais.
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Quick Start Guide
Presets List
Reverb Early Reflections / Delay
00 Small Chamber 40
01 Mid Chamber 41
02 Big Chamber 42
03 Theater 43
04 Small Room 1 44
05 Small Room 2 45
06 Mid Room 1 46
07 Mid Room 2 47
08 Large Room 48
09 Small Hall 49
10 Concert Hall 50
11 Mid Hall 51
12 Big Hall 52
13 Ambient Hall 53
14 Church 54
15 Short Plate Modulation
16 Mid Plate 55
17 Long Plate 56
18 Gold Plate 57
19 Vint250Verb 1
58
20 Vint250Verb 2 59
21 Mid Spring 60
22 Long Spring 61
23 Gated Reverb Short 62
24 Gated Reverb Mid 63
25 Gated Reverb Long 64
26 Gated Alive 65
27 Reverse Short 66
28 Reverse Mid 67
29 Reverse Long 68
Early Reflections / Delay 69
30 Short Ambience 70
31 Mid Ambience 71
32 Live Ambience 72
33 Big Ambience 73
34 Stadium 74
35 Early Reflections 1 75
36 Early Reflections 2 76
37 Early Reflections 3 77
38 Early Reflections 4 78
39 Slap Delay
Multi
Short Delay 1 79 Delay + Chorus 1
Short Delay 2 80 Delay + Chorus 2
Mid Delay 1 81 Delay + Chorus 3
Mid Delay 2 82 Delay + Flanger 1
Mid Delay 3 83 Delay + Flanger 2
Long Delay 1 84 Delay + Pitch 1
Long Delay 2 85 Delay + Pitch 2
Long Delay 3 86 Delay + Reverb 1
Stereo Delay 87 Delay + Reverb 2
Ping-Pong Delay 88 Delay + Reverb 3
Short Echo 89 Chorus + Reverb 1
Mid Echo 1 90 Chorus + Reverb 2
Mid Echo 2 91 Flanger + Reverb 1
Long Echo 1 92 Flanger + Reverb 2
Long Echo 2 93 Detune + Reverb
Special FX
Soft Chorus 94 LFO Filter 1
Warm Chorus 95 LFO Filter 2
Phat Chorus 96 Talkbox 1
Classic Flanger 97 Talkbox 2
Warm Flanger 98 Overdrive
Stereo Flanger 99 Distortion
Classic Phaser
Warm Phaser
Heavy Phaser
Stereo Phaser
Slow Tremolo
Fast Tremolo
Panner 1
Panner 2
Detune 1
Detune 2
Minor Third Up
Major Third Up
Fifth Up
Fourth Down
Octave Down
Minor Chord
Major Chord
Jazzy